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Antoine Francisque
Antoine Francisque (c. 1570 in Saint-Quentin – 1605 in Paris) was a 16th-century French lutenist A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refe ... and composer. Biography Little is known of the details of Francisque's life. Francisque was born in Saint-Quentin circa 1570. On 23 February 1596, in Cambrai, he married Marguerite Behour onhour daughter of a tavern keeper. The marriage contract, registered in 1605, did not mention Francisque's profession.Jules Écorcheville, ''Actes d'État Civil de Musiciens insinués au Châtelet de Paris (1539-1650)'' (Paris: Société Internationale de Musique, 1907), 41. He moved to Paris shortly afterwards, publishing his ''Le trésor d'Orphée'' in 1600. On 28 September 1601 he was identified as Anthoine François, a "lute player in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Quentin, Aisne
Saint-Quentin (; pcd, Saint-Kintin; nl, label=older Dutch, Sint-Kwintens ) is a city in the Aisne department, Hauts-de-France, northern France. It has been identified as the ''Augusta Veromanduorum'' of antiquity. It is named after Saint Quentin of Amiens, who is said to have been martyred there in the 3rd century. Administration Saint-Quentin is a sub-prefecture of Aisne. Although Saint-Quentin is by far the largest city in Aisne, the capital is the third-largest city, Laon. Mayors The mayor of Saint-Quentin is Frédérique Macarez, a member of the centre-right LR Party. History The city was founded by the Romans, in the Augustean period, to replace the ''oppidum'' of Vermand (11 km away) as the capital of ''Viromandui'' (Celtic Belgian people who occupied the region). It received the name "''Augusta Viromanduorum''", ''Augusta'' of the ''Viromandui'', in honor of the emperor Augustus. The site is that of a ford across the River Somme. During the late Roman pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavolta
The volta (plural: voltas) (Italian: "the turn" or "turning") is an anglicised name for a dance for couples that was popular during the later Renaissance period. This dance was associated with the galliard and done to the same kind of music. Its main figure consisted of a turn and lift in a sort of closed position, which could be done either to the right or to the left. It is also called La volta, Volta, Volte. Spelling variants include la volta and levolto; its name is ''la volte'' in French and ''la volta'' in Italian. It was considered at first to be risque and controversial. Although the dance was known at the court of Elizabeth I, the popular notion (much portrayed in film and television) that Elizabeth and her favourite Lord Robert Dudley regularly performed the volta has been repudiated.Ian Pittaway Description Detailed instructions for voltas were written by Thoinot Arbeau; some brief notes appear in MS Douce 280. (about 1606) These instructions are open to some int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Saint-Quentin, Aisne
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Lutenists
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century French Composers
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel De La Laurencie
Lionel de La Laurencie (24 July 1861 – 21 November 1933) was a French musicologist and first president of the 1917 founded ''Société française de musicologie'' (French association of musicologists) from 1917 to 1920 and from 1931 to 1933. Biography Graduated major of the French National School of Forestry, de La Laurencie devoted himself to music from 1898. He studied at the University of Grenoble then in Nancy. A skilful violinist, he deepened his musical knowledge with Léon Reynier, master of violin, and enrolled at the Conservatoire de Paris where he was a student of Bourgault-Ducoudray in the classes of harmony and history of music of the latter. He taught history of music at the école des hautes études en sciences sociales and wrote for the most notable French musical magazines. He led the journal ''Société française de musicologie'' and participated to the ''Encyclopédie de musique et dictionnaire du Conservatoire'' under the direction of Albert Lavignac. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Piccinini
Alessandro Piccinini (1566 – 1638), was an Italian lutenist and composer. Piccinini was born in Bologna into a musical family: his father Leonardo Maria Piccinini taught lute playing to Alessandro as well as his brothers Girolamo (d. 1615) and Filippo (d. 1648). He held appointments at the Este court in Ferrara (from 1582 to 1597) and with Cardinal Pietro Aldobrandini, papal legate at Bologna and Ferrara. Piccinini died around 1638, probably in Bologna. He is best known for his two volumes of lute music: ''Intavolatura di Liuto et di Chitarrone, libro primo'' (Bologna, 1623) and ''Intavolaturo di Liuto'' (Bologna, 1639), the latter published posthumously by his son Leonardo Maria Piccinini. The 1623 collection is of particular importance because of Piccinini's lengthy preface, which includes a detailed manual on performance, as well as claims to have invented the archlute (Piccinini also made important modifications to the chitarrone). Piccinini concentrated on toccatas, cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Corbetta
Francesco Corbetta (ca. 1615 – 1681, in French also Francisque Corbette) was an Italian guitar virtuoso, teacher and composer. Along with his compatriots Giovanni Paolo Foscarini and Angelo Michele Bartolotti, he was a pioneer and exponent of the combination of strummed and plucked textures referred to today as "mixed" style. Biography Early life and education Corbetta's obituary, probably written by his fellow guitarist Rémy Médard, says that he showed a strong inclination for the guitar at an early age, and pursued it over the strong objections of his parents. In the Italian preface to his 1671 ''La Guitarre Royalle,'' he claims that he was self-taught on the guitar, and also that he had never played the lute (unlike most celebrated guitarists of his day).Hall, Monica. "Francesco Corbetta: The Best of All." Online essay, accessed 2019-07-23, : p. 1. Professional career Corbetta spent his early career in Italy. He seems to have worked as a teacher in Bologna where t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Quittard
Henri Quittard (16 May 1864 – 21 July 1919) was a French composer, musicologist and music critic. Biography A musician, composer, musicologist and music critic, Quittard was both the cousin of Emmanuel Chabrier (Quittard being the grandson of Aunt Zélie dear to Chabrier) and Roger Désormière who he chaperoned when, at the age of 15, the future conductor left Vichy to enter the Conservatoire de Paris (the maternal grandmother of Désormiere was a Quittard). He obtained his baccalauréat in the early 1880s in Clermont-Ferrand where he began studying literature at the faculty, obtaining a bachelor's degree. At the instigation of Chabrier, he went to Paris, where he lived by giving lessons and trying to become a composer, following classes with César Franck. He also studied at the Oriental Languages (then ''École des langues orientales vivantes'') where he met Louis Laloy. On 21 May 1891, the unique theatre play by Paul Verlaine, ''Les Uns et les Autres'', in one act and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thoinot Arbeau
Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot (March 17, 1520 – July 23, 1595). Tabourot is most famous for his ''Orchésographie'', a study of late sixteenth-century French Renaissance social dance. He was born in Dijon and died in Langres. ''Orchésographie'' and other work ''Orchésographie'', first published in Langres, 1589,The title page's "Extraict du priuilege" is dated "Novembre 1588". provides information on social ballroom behaviour and on the interaction of musicians and dancers. It is available online in facsimile and in plain text. There is an English translation by Mary Stewart Evans, edited by Julia Sutton, in print with Dover Publications. It contains numerous woodcuts of dancers and musicians and includes many dance tabulations in which extensive instructions for the steps are lined up next to the musical notes, a significant innovation in dance notation at that time. He also published on astronomy: ''Compot et Manuel Kalend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gavotte
The gavotte (also gavot, gavote, or gavotta) is a French dance, taking its name from a folk dance of the Gavot, the people of the Pays de Gap region of Dauphiné in the southeast of France, where the dance originated, according to one source. According to another reference, the word ''gavotte'' is a generic term for a variety of French folk dances, and most likely originated in Lower Brittany in the west, or possibly Provence in the southeast or the French Basque Country in the southwest of France. It is notated in or time and is usually of moderate tempo, though the folk dances also use meters such as and . In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout the 18th century and spread w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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