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Antonio And Mellida
''Antonio and Mellida'' is a late Elizabethan play written by the satirist John Marston, usually dated to 1599. The play was entered into the Stationers' Register on 24 October 1601, and first published in quarto in 1602 by the booksellers Matthew Lownes and Thomas Fisher. The title page of the first quarto states that the play was acted by the Children of Paul's, one of the companies of boy actors popular at the time. It was followed by a sequel, ''Antonio's Revenge'', which was written by Marston in 1600. The play is a romantic comedy, which charts the "comic crosses of true love" faced by Antonio, son of the good Duke Andrugio, and Mellida, daughter of the wicked Duke Piero. Structurally, the plot is quite conventional, but the tone is unusual: Marston undercuts the emotion of the story of the separated lovers by introducing moments of extreme farce and burlesque, satirising and parodying romantic comedy conventions. The play also employs a metatheatrical induction, in whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Marston, Antonio And Mellida (1602)
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope John ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Comedy
Romantic comedy (also known as romcom or rom-com) is a subgenre of comedy and slice of life fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typical romantic comedy, the two lovers tend to be young, likeable, and seemingly meant for each other, yet they are kept apart by some complicating circumstance (e.g., class differences, parental interference, a previous girlfriend or boyfriend) until, surmounting all obstacles, they are finally united. A fairy-tale-style happy ending is a typical feature. Romantic comedy films are a certain genre of comedy films as well as of romance films, and may also have elements of screwball comedies. However, a romantic comedy is classified as a film with two genres, not a single new genre. Some television series can also be classified as romantic comedies. Description The basic plot of a romantic comedy is that two characters meet, part ways due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Kerchever Chambers
Sir Edmund Kerchever Chambers, (16 March 1866 – 21 January 1954), usually known as E. K. Chambers, was an English literary critic and Shakespearean scholar. His four-volume work on ''The Elizabethan Stage'', published in 1923, remains a standard resource. Life Chambers was born in West Ilsley, Berkshire. His father was a curate there and his mother the daughter of a Victorian theologian. He was educated at Marlborough College, before matriculating at Corpus Christi College, Oxford. He won a number of prizes, including the chancellor's prize in English for an essay on literary forgery in 1891. He took a job with the national education department, and married Eleanor Bowman in 1893. In the newly created Board of Education, Chambers worked principally to oversee adult and continuing education. He rose to be second secretary, but the work for which he is remembered took place outside the office, at least before he retired from the Board in 1926. He was the first president of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amazons
In Greek mythology, the Amazons (Ancient Greek: Ἀμαζόνες ''Amazónes'', singular Ἀμαζών ''Amazōn'', via Latin ''Amāzon, -ŏnis'') are portrayed in a number of ancient epic poems and legends, such as the Labours of Hercules, the ''Argonautica'' and the ''Iliad''. They were a group of female warriors and hunters, who beat men in physical agility and strength, in archery, riding skills, and the arts of combat. Their society was closed for men and they only raised their daughters, either killing their sons or returning them to their fathers, with whom they would only socialize briefly in order to reproduce. Courageous and fiercely independent, the Amazons, commanded by their queen, regularly undertook extensive military expeditions into the far corners of the world, from Scythia to Thrace, Asia Minor and the Aegean Islands, reaching as far as Arabia and Egypt. Besides military raids, the Amazons are also associated with the foundation of temples and the estab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Induction (play)
An induction in a play is an explanatory scene, summary or other text that stands outside or apart from the main play with the intent to comment on it, moralize about it or in the case of dumb show—to summarize the plot or underscore what is afoot. Typically, an induction precedes the main text of a play. Inductions are a common feature of plays written and performed in the Renaissance period, including those of Shakespeare. While Shakespeare plays do not typically have inductions, they are sometimes depicted as part of the device of the play within the play. Examples include the dumb show in ''Hamlet'' and the address to the audience by Puck in ''A Midsummer Night's Dream''. Another example, in ''The Spanish Tragedy'' by Thomas Kyd, is the introduction to that play by the ghost of Andrea who preps the audience by laying out the story to come. Likewise, Shakespeare's ''The Taming of the Shrew'' opens with induction scenes which involve characters watching the play proper. See als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metatheatre
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device. Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are playing); an element whose meaning depends on the difference between the represented time and place of the drama (the fictional world) and the time and place of its theatrical presentation (the reality of the theatre event); plays-within-plays (or masques, spectacles, or other forms of performance within the drama); references to acting, theatre, dramatic writing, spectatorship, and the fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects."Burlesque" ''Oxford English Dictionary'', Oxford University Press, accessed 16 February 2011 The word derives from the Italian ', which, in turn, is derived from the Italian ' – a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian burlesque, Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Geoffrey Chaucer, Chaucer and William Shakespeare, Shakespeare and to the Graeco-Roman classics.Baldick, Chris [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farce
Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity or nonsense; satire, parody, and mockery of real-life situations, people, events, and interactions; unlikely and humorous instances of miscommunication; ludicrous, improbable, and exaggerated characters; and broadly stylized performances. Genre Despite involving absurd situations and characters, the genre generally maintains at least a slight degree of realism and narrative continuity within the context of the irrational or ludicrous situations, often distinguishing it from completely absurdist or fantastical genres. Farces are often episodic or short in duration, often being set in one specific location where all events occur. Farces have historically been performed for the stage and film. Historical context The term ''farce'' is deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio's Revenge
''Antonio's Revenge'' is a late Elizabethan play written by John Marston and performed by the Children of Paul's. It is a sequel to Marston's comic play '' Antonio and Mellida,'' and it chronicles the conflict and violence between Piero Sforza, the Duke of Venice, and Antonio, who is determined to take revenge against Piero for the death of his father and the slander of his fiancée (Piero's daughter Mellida, to whom he is bethrothed at the end of ''Antonio and Mellida''). While it has much in common with other revenge tragedies (particularly Shakespeare's ''Hamlet'')'','' it is sometimes read as a hyperbolic parody of the genre. Chambers, E. K. ''The Elizabethan Stage''. 4 Volumes, Oxford, Clarendon Press, 1923. Characters * Ghost of ANDRUGIO, formerly Duke of Genoa * ANTONIO, Andrugio's son * MARIA, widow of Andrugio, mother of Antonio * LUCIO, a servant to Maria * NUTRICHE, a servant to Maria * PIERO SFORZA, duke of Venice * MELLIDA, Piero's daughter * JULIO, Piero's you ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Literature
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys. Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Children Of Paul's
The Children of Paul's was the name of a troupe of boy actors in Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personifi ... and Jacobean era, Jacobean London. Along with the Children of the Chapel, they were an important component of the companies of boy players that constituted a distinctive feature of English Renaissance theatre. Education The youth who would become choirboys and boy players for the Children of Paul's ranged in age from six to their mid-teens. They would be educated and boarded at the choir school, trained in not only singing but in grammar and literacy. Although their basic needs were taken care of, choirboys sometimes made some money for themselves. When fashionably dressed men wearing spurs, which could be loud and distracting to other church-goers, would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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