Annunciation Of Fano
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Annunciation Of Fano
'' Annunciation of Fano'' is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1488–1490, and housed in the church of Santa Maria Nuova, Fano, central Italy. The work was successful, and a few years later he was commissioned to paint an altarpiece for the same church, the Fano Altarpiece. Description The painting is set within a four bay portico, a common element in Perugino's paintings from the 1480s (as, for example, in the Albani-Torlonia Polyptych and the ''Pietà''). Behind it, is a background with hills featuring light trees. In the foreground is the Annunciation The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the ange ..., lit from the left. The angel, holding a white lily (symbol of purity), announces that she will bear Jesus; Mary, who was previousl ...
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Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Fano
Fano is a town and ''comune'' of the province of Pesaro and Urbino in the Marche region of Italy. It is a beach resort southeast of Pesaro, located where the ''Via Flaminia'' reaches the Adriatic Sea. It is the third city in the region by population after Ancona and Pesaro. History An ancient town of Marche, it was known as Fanum Fortunae after a temple of Fortuna located there. Its first mention in history dates from 49 BC, when Julius Caesar held it, along with Pisaurum and Ancona. Caesar Augustus established a '' colonia'', and built a wall, some parts of which remain. In 2 AD Augustus also built an arch (which is still standing) at the entrance to the town. In January 271, the Roman Army defeated the Alamanni in the Battle of Fano that took place on the banks of the Metauro river just inland of Fano. Fano was destroyed by Vitiges' Ostrogoths in AD 538. It was rebuilt by the Byzantines, becoming the capital of the maritime Pentapolis ("Five Cities") that included also ...
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Fano Altarpiece
The ''Fano Altarpiece'' is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a ''Pietà'' and several predella panels. Perugino had already painted an ''Annunciation'' in 1488-1490. Several scholars have supposed that a young Raphael collaborated on the predella. Description The Madonna is portrayed on a luminous landscape of hills, on a high throne; in front of her is a pedestal with, on it, a mystic vase, and featuring the signature and date, which were always added by Perugino when the painting was produced in his workshop and then shipped to the destination. Mary holds the Child in the same fashion of the Decemviri Altarpiece of 1495-1496. At the sides are the saints John the Baptist (with a camel skin and a stick with the cross), Louis of Toulouse, who wears a bishop dress, Francis of Assisi (reading), Peter with the Keys of Heaven, Paul (with ...
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Albani-Torlonia Polyptych
The ''Albani Torlonia Altarpiece'' is a painting by the Italian Renaissance painter Pietro Perugino, executed in 1491 and housed in the Torlonia Collection, Rome. It was commissioned by Cardinal Giuliano della Rovere, the future pope Julius II. Description The polyptych includes two levels: the lower one has in the centre a Nativity scene and, at the sides, two arched panels depicting Michael the Archangel, John the Baptist, Jerome and Saint George, sharing the same background. The upper one as, in the centre, a lunette with a ''Crucifixion'', flanked by two small panels, with the Annunciation Angel and the Annunciation to the Virgin, set in a double portico. The main scene, that of the Nativity, is perhaps inspired by that painted by Perugino in the Sistine Chapel, which is now lost. The Child is housed in the Virgin's dress, lying on a red cushion; Mary and Saint Joseph Joseph (; el, Ἰωσήφ, translit=Ioséph) was a 1st-century Jewish man of Nazareth who, according ...
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Pietà (Perugino)
''Pietà'' is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483-1493, and housed in the Uffizi Gallery, Florence. History The work was painted for the church of the convent of San Giusto alle mura together with the ''Agony in the Garden'' and a ''Crucifixion''. Renaissance art biographer Giorgio Vasari saw them in side altars of the church of San Giovanni Battista alla Calza, after the original location had been destroyed during the Siege of Florence in 1529. It was moved to the Uffizi in the 20th century. The dating of the work is disputed: it varies from 1482, the year of Perugino's return from Rome, to a slightly later period, although before the end of the century, when the artist started to use only line oil, which in these works is used only at an experimental level. The painting was restored in 1998. Description The scene of the Pietà was depicted by Perugino under a portico, a typical theme of his art in the 1480s and 1490s (used ...
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Annunciation
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning "YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. ...
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Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1480s Paintings
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD * 148 BC, a year in the 2nd century BC * 148 (album), an album by C418 Daniel Rosenfeld (born 9 May 1989), better known by his stage/online name C418 (pronounced "see four eighteen"), is a German musician, producer and sound engineer, best known as the composer and sound designer for the sandbox video game ''Minec ... * 148 (Meiktila) Battery Royal Artillery * 148 (New Jersey bus) See also * List of highways numbered 148 * {{Number disambiguation ...
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Paintings Depicting The Annunciation
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings In Fano
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Books In Art
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ...
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