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Antefatto
''A Bay of Blood'' (Italian: ''Ecologia del delitto'', lit. "Ecology of Crime", later retitled ''Reazione a catena'' it. "Chain Reaction" (also known as ''Carnage'', ''Twitch of the Death Nerve'' and ''Blood Bath'') is a 1971 Italian giallo slasher film directed by Mario Bava. Bava co-wrote the screenplay with Giuseppe Zaccariello, Filippo Ottoni, and Sergio Canevari, with story credit given to Dardano Sacchetti and Franco Barberi. The film stars Claudine Auger, Luigi Pistilli, Brigitte Skay, Nicoletta Elmi and Laura Betti. Carlo Rambaldi created the gruesome special make-up effects. The story details a string of mysterious murders that occur around the titular bay. Widely considered Bava's most violent film, its emphasis on graphically bloody murder set pieces was hugely influential on the slasher film subgenre that would follow a decade later. In 2005, the magazine ''Total Film'' named ''A Bay of Blood'' one of the 50 greatest horror films of all time. Plot At night in her ...
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Chris Avram
Chris Avram (born Cristea Avram; August 31, 1931 – January 10, 1989) was a Romanian-Italian film actor. Early life and career Avram was born in Bucharest, into a family of active communists (his father being a member of the Romanian Communist Party while it was still banned, and his brother, Puiu, a Communist activist). In his youth, he attended a military school, after which he studied law for two years at the University of Bucharest, before being admitted to the Academy of Theatrical Arts and Cinematography. After graduation, he worked for a while as a theater actor in Timișoara, before joining the in Bucharest. At a film festival in Moscow, he befriended Marina Vlady, who later went to Romania to star in , directed by Henri Colpi. With her help, he managed to flee to Paris in 1966, where he remained. Later he settled in Rome, Italy, where he died of cancer. He was married for a while to Romanian actress , with whom he had a son, Alexandru. Partial filmography *'' Darcl ...
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Film Poster
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in newspap ...
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Set Piece (film)
In film production, a set piece is a scene or sequence of scenes whose execution requires complex logistical planning and considerable expenditure of money. The term is often also used more broadly to describe a sequence in which the film-maker's elaborate planning is considered to allow for the maximum pay-off for the audience, such as a thrilling action sequence or awe-inspiring science-fiction sequence. The term is often used to describe any scenes that are so essential to a film that they could not be edited out or skipped in the shooting schedule without seriously detracting from the enjoyability, intensity, impact, coherence or memorability of the finished work. Often, screenplays are written around a list of such set pieces, particularly in high-budget "event movies". The term is sometimes extended to refer to cinematic portions in video games. Set pieces are very often planned meticulously using storyboards, screen-tests, and rehearsals, in contrast to smaller scenes where ...
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Hatchet For The Honeymoon
''Hatchet for the Honeymoon'' ( it, Il rosso segno della follia, lit=The Red Sign of Madness) is a 1970 giallo film directed by Mario Bava and starring Stephen Forsyth, Dagmar Lassander, Laura Betti, and Femi Benussi. The story follows John Harrington, a hatchet-wielding madman who murders young brides in an effort to recall a childhood trauma. The film's production was troubled, with tensions among the cast and crew, location difficulties, a major subplot concerning Harrington's relationship with his wife being added solely to accommodate Betti's casting, and a significant hiatus in filming when the budget ran out. It was not released until a year after it was completed, and was largely ignored by both critics and audiences, remaining one of Bava's most obscure films even after his work achieved cult popularity. Plot John Harrington is a handsome, 30-year-old man who feels compelled to murder young brides to remember details of a childhood trauma. John lives in a spacious vill ...
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Back Taxes
Back taxes is a term for taxes that were not completely paid when due. Typically, these are taxes that are owed from a previous year. Causes for back taxes include failure to pay taxes by the deadline, failure to correctly report one's income, or neglecting to file a tax return altogether. A government might implement different approaches to collect back taxes, including criminal charges, offering a voluntary disclosure program that allows a broad variety of payment methods, or tax liens. If the taxes remain unpaid, the tax authority could use a tax levy to legally seize the taxpayer's assets (such as bank accounts, investment accounts, automobiles, and real estate) to collect the money it is owed. United States In the United States, unpaid taxes can be owed at federal, state, and/or local government levels, so are assessed by them. Paying the full amount of tax debt as soon as possible is always the least expensive option for the taxpayer because of penalties and interest accumu ...
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Giallo
In Italian cinema, ''Giallo'' (; plural ''gialli'', from ''giallo'', Italian for yellow) is a genre of mystery fiction and thrillers that often contains slasher, crime fiction, psychological thriller, psychological horror, sexploitation, and, less frequently, supernatural horror elements. This particular style of Italian-produced murder mystery horror-thriller film usually blends the atmosphere and suspense of thriller fiction with elements of horror fiction (such as slasher violence) and eroticism (similar to the French '' fantastique'' genre), and often involves a mysterious killer whose identity is not revealed until the final act of the film. The genre developed in the mid-to-late 1960s, peaked in popularity during the 1970s, and subsequently declined in commercial mainstream filmmaking over the next few decades, though examples continue to be produced. It was a predecessor to, and had significant influence on, the later American slasher film genre. Literature In the Ita ...
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Dario Argento
Dario Argento (; born 7 September 1940) is an Italian film director, producer, screenwriter, actor and film critic, critic. His influential work in the horror film, horror genre during the 1970s and 1980s, particularly in the subgenre known as ''giallo'', has led him to being referred to as the "Master of the Thrill" and the "Master of Horror". His films as director include his "Animal Trilogy", consisting of ''The Bird with the Crystal Plumage'' (1970), ''The Cat o' Nine Tails'' (1971) and ''Four Flies on Grey Velvet'' (1971); his "The Three Mothers, Three Mothers" trilogy, consisting of ''Suspiria'' (1977), ''Inferno (1980 film), Inferno'' (1980) and ''The Mother of Tears'' (2007); and his stand-alone films ''Deep Red'' (1975), ''Tenebrae (film), Tenebrae'' (1982), ''Phenomena (film), Phenomena'' (1985) and ''Opera (1987 film), Opera'' (1987). He co-wrote the screenplay for Sergio Leone's ''Once Upon a Time in the West'' (1968) and served as George A. Romero's script consultan ...
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The Cat O' Nine Tails
''The Cat o' Nine Tails'' ( it, Il gatto a nove code) is a 1971 ''giallo'' film written and directed by Dario Argento, adapted from a story by Dardano Sacchetti, Luigi Cozzi, and an uncredited Bryan Edgar Wallace. It stars Karl Malden, James Franciscus, and Catherine Spaak. Although it is the middle entry in Argento's so-called "Animal Trilogy" (along with ''The Bird with the Crystal Plumage'' and ''Four Flies on Grey Velvet''), the "cat o' nine tails" does not directly refer to a literal cat, nor to a literal multi-tailed whip; rather, it refers to the number of leads that the protagonists follow in the attempt to solve a murder. The film was a commercial success in Italy but not in the rest of Europe. However, it was acclaimed in the United States. Argento admitted in the book ''Broken Mirrors, Broken Minds: The Dark Dreams of Dario Argento'' that he was less than pleased with the film, and has repeatedly cited it as his least favorite of all of his films. Plot An unknown i ...
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Dino De Laurentiis
Agostino "Dino" De Laurentiis (; 8 August 1919 – 10 November 2010) was an Italian-American film producer. Along with Carlo Ponti, he was one of the producers who brought Italian cinema to the international scene at the end of World War II. He produced or co-produced more than 500 films, of which 38 were nominated for Academy Awards. He also had a brief acting career in the late 1930s and early 1940s. Early life De Laurentiis was born at Torre Annunziata in the province of Naples, and grew up selling spaghetti made by his father's pasta factory. He studied at the Centro Sperimentale di Cinematografia in Rome in 1937 and 1938, when his studies were interrupted by the outbreak of World War II. Career Film production De Laurentiis produced his first film, '' L'ultimo Combattimento'', in 1941. In 1946 his company, the Dino de Laurentiis Cinematografica, moved into production. In the early years, De Laurentiis produced Italian neorealist films such as ''Bitter Rice'' (1949) and the ...
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Renato Cestiè
Renato Cestiè (born January 11, 1963) is a former Italian film actor. He was Italy's top child star of the 1970s. His best-known work was in tear-jerkers such as ''The Last Snows of Spring'', where he would play a neglected child who, most often, would die of disease by the end of the film. Despite their grim themes, these films were successful and spawned many imitators. Several of Cestiè's movies were also popular in the UK, where they were released by GTO Films. In his adult career he mostly worked on television. After a part on the sitcom ''I ragazzi della 3ª C'', he retired from acting and opened a gym.http://digilander.libero.it/gabrydepaola/intervista_a_renato_cestie.htm "Intervista a Renato Cestiè" Selected filmography * '' St. Michael Had a Rooster'' (1972) * ''Man Called Amen'' (1972) * ''It Can Be Done Amigo'' (1972) * '' Il diavolo nel cervello'' (1972) * ''Challenge to White Fang'' (1973) * ''The Last Snows of Spring'' (1973) * ''Torso'' (1973) * ''The ...
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Isa Miranda
Isa Miranda (born Ines Isabella Sampietro; 5 July 1909 – 8 July 1982) was an Italian actress with an international film career. Biography Miranda was born Ines Isabella Sampietro in Milan, the daughter of atreet car conductor in Mian. When she was 10 years old, she began working as an errand girl for a dressmaker. She later had jobs in a box factory and a handbag factory. When she was 15, she was a model, a job that provided enough income for her to learn bookkeeping and typing in night school. She worked as a typist while attending the Accademia dei Filodrammatici in Milan and training as a stage actress. She went on to play bit parts in Italian films in Rome. She changed her name to Isa Miranda and success came with Max Ophüls' film '' La Signora di tutti'' (''Everybody's Woman''; 1934) in which she played Gaby Doriot, a famous film star and adventuress with whom men cannot help falling in love. This performance brought in its wake several film offers and a Hollywood contr ...
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Femoral Artery
The femoral artery is a large artery in the thigh and the main arterial supply to the thigh and leg. The femoral artery gives off the deep femoral artery or profunda femoris artery and descends along the anteromedial part of the thigh in the femoral triangle. It enters and passes through the adductor canal, and becomes the popliteal artery as it passes through the adductor hiatus in the adductor magnus near the junction of the middle and distal thirds of the thigh. Structure The femoral artery enters the thigh from behind the inguinal ligament as the continuation of the external iliac artery. Here, it lies midway between the anterior superior iliac spine and the symphysis pubis (Mid-inguinal point). Segments In clinical parlance, the femoral artery has the following segments: *The common femoral artery (CFA) is the segment of the femoral artery between the inferior margin of the inguinal ligament and the branching point of the deep femoral artery/profunda femoris artery. Its ...
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