Anne Françoise Elisabeth Lange
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Anne Françoise Elisabeth Lange
Anne Françoise Elisabeth Lange (17 September 177225 May 1816, Florence) was a French actress of the Comédie-Française and a "'' Merveilleuse''" of the French Directory. Her stage name was Mademoiselle Lange. Life She was born in Genoa, the daughter of Charles-Antoine Lange (or L'Ange) and Marie-Rose Pitrot, itinerant musicians and actors putting on shows right across Europe. She thus made her stage debut very young in child roles in her parents' companies. In 1776, the family was taken on at the theatre at Liège, and in 1784, they found themselves taken on at the theatre in Ghent. In 1787, Mlle Lange was taken on at the theatre at Tours in Marguerite Brunet's company. On 2 October 1788, she made her official debut at the Comédie-Française in the role of Lindane in '' L'Écossaise'' by Voltaire. She next played Lucinde in ''L'Oracle'' by Saint-Foix. In 1791, the production of the anti-religious and anti-monarchical play ''Charles IX'' by Marie-Joseph Chénier divided the ...
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Jean-François Gilles Colson
Jean-François Gilles Colson, the son of Jean-Baptiste Gilles, was born in Dijon in 1733. He was a pupil of his father, of Frère Imbert at Avignon, and of Nonotte at Lyons. On coming to Paris he was presented to the Duke of Bouillon The Duchy of Bouillon (french: Duché de Bouillon) was a duchy comprising Bouillon and adjacent towns and villages in present-day Belgium. The state originated in the 10th century as property of the Lords of Bouillon, owners of Bouillon Castle. ..., who kept him in constant employment for forty years as architect, sculptor, painter, and even gardener. He gained a high reputation as a portrait painter, and left several manuscripts on perspective, poetry, and the fine arts. He died in Paris in 1803. References * {{DEFAULTSORT:Gilles Colson, Jean-Francois 1733 births 1803 deaths 18th-century French painters French male painters 19th-century French painters Artists from Dijon 19th-century French male artists 18th-century French male a ...
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Germain-François Poullain De Saint-Foix
Germain-François Poullain de Saint-Foix (5 February 1698 – 25 August 1776) was an 18th-century French writer and playwright. Life He served with the musketeers until he was 36, distinguishing himself at Guastalla in 1734. He then left the army and purchased a post as "maître des eaux et forêts" in Rennes. He published his first comedy, ''Pandore'', in 1721 and from 1740 devoted himself entirely to writing, setting up in Paris and becoming a fashionable author there. He wrote 20 comedies in all. In 1764 he was made historian of the ordre du Saint-Esprit. The jurist Auguste-Marie Poullain-Duparc was his brother. Works * ''Pandore'' (1721) * ''Lettres d’une Turque à Paris'' (1730), in imitation of the ''Persian Letters'' by Montesquieu - reissued under the titles ''Lettres de Nedim Koggia'' (1732) and ''Lettres turques'' (1760) * ''L’Oracle'' (1740) * ''Deucalion et Pyrrha'' (1741) * ''L’Île sauvage'' (1743) * ''Le Sylphe'' (1743) * ''Les Grâces'' (1744) * '' ...
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Hôtel Particulier
An ''hôtel particulier'' () is a grand townhouse, comparable to the Townhouse (Great Britain), British townhouse or mansion. Whereas an ordinary ''maison'' (house) was built as part of a row, sharing party walls with the houses on either side and directly fronting on a street, an ''hôtel particulier'' was often free-standing and, by the 18th century, would always be located ''entre cour et jardin'' – between the ''cour d'honneur'' (an entrance court) and the garden behind. There are ''hôtels particuliers'' in many large cities in France. Etymology and meaning The word ''hôtel'' represents the Old French "hostel" from the Latin ''hospitālis'' "pertaining to guests", from ''hospes'', a stranger, thus a guest.Cassell's Latin Dictionary The adjective ''particulier'' means "personal" or "private". The English word ''hotel'' developed a more specific meaning as a commercial building accommodating travellers; modern French also uses ''hôtel'' in this sense. For example, the H ...
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Pension Belhomme
The Pension Belhomme was a prison and private clinic during the French Revolution in the Rue de Charonne ( 11e arrondissement, Paris). Around 1765, the joiner Jacques Belhomme took on the construction of a building for the son of a neighbour, an aristocrat who had been mad since birth. Seeing that running an asylum was more lucrative than joinery, he opened an asylum for lunatics, old people and whoever else rich families wanted to entrust to him. A famous precursor of psychiatry, Philippe Pinel, carried out his first treatments of the insane here. Once the French Revolution had begun, Jacques Belhomme thought that his fortune was assured. Remote from the violent centre of Paris, he had noticeable advantages. In September 1793, when the Reign of Terror began, the députés encouraged the sans-culottes to imprison all suspect individuals: nobles, their wives and children, foreigners, priests, lawyers, the actors of the Comédie Française, rich people in general, in short, al ...
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Prison De Sainte-Pélagie
A prison, also known as a jail, gaol (dated, standard English, Australian, and historically in Canada), penitentiary (American English and Canadian English), detention center (or detention centre outside the US), correction center, correctional facility, lock-up, hoosegow or remand center, is a facility in which inmates (or prisoners) are confined against their will and usually denied a variety of freedoms under the authority of the state as punishment for various crimes. Prisons are most commonly used within a criminal justice system: people charged with crimes may be imprisoned until their trial; those pleading or being found guilty of crimes at trial may be sentenced to a specified period of imprisonment. In simplest terms, a prison can also be described as a building in which people are legally held as a punishment for a crime they have committed. Prisons can also be used as a tool of political repression by authoritarian regimes. Their perceived opponents may be ...
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Committee Of Public Safety
The Committee of Public Safety (french: link=no, Comité de salut public) was a committee of the National Convention which formed the provisional government and war cabinet during the Reign of Terror, a violent phase of the French Revolution. Supplementing the Committee of General Defence created after the execution of King Louis XVI in January 1793, the Committee of Public Safety was created in April 1793 by the National Convention. It was charged with protecting the new republic against its foreign and domestic enemies, fighting the First Coalition and the Vendée revolt. As a wartime measure, the committee was given broad supervisory and administrative powers over the armed forces, judiciary and legislature, as well as the executive bodies and ministers of the Convention. As the committee, restructured in July, raised the defense ('' levée en masse'') against the monarchist coalition of European nations and counter-revolutionary forces within France, it became more and more ...
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Samuel Richardson
Samuel Richardson (baptised 19 August 1689 – 4 July 1761) was an English writer and printer known for three epistolary novels: ''Pamela; or, Virtue Rewarded'' (1740), '' Clarissa: Or the History of a Young Lady'' (1748) and ''The History of Sir Charles Grandison'' (1753). He printed almost 500 works, including journals and magazines, working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer, whose daughter he eventually married. He lost her along with their six children, but remarried and had six more children, of which four daughters reached adulthood, leaving no male heirs to continue the print shop. As it ran down, he wrote his first novel at the age of 51 and joined the admired writers of his day. Leading acquaintances included Samuel Johnson and Sarah Fielding, the physician and Behmenist George Cheyne, and the theologian and writer William Law, whose books he printed. At Law's request, Richardson printed some poems by J ...
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Pamela; Or, Virtue Rewarded
''Pamela; or, Virtue Rewarded'' is an epistolary novel first published in 1740 by English writer Samuel Richardson. Considered one of the first true English novels, it serves as Richardson's version of conduct literature about marriage. ''Pamela'' tells the story of a fifteen-year-old maidservant named Pamela Andrews, whose employer, Mr. B, a wealthy landowner, makes unwanted and inappropriate advances towards her after the death of his mother. Pamela strives to reconcile her strong religious training with her desire for the approval of her employer in a series of letters and, later in the novel, journal entries all addressed to her impoverished parents. After various unsuccessful attempts at seduction, a series of sexual assaults, and an extended period of kidnapping, the rakish Mr. B eventually reforms and makes Pamela a sincere proposal of marriage. In the novel's second part Pamela marries Mr. B and tries to acclimatise to her new position in upper-class society. The full ...
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Sociétaires Of The Comédie-Française
The sociétaires of the Comédie-Française are chosen from among the ''pensionnaires'' who have been in the company a year or more. They are decided upon in the course of a general assembly of the company's administrative committee, made up of 6 existing sociétaires, the senior sociétaire, and the general administrator. A pensionnaire is thus named a societaire by a decree of the Ministry of Culture, from names put forward by the general administrator of the Comédie-Française. On becoming a sociétaire, an actor automatically becomes a member of the ''Société des Comédiens-Français'' and receives a share of the profits as well as receiving a number of shares in the société to which he or she is contractually linked. After his or her retirement, a sociétaire can continue to act, becoming an honorary sociétaire. The senior member of the Comédie-Française is not the oldest sociétaire, but the sociétaire who has been with the company longest (since their entering it ...
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Jean-François Collin D'Harleville
Jean-François Collin d'Harleville (30 May 1755 – 24 February 1806) was a French dramatist. He was born at Maintenon (Eure-et-Loir). His first dramatic success was ''L'Inconstant'', a comedy accepted by the Comédie Française in 1780, but not produced there until six years later, though it was played elsewhere in 1784. This was followed by ''L'Optimiste, ou l'homme toujours content'' (1788), and ''Châteaux en Espagne'' (1789). His best play, ''Le vieux célibataire'', appeared in 1793. Among his other plays are the one-act comedy ''Monsieur de Crac dans son petit castel'' (1791), ''Les Artistes'' (1796), ''Les Mœurs du jour'' (1800) and ''Malice pour malice'' (1803). Collin was one of the original members of the Institute of France, and died in Paris. The 1822 edition of his ''Théâtre et poésies fugitives'' contains a notice by his friend the dramatist François Andrieux. His ''Théâtre'' was also edited by Louis Moland in 1876; and by Edouard Thierry in 1882. Works ...
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