Anne Marshall
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Anne Marshall
Anne Marshall ( fl. 1661 – 1682), also Mrs. Anne Quin, was a leading English actress of the Restoration era, one of the first generation of women performers to appear on the public stage in England. John Downes, in his ''Roscius Anglicanus'' (1708), reported that Anne Marshall was among the initial group of actresses employed by manager Thomas Killigrew with his King's Company when the company made the move to Gibbon's Tennis Court in 1660. Anne was revered for her roles in tragedies but was also known to play in breeches roles, wherein she would be playing a woman dressed as a boy. She had been nominated as possibly the "first English actress," the Desdemona in the performance of ''Othello'' on 8 December 1660. ee: Margaret Hughes; Katherine Corey">Margaret_Hughes.html" ;"title="ee: Margaret Hughes">ee: Margaret Hughes; Katherine Corey.] Marshall certainly played Desdemona in later performances. She excelled in rhymed heroic tragedy, creating “excessively grandiose hero ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Beaumont And Fletcher
Beaumont and Fletcher were the English dramatists Francis Beaumont and John Fletcher, who collaborated in their writing during the reign of James I (1603–25). They became known as a team early in their association, so much so that their joined names were applied to the total canon of Fletcher, including his solo works and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. While scholars and critics will probably never render a unanimous verdict on the authorship of all these plays—especially given the difficulties of some of the individual cases—contemporary scholarship has arrived at a corpus of about 12 to 15 plays that are the work of both men. (See the individual pages on Beaumont and Fletcher for more details.) Works The plays generally r ...
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An Evening's Love
''An Evening's Love, or The Mock Astrologer'' is a comedy in prose by John Dryden. It was first performed before Charles II and Queen Catherine by the King's Company at the Theatre Royal on Bridges Street, London, on Friday, 12 June 1668. Samuel Pepys saw the play on 20 June of that year, but didn't like it; in his Diary he called it "very smutty." The play was first published in 1671 by Henry Herringman; Dryden dedicated the work to William Cavendish, Duke of Newcastle. Dryden's sources for ''An Evening's Love'' include Thomas Corneille's comedy ''Le Feint Astrologue'', Madeleine de Scudéry's novel ''Ibrahim, ou l'Illustre Bassa'', and Calderón's comedy ''El Astrologo fingido'', as well as several other French, Spanish, Italian, and English works. The action of the play takes place in Madrid on the last night before Lent, 1665, and involves two young English gentlemen, Wildblood and Bellamy, and their comic servant Maskall, who fall in love with two beautiful young ...
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The Maiden Queen
''Secret Love, or The Maiden Queen'' is a 1667 tragicomedy written by John Dryden. The play, commonly known by its more distinctive subtitle, was acted by the King's Company at the Theatre Royal, Drury Lane (which had escaped the Great Fire of London the year before). The premiere occurred on 2 March, and was a popular success. King Charles II, his brother the Duke of York and future King James II, and Samuel Pepys were all in the audience on opening night. ''The Maiden Queen'' was noteworthy as a vehicle for Nell Gwyn, who played the heroine Florimel. Pepys raved about her performance in his Diary — "so great performance of a comical part was never, I believe, in the world before...." He returned to see the play eight more times. It was also a special favourite of the King, who reportedly called it "his play." In addition to Nell Gwyn, the original cast included Nicholas Burt as Lysimantes, Michael Mohun as Philocles, and Charles Hart as Celadon; Anne Marshall as C ...
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Great Fire Of London
The Great Fire of London was a major conflagration that swept through central London from Sunday 2 September to Thursday 6 September 1666, gutting the medieval City of London inside the old Roman city wall, while also extending past the wall to the west. The death toll is generally thought to have been relatively small, although some historians have challenged this belief. The fire started in a bakery in Pudding Lane shortly after midnight on Sunday 2 September, and spread rapidly. The use of the major firefighting technique of the time, the creation of firebreaks by means of removing structures in the fire's path, was critically delayed due to the indecisiveness of the Lord Mayor, Sir Thomas Bloodworth. By the time large-scale demolitions were ordered on Sunday night, the wind had already fanned the bakery fire into a firestorm which defeated such measures. The fire pushed north on Monday into the heart of the City. Order in the streets broke down as rumours arose of ...
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The Siege Of Urbin
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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The Cheats
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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John Wilson (playwright)
John Wilson (1626–1696) was an English playwright and lawyer. Life and work He was son of Aaron Wilson, a royalist divine, and was born in London in 1626. He matriculated from Exeter College, Oxford, in 1644, and entered Lincoln's Inn two years later, being called to the bar in 1649. His unswerving support of the royal pretensions recommended him to James, duke of York, through whose influence he became Recorder of Derry about 1681. ''His Discourse of Monarchy'' (1684), a tract in favour of the succession of the duke of York, was followed (1685) by a "Pindarique" on his coronation. In 1688 he wrote ''Jus regium Coronae'', a learned defence of James's action in dispensing with the penal statutes. He died in obscurity, due perhaps to his political opinions, in 1696. Wilson was the author of four plays, showing a vigorous and learned wit, and a power of character-drawing that place him rather among the followers of Ben Jonson than with the Restoration dramatists. ''The Cheat ...
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The Indian Emperour
''The Indian Emperour, or the Conquest of Mexico by the Spaniards, being the Sequel of The Indian Queen'' is an English Restoration era stage play, a heroic drama written by John Dryden that was first performed in the Spring of 1665. The play has been considered a defining work in the subgenre of heroic drama, in which "rhymed heroic tragedy comes into full being." As its subtitle indicates, the play deals with the Spanish conquest of the Aztec Empire under Hernán Cortés. Performance The premiere production was staged by the King's Company at the Theatre Royal, Drury Lane; it featured Michael Mohun as the Emperor, Charles Hart as Cortez, Edward Kynaston as Guyomar, Nicholas Burt as Vasquez, William Wintershall as Odmar, William Cartwright as the Priest, and Anne Marshall as Almeria. The original production employed a "gorgeously feathered cloak" that Aphra Behn had brought back from Surinam, along with "glorious wreaths for...heads, necks, arms, legs." Dryden spiced his ...
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The Humorous Lieutenant
''The Humorous Lieutenant'', also known as ''The Noble Enemies'', ''Demetrius and Enanthe'', or ''Alexander's Successors'', is a Jacobean era stage play, a tragicomedy written by John Fletcher. Highly praised by critics, it has been called "Fletcher's best comedy." The drama was initially published in the first Beaumont and Fletcher folio of 1647. Date and performance The second Beaumont/Fletcher folio of 1679 provides a cast list for the original King's Men's production, which includes Henry Condell, Joseph Taylor, John Lowin, William Ecclestone, Richard Sharpe, John Underwood, Robert Benfield—and Thomas Pollard, the comic actor who filled the title role. This is the only cast list that includes both Taylor and Condell; Taylor joined the company in the spring of 1619, to replace Richard Burbage after his death in March of that year; and Condell is thought to have retired not long after—which appears to date the play fairly securely to 1619. Manuscript In addition to ...
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Rollo Duke Of Normandy
''Rollo Duke of Normandy'', also known as ''The Bloody Brother'', is a play written in collaboration by John Fletcher, Philip Massinger, Ben Jonson and George Chapman. The title character is the historical Viking duke of Normandy, Rollo (lived 846 – ). Scholars have disputed almost everything about the play; but it was probably written sometime in the 1612–24 era and later revised, perhaps in 1630 or after. In addition to the four writers cited above, the names of Nathan Field and Robert Daborne have been connected with the play by individual scholars. Synopsis Rollo, Duke of Normandy, is locked in a struggle for power with his brother Otto. Urged on by the sycophantic LaTorch, Rollo eventually murders Otto. After he commits a number of other bloodthirsty deeds, Rollo is lured into a private meeting with the beautiful Edith, daughter of one of his victims, who plots to murder him. As Edith hesitates, Hamond, captain of the guard and brother of another of Rollo's victims, b ...
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Rule A Wife And Have A Wife
''Rule a Wife and Have a Wife'' is a late Jacobean stage comedy written by John Fletcher. It was first performed in 1624 and first published in 1640. It is a comedy with intrigue that tells the story of two couples that get married with false pretenses. The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 19 October 1624. It was performed by the King's Men, who performed it at Court twice in that season. The 1640 quarto was printed at Oxford by Leonard Lichfield, the printer to the University of Oxford. It was later reprinted in the second Beaumont and Fletcher folio of 1679. It was revived in the Restoration era in an adaptation, like many of Fletcher's plays; the revised version was printed in 1697 and repeatedly thereafter, and proved to be among the dramatist's most popular works. External evidence, including Herbert's entry in his records and the 1640 quarto, assigns the play to Fletcher alone. The play's internal evidence of style a ...
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