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Antigone (Honegger)
''Antigone'' is an opera (''tragédie musicale'') in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy ''Antigone'' by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. Background and performance history Honegger had a passionate interest in theatre. Prior to ''Antigone'', he had composed film scores and incidental music for plays as well as an oratorio, '' Le roi David'', which he called a "dramatic psalm" and premiered in 1921. From 1922 Honegger began thinking about adapting the Greek tragedy ''Antigone'' by Sophocles as his first opera. He wrote that the plot is "not the standard anecdote of love which is the base of nearly all lyric theatre". The decade between 1920 and 1930 saw several new operas based on works or themes from the past. Like ''Antigone'', Satie's ''Socrates'' and Stravinsky' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigone (Sophocles Play)
''Antigone'' ( ; grc, Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by ''Ajax'', which was written around the same period. The play is one of a triad of tragedies known as the three Theban plays, following ''Oedipus Rex'' and ''Oedipus at Colonus''. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote ''Antigone'' first. The story expands on the Theban legend that predates it, and it picks up where Aeschylus' ''Seven Against Thebes'' ends. The play is named after the main protagonist Antigone. After Oedipus' self-exile his sons Eteocles and Polynices engaged in a civil war for the Theban throne, which resulted in both brothers dying fighting each other. Oedipus' brother-in-law and new Theban ruler Creon ordered the public honor of Eteocles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss composer who was born in France and lived a large part of his life in Paris. A member of Les Six, his best known work is probably '' Antigone'', composed between 1924 and 1927 to the French libretto by Jean Cocteau based on the tragedy '' Antigone'' by Sophocles. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel. However, his most frequently performed work is probably the orchestral work ''Pacific 231'', which was inspired by the sound of a steam locomotive. Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work and violin in Le Havre. After studying for two years at the Zurich Conservatory, he enrolled in the Paris Conservatoire from 1911 to 1918, studying with both Char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De L'Atelier
The Théâtre de l'Atelier is a theatre at 1, place Charles Dullin in the 18th arrondissement of Paris, France. History The theatre opened on 23 November 1822 under the name Théâtre MontmartreEdward Foreman, ''Historical dictionary of French theater'', U.K.: Scarecrow Press, 2010 p. 31. It was one of the first built by Pierre-Jacques Seveste, who held the licence to operate theatres outside the town limits of Paris, and who also built the Théâtre Montparnasse, the Théâtre des Batignolles and the Théâtre de Belleville. Peter Cicéri and Évariste Fragonard did the decoration. On the death of their parents, brothers Jules Seveste and Edmond Seveste inherited the licence to operate the theatre. From 1914 to 1922, the building comprised a cinema of 600 seats, operated under the name "Montmartre." In 1922, it returned to its original purpose, and its director and actor Charles Dullin renamed it the Théâtre de l'Atelier. André Barsacq succeeded Dullin, and led the thea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Ballard
Simone Berthe Ballard (26 March 1895 – 8 October 1978) was a French operatic mezzo-soprano and contralto who sang leading parts, including premieres, at La Monnaie in Brussels. Career Simone Ballard was born in Sannois, Paris. Both her parents were engaged at the Paris Opera, her father Louis Ballard as a bass from 1894 to 1897, while her mother, Berthe Bronville (born 6 March 1865 in Paris), made her debut as a soprano in the role of Alice in Meyerbeer's ''Robert le diable'' but gave up her career when she married in 1891. Ballard received early piano education and studied voice at the Conservatoire national de Paris with Eugène Lorrain and Jacques Isnardon. She made her debut at the Opera at La Monnaie in 1921 as Amneris in Verdi's ''Aida''. The performance won her an engagement at the house, where she sang until 1940. She took part in premieres, appearing on 2 May 1926 as the sister-in-law in Milhaud's '' Les malheurs d'Orphée''; on 28 December 1927 in the title role o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antigone
In Greek mythology, Antigone ( ; Ancient Greek: Ἀντιγόνη) is the daughter of Oedipus and either his mother Jocasta or, in another variation of the myth, Euryganeia. She is a sister of Polynices, Eteocles, and Ismene.Roman, L., & Roman, M. (2010). The meaning of the name is, as in the case of the masculine equivalent Antigonus, "worthy of one's parents" or "in place of one's parents". She appears in the three 5th century BC tragic plays written by Sophocles, known as the three Theban plays, and she is the main protagonist of the eponymous tragedy ''Antigone''. In Sophocles The story of Antigone was addressed by the fifth-century BC Greek playwright Sophocles in his Theban plays: ''Oedipus Rex'' Antigone and her sister Ismene are seen at the end of ''Oedipus Rex'' as Oedipus laments the "shame" and "sorrow" he is leaving his daughters to. He then begs Creon to watch over them, but in his grief reaches to take them with him as he is led away. Creon prevents hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Corneil De Thoran
Maurice Corneil de Thoran ( Liège, 15 January 1881-Brussels, 6 January 1953), son of Paul Ernest de Thoran, was a Belgian musician. Life After having been a pianist-accompanist in 1902 and a conductor in France France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan ar ..., Corneil de Thoran managed to build a career in Belgium. He was a perfectionist and managed to give the creation of music in the 20th century a new shine. This way, he gained a certain fame in the world of opera. Corneil de Thoran was the conductor and director of the Théâtre Royal de la Monnaie in Brussels. At first, he shared this function with Jean Van Glabbeke and Paul Spaak (1920-1943). From 1943 onwards, he was the sole director until his death in 1953. Sources Corneil de Thoran* Francis Poulenc & Nicolas Sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National De France
The Orchestre national de France (ONF; literal translation, ''National Orchestra of France'') is a French symphony orchestra based in Paris, founded in 1934. Placed under the administration of the French national radio (named Radio France since 1975), the ONF performs mainly in the Théâtre des Champs-Élysées from where all its concerts are broadcast. Some concerts are also held in the ''Salle Olivier Messiaen'' in the Maison de Radio France (formerly known as Maison de la Radio). History The orchestra has had several names over its history: * 1934–1945: ''Orchestre national'' (National Orchestra) * 1945–1949: ''Orchestre national de la Radiodiffusion française'' (French Radio National Orchestra) * 1949–1964: ''Orchestre national de la Radio-télévision française'' or ''Orchestre national de la RTF'' (French Radio and Television National Orchestra) * 1964–1974: ''Orchestre national de l'Office de radiodiffusion-télévision française'' or ''Orchestre national d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RAI National Symphony Orchestra
The RAI National Symphony Orchestra ( it, italic=no, Orchestra Sinfonica Nazionale della RAI) is an Italian symphony radio orchestra, owned by the public radio and television company RAI. Its primary concert venue is the Auditorium RAI in the Piazza Rossaro in Turin. Its concerts are broadcast on Rai Radio 3. The current artistic director is Ernesto Schiavi. The orchestra was formed in 1994 by the merger of four former RAI orchestras of Turin, Milan, Rome, and Naples, which had been founded starting in 1931. History In 1931, the EIAR, Italy's newly formed public radio authority, founded its first symphony orchestra in Turin. Subsequent radio orchestras were established in Rome (1936), Milan (1950) and Naples (1948, integrated to the RAI in 1956). In 1994, the RAI merged its four orchestras (RAI Symphony Orchestra of Turin, RAI Symphony Orchestra of Rome, RAI Symphony Orchestra of Milan, and RAI Alessandro Scarlatti Chamber Orchestra of Naples) to form the national orchestra, ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Version
A concert performance or concert version is a performance of a musical theater or opera in concert form, without set design or costumes, and mostly without theatrical interaction between singers. Concert performances are commonly presented in concert halls without a theater stage, but occasionally also in opera houses when a scenic production is deemed too difficult or expensive. During a concert performance in an opera house, the orchestra does not play in the orchestra pit. Frequently, they play on the stage, with the choir (chorus) behind them and the soloists standing in front of them. Concert performances, which cost less to produce and require less rehearsal, have been produced since some of the earliest operas of the 17th century; this mode has become increasingly popular in the 21st century. Since 1960, concert performances have been a part of the annual Salzburg Festival alongside scenic productions. In Theater an der Wien, concert performances have been presented regul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Laboratory Theatre
The American Laboratory Theatre was an American drama school and theatrical company located in New York City that existed during the 1920s and 1930s. It was a publicly subsidized, student-subscription organization that held fund-raising campaigns to support itself. History The school itself was known as the Theatre Arts Institute. It was founded in 1923 by former Moscow Art Theatre members Richard Boleslavsky and Maria Ouspenskaya and stressed Stanislavski's system as its teaching method. Students were taught to be uninhibited, with exercises such as acting as a fish under water, a melting ice cream cone, or (for women) the mother of a sick child praying to the Madonna. Both actors and directors were trained, and Boleslavsky and Ouspenskaya became known as the leading promulgators of Stanislavski's ideas in America. Some five hundred students were trained at the school during its years of existence. These included Lee Strasberg, Harold Clurman, and Stella Adler, all of whom wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
