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Antoinette M. Kraushaar
Kraushaar Galleries is an art gallery in New York City founded in 1885 by Charles W. Kraushaar, who had previously been with the European art gallery, William Schaus, Sr. The Gallery's first location on Broadway at 33rd Street where it showed Dutch and French Barbizon paintings, as well as works by Courbet, Corot, Whistler and Fantin-Latour. When John Kraushaar, Charles's younger brother, joined the business the gallery also began showing modern French painters: Soutine, Matisse, Braque, Derain, Gauguin, Rodin, Roualt, Guys, Modigliani, Redon, Segonzac, Picasso, Van Gogh, and other late 19th- and early 20th-century artists. In 1901, at their new gallery at 260 Fifth Avenue, they exhibited the work of the Swiss-born American society painter Adolfo Müller-Ury. Later John Kraushaar began showing works by American artists, particularly Robert Henri and his circle, and the group known as The Eight, Henri, John Sloan, William Glackens, Everett Shinn, George Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Gallery
An art gallery is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or the depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education, historic preservation, or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve a permanent collection may be called either "gallery of art" or "museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Dunoyer De Segonzac
André Dunoyer de Segonzac (6 July 1884 – 17 September 1974) was a French painter and graphic artist. Biography Segonzac was born in Boussy-Saint-Antoine and spent his childhood there and in Paris. His parents wanted him to attend the military academy of Saint-Cyr but, recognizing his strong interest in drawing, they agreed to his enrollment at the Free Academy of Luc-Olivier Merson. Merson's academic style of instruction did not suit Segonzac, however, and, following a period of military service, he studied at the Académie de La Palette, whose staff included Jacques Émile Blanche (he would later teach at La Palette with Jean Metzinger and Henri Le Fauconnier). Soon giving this up in favor of an independent course, free of any masters, he later cited 1906 as the starting date of his artistic career. His first submission to the Salon d'Automne was in 1908; the next year he exhibited at the Salon des Indépendants, and for the next several years he exhibited regularly at both. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Pène Du Bois
Guy Pène du Bois (January 4, 1884 – July 18, 1958) was a 20th-century American painter, art critic, and educator. Born in the U.S. to a French family, his work depicted the culture and society around him: cafes, theatres, and in the twenties, flappers. Artistic training Pène du Bois began his artistic training in 1899, when he enrolled in the New York School of Art to study under the painter William Merritt Chase. In 1902 he enrolled in a painting class with Robert Henri, whose teachings lead Pène du Bois to focus more on everyday life in his own artwork. Pène du Bois traveled to Europe in 1905 to study under Théophile Steinlen, but returned to the U.S. upon his father's death the following year. He was a close friend to Edward Hopper and was his best man for his wedding to Josephine Hopper. They remained lifelong friends. Illustrations and art criticism Beginning in 1906, Pène du Bois worked as an illustrator and cartoonist for the ''New York American,'' and he began wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur B
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Lawson
Ernest Lawson (March 22, 1873 – December 18, 1939) was a Canadian-American painter and exhibited his work at the Canadian Art Club and as a member of the American group The Eight, artists who formed a loose association in 1908 to protest the narrowness of taste and restrictive exhibition policies of the conservative, powerful National Academy of Design. Though Lawson was primarily a landscape painter, he also painted a small number of realistic urban scenes. His painting style is heavily influenced by the art of John Henry Twachtman, J. Alden Weir, and Alfred Sisley. Though considered a Canadian-American Impressionist, Lawson falls stylistically between Impressionism and realism. Youth Ernest Lawson was born in 1873 in Halifax, Nova Scotia to a prominent family, and arrived in the United States in 1888 and settled in Kansas City. In 1891, he went to live in New York and enrolled in classes at the Art Students League, studying under John Twachtman, who introduced him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Prendergast
Maurice Brazil Prendergast (October 10, 1858 – February 1, 1924) was an American artist who painted in oil and watercolor, and created monotypes. His delicate landscapes and scenes of modern life, characterized by mosaic-like color, are generally associated with Post-Impressionism. Prendergast, however, was also a member of The Eight, a group of early twentieth-century American artists who, aside from Prendergast, represented the Ashcan School. Biography Maurice Prendergast and his twin sister, Lucy, were born at their family's subarctic trading post in the city of St. John's, in Newfoundland, then a colony in British North America. After the trading post failed, the family moved to Boston. He grew up in the South End and was apprenticed as a youth to a commercial artist. At 14 he went to work in a dry goods store as a package wrapper. This conditioned him from the start to the brightly colored, flat patterning effects that characterized his mature work. He was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Luks
George Benjamin Luks (August 13, 1867 – October 29, 1933) was an American artist, identified with the aggressively realistic Ashcan School of American painting. After travelling and studying in Europe, Luks worked as a newspaper illustrator and cartoonist in Philadelphia, where he became part of a close-knit group, led by Robert Henri, that set out to defy the genteel values imposed by the influential National Academy of Design. His best-known paintings reflect the life of the poor and hard-pressed on Manhattan’s Lower East Side. Early life and career Luks was born in Williamsport, Pennsylvania, to Central European immigrants. According to the 1880 census, his father was born in Poland and his mother in Bavaria, Germany. His father was a physician and apothecary and his mother was an amateur painter and musician. The Luks family eventually moved to Pottsville, Pennsylvania in east central Pennsylvania, near the coal fields. In this setting, he learned at a young age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everett Shinn
Everett Shinn (November 6, 1876 – May 1, 1953) was an American painter and member of the urban realist Ashcan School. Shinn started as a newspaper illustrator in Philadelphia, demonstrating a rare facility for depicting animated movement, a skill that would, however, soon be eclipsed by photography. Here he worked with William J. Glackens, George Luks and John Sloan, who became core-members of the Ashcan School, led by Robert Henri, which defied official good taste in favour of robust images of real life. Shinn is best known for scenes of disaster or street violence, as well as theatrical subjects, regarding the theatre as a place of satisfying illusion. Shinn was the only Ashcan artist who preferred to work in pastels. He was reportedly a model for the protagonist of Theodore Dreiser's novel The "Genius" (novel), The "Genius". Early life Shinn was born in Woodstown, New Jersey, a large Quaker-dominated community. His parents Isaiah Conklin Shinn and Josephine Ransley Shinn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Glackens
William James Glackens (March 13, 1870 – May 22, 1938) was an American realist painter and one of the founders of the Ashcan School, which rejected the formal boundaries of artistic beauty laid-down by the conservative National Academy of Design. He is also known for his work in helping Albert C. Barnes to acquire the European paintings that form the nucleus of the famed Barnes Foundation in Philadelphia. His dark-hued, vibrantly painted street scenes and depictions of daily life in pre-WW I New York and Paris first established his reputation as a major artist. His later work was brighter in tone and showed the strong influence of Renoir. During much of his career as a painter, Glackens also worked as an illustrator for newspapers and magazines in Philadelphia and New York City. Early life Glackens was born in Philadelphia, Pennsylvania, where his family had lived for many generations. William had two siblings: an older sister, Ada, and an older brother, cartoonist and il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John French Sloan
John French Sloan (August 2, 1871 – September 7, 1951) was an American painter and etcher. He is considered to be one of the founders of the Ashcan school of American art. He was also a member of the group known as The Eight. He is best known for his urban genre scenes and ability to capture the essence of neighborhood life in New York City, often observed through his Chelsea studio window. Sloan has been called the premier artist of the Ashcan School, and also a realist painter who embraced the principles of Socialism, though he himself disassociated his art from his politics. Biography John Sloan was born in Lock Haven, Pennsylvania, on August 2, 1871, to James Dixon Sloan, a man with artistic leanings who made an unsteady income in a succession of jobs, and Henrietta Ireland Sloan, a schoolteacher from an affluent family. Sloan grew up in Philadelphia, Pennsylvania, where he lived and worked until 1904, when he moved to New York City. He and his two sisters (Elizabeth and M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Eight (Ashcan School)
Robert Henri (; June 24, 1865 – July 12, 1929) was an American painter and teacher. As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to European Modernism (1913), Henri was mindful that his own representational technique was being made to look dated by new movements such as Cubism, though he was still ready to champion avant-garde painters such as Henri Matisse and Max Weber. Henri was named as one of the top three living American artists by the Arts Council of New York. Early life Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio to There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Henri
Robert Henri (; June 24, 1865 – July 12, 1929) was an American painter and teacher. As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to European Modernism (1913), Henri was mindful that his own representational technique was being made to look dated by new movements such as Cubism, though he was still ready to champion avant-garde painters such as Henri Matisse and Max Weber. Henri was named as one of the top three living American artists by the Arts Council of New York. Early life Robert Henri was born Robert Henry Cozad in Cincinnati, Ohio to There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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