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Any Way That You Want Me
"Any Way That You Want Me" is a song written by Chip Taylor that was first released in September 1966 by Tina Mason as the B-side to her single "Finders Keepers". It has been covered by a number of artists, with the most successful version being by English rock band the Troggs. The Troggs version Release and reception Chip Taylor had previously written " Wild Thing", which had become an international hit for the Troggs earlier in 1966. After a further two hit singles, the Troggs chose to cover another of his compositions, "Any Way That You Want Me". However, it was very different from the Troggs' previous releases, as it was a gentler pop ballad compared to their garage rock songs. Released in December 1966, "Any Way That You Want Me" proved to be a success, becoming a top-ten hit in the UK in January 1966. However, it wasn't released in North America until April 1967 following the release of "Give It to Me" as a single there in February 1967. It failed to be as successful as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Troggs
The Troggs (originally called the Troglodytes) are an English garage rock band formed in Andover, Hampshire in May 1964. Their most famous songs include the US chart-topper " Wild Thing", " With a Girl Like You" and " Love Is All Around", all of which sold over 1 million copies and were awarded gold discs. "Wild Thing" is ranked No. 257 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time and was an influence on garage rock and punk rock.Laing, Dave (1985). ''One chord wonders: power and meaning in punk rock''. p.12, Open University Press History Reg Presley (lead vocals) and Ronnie Bond (drums) were childhood friends and in the early 1960s formed an R&B band in their home town of Andover. In 1964 they were joined by Pete Staples (bass) and Chris Britton (guitar) and became the Troggs. They were signed by Larry Page, manager of the Kinks, in 1965. They recorded on Page's Page One Records, and Page also leased them to CBS for the debut single " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twist And Shout
"Twist and Shout" is a 1961 song written by Phil Medley and Bert Berns (later credited as "Bert Russell"). It was originally recorded by the Top Notes, but it did not become a hit in the record charts until it was reworked by the Isley Brothers in 1962. The song has been covered by several artists, including the Beatles, Salt-N-Pepa, and Chaka Demus & Pliers, who experienced chart success with their versions. Original version The Top Notes, an American R&B vocal group, recorded "Twist and Shout" at the Atlantic Studios on February 23, 1961. The session was arranged by Teddy Randazzo and produced by Phil Spector.The Top Notes' Howard "Howie" Guyton provided the lead vocals, with accompaniment by saxophonist King Curtis, guitarist John Pizzarelli, drummer Panama Francis, and backing vocalists the Cookies. In a song review for AllMusic, Richie Unterberger described the Top Notes recording as "a Latin-tinged raveup with a drab generic R&B melody" that he felt was "not very go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pumpkin, Powder, Scarlet & Green
''Pumpkin, Powder, Scarlet & Green'' is the third album released by the 60's pop group The American Breed, released in the summer of 1968. This album was not as successful as their first two efforts, but the album did manage to have three modest hit singles: "Cool It (We're Not Alone)", "Ready, Willing and Able" (#84), and a cover version of The Troggs' "Anyway That You Want Me" (#88). Unfortunately, this album marked a beginning in decline of the group's popularity. Track listing Personnel The American Breed * Gary Loizzo - lead guitar, lead vocals * Al Ciner - rhythm guitar, backing vocals * Charles Colbert - bass, backing vocals * Lee Graziano - drums, backing vocals, trumpet Additional musicians * Ralph Craig – trombone * Bobby Lewis, Bobby Howell, Arthur Hoyle – trumpets * Lenard Druss – saxophone Technical * Bill Traut, Skeet Bushor, Bob Keene – producers * Eddie Higgins – arrangements * Jerry DeClercq – engineer * Christopher Whorf – art direction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The American Breed
The American Breed was an American rock band from Chicago in the 1960s. The band was originally called Gary & The Knight Lites before adopting the name The American Breed in 1967. The band had a number of charting songs in 1967–68, the best-known of which was " Bend Me, Shape Me". The band broke up in 1970, and members went on to form Rufus after the split. History The American Breed originated as a group formed in 1961 by Gary Loizzo in Cicero, Illinois, United States, called Gary & The Knight Lites. Gary & The Knight Lites was influenced by The Everly Brothers and rhythm & blues songs, and they were joined in their first recording session by Charles "Chuck" Colbert whose father owned the recording studio. Songs they recorded included "I'm Glad She's Mine", and "Will You Go Steady". Other releases included "I Don't Need Your Help" and "I Can't Love You Anymore", also they also recorded "One, Two, Boogaloo" as The Light Nites. They recorded until 1966 before becoming The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in folk, jazz, and the blues, while others showcased an explicit Indian classical influence called " raga rock". In the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liverpool Five
The Liverpool Five were a beat group that was part of the British Invasion-era of the 1960s. The group played throughout Europe and Asia before achieving the peak of their success in the United States between 1965 and 1967. Career Formed in England in 1963 as the Steve Laine Combo, the group comprised Steve Laine (lead vocals), Ken Cox (guitar and vocals), Dave Burgess (bass and vocals), Ron Henley (keyboards, sax and vocals) and Jimmy May (drums and vocals). The Steve Laine Combo played in clubs such as the Flamingo in Soho, and were spotted by the owners Rik and Johnny Gunnell. On a tour of Germany arranged by the Gunnells in early 1964, the band was signed to a management contract by German impresario Karl Buchmann, who added them to a large-venue tour of Germany and Austria. Following that tour, at Buchmann's suggestion, the group changed its name to The Liverpool Five, to capitalize on the international popularity of The Beatles. Despite the name, none of the group member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Retailer
''Record Retailer'' was the only music trade newspaper for the UK record industry. It was founded in August 1959 as a monthly newspaper covering both labels and dealers. Its founding editor was Roy Parker (who died on 27 December 1964). The title changed to ''Record Retailer and Music Industry News'' shortly after launch. With its issue of 10 March 1960, ''Record Retailer'' became a weekly magazine and started a chart showing the top 50 records in sales. For the period until February 1969, when a standardised UK chart was established with the British Market Research Bureau, the Official Charts Company recognises the listings compiled by ''Record Retailer'' as representing the official national chart. On 5 October 1967 the title reverted to ''Record Retailer'' and in January 1971 became ''Record & Tape Retailer''. The publication was relaunched on 18 March 1972 as ''Music Week''. References See also *UK Singles Chart The UK Singles Chart (currently titled Official Sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tio I Topp
''Tio i Topp'' (English: ''Ten At The Top'') was a Swedish record chart and radio program broadcast by Sveriges Radio P3 between the years of 1961 and 1974. It was launched to combat pirate radio charts and was the first official Swedish record chart, predating the sales chart Kvällstoppen by a year. For a few months during the summers starting in 1962, it would turn into ''Sommartoppen'' (English: ''The Summer Top'') with a separate host and a different concept. The program ceased in June 1974 following heated debates tying in with the progg movement. Both ''Tio i Topp'' and Kvällstoppen are considered official charts in Sweden during the 1960s. Background Starting in the late 1950s, pirate radio stations had become rampant in Sweden, starting with stations such as Radio Syd and Radio Nord in south- and northern Sweden respectively. These differed significantly from the government owned Sveriges Radio stations that were largely directed towards an older, more mature aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Springbok Radio
Springbok Radio (spelled ''Springbokradio'' in Afrikaans, ) was a South African nationwide radio station that operated from 1950 to 1986. History SABC's decision in December 1945 to develop a commercial service was constrained by post-war financial issues. After almost five years of investigation and after consulting Lord Reith of the BBC and the South African government, it decided to introduce commercial radio to supplement the SABC's public service English and Afrikaans networks and help solve the SABC's financial problems. The SABC would build the equipment and facilities and would place them at the disposal of advertisers and their agencies at cost for productions and allow them to make use of SABC's production staff. On 1 May 1950, the first commercial radio station in South Africa, Springbok Radio, took to the air. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
