Antonio Maria Vassallo
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Antonio Maria Vassallo
Antonio Maria Vassallo (c. 1620-1664/1673) was an Italian painter of the Baroque period, active mainly in Genoa, and painting mythologic scenes and still-life, still lifes. His biography is poorly documented, and mainly depends on the Genoese biographer Raffaele Soprani (1674) as a source. He initially apprenticed with Vincent Malo, Vincenzo Malò (c. 1605-c. 1650), a Flemish people, Flemish artist who had studied with David Teniers the Elder, Teniers the Elder and Peter Paul Rubens, Rubens. Vassallo appears to have been influenced by his fellow Genoese Sinibaldo Scorza and Giovanni Benedetto Castiglione. He painted a ''St. Francis with Three female saints'' (1648) for the church of San Gerolamo in Quarto. Vassallo also painted a ''Martyrdom of Saint Marcello Mastrilli (1664) for the Convento di Carignano.''Martyrdom ...'' now in private collection. Vassallo also painted portraits, yet no portraits by Vassallo are known at present. The closest follower of Vassallo's still-life s ...
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Antonio Maria Vassallo - Rinaldo E Armida
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Palazzo Bianco
Palazzo Bianco ( en, White Palace) is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi (known at one time as ''Strada Nuova'', and before that, ''Via Aurea''). It contains the Gallery of the White Palace, one of the larger city art galleries, and together with those of its neighbors Palazzo Rosso and Palazzo Doria Tursi, it forms part of the Strada Nuova Museums, a cluster of museums at that end of the street. History Constructed between 1530 and 1540 by Luca Grimaldi, a member of the House of Grimaldi, one of the most important Genoese families, in 1658 the palace passed into the possession of the De Franchi Toso family, and in 1711 it was given by its inheritor Federico de Franchi Toso, to Maria Durazzo Brignole-Sale, his main creditor. The new owners, between 1714 and 1716, carried out a decisive restoration of the building, adapting it to the tastes of the age. It subsequently earned the name ''White'' for the clear color of i ...
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Painters From Genoa
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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