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Antonio Della Mola
Antonio della Mola was a 16th-century Italian artist who worked in intaglio and wood-inlay, as well as producing sculptures in marble. Born in Mantua, he worked alongside his brother Paolo in Mantua and Carpi. In Mantua he worked under the guidance of Giulio Romano and also created the scheme of wooden panels in the grotto of the studiolo of Isabella d'Este The Studiolo of Isabella d'Este was a special private study, first in castello di San Giorgio, later the Studiolo was moved to the Corte Vecchi apartments in the Ducal Palace in Mantua, designed by, and with a collection of art specially commissio ... at the Ducal Palace. He also created wooden inlay panels for the sacristy wardrobes in San Marco Basilica and marble sculptures for the Ducal Palace, both in Venice. References 16th-century Italian sculptors Artists from Mantua Italian woodcarvers Year of birth unknown Year of death unknown Sculptors from Lombardy {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantua 2013 021
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. Process In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called ''engraving''; or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood-inlay
Marquetry (also spelled as marqueterie; from the French ''marqueter'', to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels appreciated in their own right. Marquetry differs from the more ancient craft of inlay, or intarsia, in which a solid body of one material is cut out to receive sections of another to form the surface pattern. The word derives from a Middle French word meaning "inlaid work". Materials The veneers used are primarily woods, but may include bone, ivory, turtle-shell (conventionally called "tortoiseshell"), mother-of-pearl, pewter, brass or fine metals. Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century. Many exotic woods as well as common European varietie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantua
Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture. In 2017, it was named as the European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia, and Cremona). In 2008, Mantua's ''centro storico'' (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, culture, cultural, and especially musical hubs of Northern Italy and the country as a whole. Having one of the most splendid courts of Europe of the fifteenth, sixteenth, and early seventeenth centuries. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carpi, Emilia-Romagna
Carpi (; ) is an Italian town and ''comune'' of about 71,000 inhabitants in the province of Modena, Emilia-Romagna. It is a busy centre for industrial and craft activities and for cultural and commercial exchanges. History The name "Carpi" is derived from ''carpinus betulus'', a hornbeam tree particularly widespread in medieval times in the Po valley region. In Prehistoric times it was a settlement of the Villanovan Culture. The foundation by the Lombard king Aistulf of St. Mary's church in the castle (''Castrum Carpi'') in 752 was the first step in the current settlement of the city. From 1319 to 1525 it was ruled by the Pio family, after whom it was acquired by the Este, as part of the Duchy of Modena. The city received a Silver Medal for Military Valour in recognition of its participation in the resistance against the German occupation during World War II. The town has one of the largest squares in all Italy (3rd place), the heart of the city, Piazza dei Martiri. It is s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Romano
Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-century style known as Mannerism. Giulio's drawings have long been treasured by collectors; contemporary prints of them engraved by Marcantonio Raimondi were a significant contribution to the spread of sixteenth-century Italian style throughout Europe. Biography Giulio Pippi was born in Rome and he began his career there as a young assistant to the renown Renaissance artist, Raphael. He was an important member of Raphael's studio. He worked on the frescos in the Vatican loggias using designs by Raphael and, in Raphael's ''Stanze'' in the Vatican, painted a group of figures in the '' Fire in the Borgo'' fresco. He also collaborated on the decoration of the ceiling of the Villa Farnesina. Despite his relative youth, increasingly he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studiolo Of Isabella D'Este
The Studiolo of Isabella d'Este was a special private study, first in castello di San Giorgio, later the Studiolo was moved to the Corte Vecchi apartments in the Ducal Palace in Mantua, designed by, and with a collection of art specially commissioned by Isabella d'Este. History Beginnings Born in Ferrara and educated by some of the most notable humanists of the era, the sixteen-year-old Isabella arrived in Mantua on 12 February 1490 to marry Francesco II Gonzaga. She was given apartments on the main floor of the castello di San Giorgio, close to the Camera degli Sposi. Shortly after her arrival she selected two rooms in these apartments for private use. Badly-lit and with no fireplaces, these two rooms were in the San Niccolò tower - the upper one became her "studiolo" and beneath it her barrel-vaulted "grotta", accessed via a staircase and doorway decorated in marble. She was probably inspired by the Studiolo of the Palazzo Belfiore, designed for her uncle Leonello d'Este, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ducal Palace, Mantua
The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi (Wedding Room), they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marco Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the fall of the republic in 1797, it was the chapel of the Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra'' for administrative and financial affairs. The present structure is the third church, begun probably in 1063 to express Venice's growing civic conscio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ducal Palace, Venice
The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia. History In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a ''palatium duci'' (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Sculptors
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists From Mantua
An artist is a person engaged in an activity related to creating art, practicing the arts, or demonstrating an art. The common usage in both everyday speech and academic discourse refers to a practitioner in the visual arts only. However, the term is also often used in the entertainment business, especially in a business context, for musicians and other performers (although less often for actors). "Artiste" (French for artist) is a variant used in English in this context, but this use has become rare. Use of the term "artist" to describe writers is valid, but less common, and mostly restricted to contexts like used in criticism. Dictionary definitions The ''Oxford English Dictionary'' defines the older broad meanings of the term "artist": * A learned person or Master of Arts. * One who pursues a practical science, traditionally medicine, astrology, alchemy, chemistry. * A follower of a pursuit in which skill comes by study or practice. * A follower of a manual art, such as a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
