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Anna Girò
Anna Girò (also Girrò or Giraud), also known as l'Annina del Prete Rosso, la Nina del Prete Rosso, or l'Annina della Pietà, was the stage name of Anna Maria(?) Maddalena Tessieri (or Tesieri, Teseire or Testeiré), an Italian mezzo-soprano/contralto of the 18th century. She is best remembered for her numerous collaborations with composer Antonio Vivaldi who wrote operatic roles for her. She is the singer who performed the greatest number of Vivaldi's operas, the one who kept them in her repertoire the longest time and who made them known across the largest geographical area. Early life and career Mantua Anna Girò was born in Mantua in 1710 or a few years earlier. She was the daughter of a wig maker of French descent called Pietro, whose surname Giraud was made into Girò in italian and passed onto the offspring in its italianized graphy. Her mother was Bartolomea, widow of Giacomo Trevisan. Venice At twelve she was sent to Venice to study singing. There, she was welcomed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pasticcio
In music, a ''pasticcio'' or ''pastiche'' is an opera or other musical work composed of works by different composers who may or may not have been working together, or an adaptation or localization of an existing work that is loose, unauthorized, or inauthentic. Etymology The term is first attested in the 16th century referring both to a kind of pie containing meat and pasta (''see pastitsio'') and to a literary mixture; for music, the earliest attestation is 1795 in Italian and 1742 in English. It derives from the post-classical Latin ''pasticium'' (13th century), a pie or pasty.''Oxford English Dictionary'', March 2008 revision, ''s.v.'' pasticcio In opera In the 18th century, opera ''pasticcios'' were frequently made by composers such as Handel, for example ''Oreste'' (1734), ''Alessandro Severo'' (1738) and ''Giove in Argo'' (1739), as well as Gluck, and Johann Christian Bach. These composite works would consist mainly of portions of other composers' work, although they could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catone In Utica (Vinci)
''Catone in Utica'' is a 1728 opera by Leonardo Vinci. It was the original setting of Metastasio's libretto of that name. Recordings *Vinci, Leonardo: Catone in Utica Max Emanuel Cencic (Arbace), Franco Fagioli (Cesare), Valer Sabadus (Marzia), Martin Mitterutzner (Fulvio), Vince Yi (Emilia), Juan Sancho (Catone) Il Pomo D'oro, Riccardo Minasi Riccardo Minasi (born 1978) is an Italian violinist and conductor in the field of historically informed performance. Life Born in Rome, Minasi received his first music lessons from his mother, studying modern violin with Paolo Centurioni and A ... Decca 3CD 2015 BBC Music Magazine September 2015 Director Riccardo Minaso heats up hesense of rivalry - the variations get wilder, the yearning more palpable. All three countertenors are virtuosos, but Fagioli takes the laurels…the band contributes enormously throughout, its brash exuberance alternating with continuo realisations as delicate as they are original… superb premiere recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Pescetti
Giovanni Battista Pescetti (c. 170420 March 1766) was an organist, harpsichordist, and composer known primarily for his operas and keyboard sonatas. Musicologist and University of California, Santa Barbara professor John E. Gillespie wrote that Pescetti "stylistically stands as a bridge between Alberti and Domenico Scarlatti". Life Born in Venice, Pescetti was the son of organ builder Giacinto Pescetti. His mother, Giulia Pescetti (née Pollarolo), was the daughter of opera composer and organist Carlo Francesco Pollarolo and the sister of composer and organist Antonio Pollarolo. He studied in his native city under the organist and opera composer Antonio Lotti. He developed a friendship with Baldassare Galuppi, a fellow pupil of Lotti's, with whom he collaborated in creating and revising operas. From 1725 to 1732 he wrote operas for various theatres in Venice, sometimes in collaboration with Galuppi. Pescetti left Italy for London in 1736, where he initially worked as a harpsichord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baldassare Galuppi
Baldassare Galuppi (18 October 17063 January 1785) was an Italian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments. In his early career Galuppi made a modest success in ''opera seria'', but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new ''dramma giocoso'' style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature ''opere serie'', for which his librettists included the poet and dramatist Me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roselina Ed Oronta Vivaldi
Roseline or Rossolina de Villeneuve (1263 – January 17, 1329) was a French Carthusian nun. She is regarded as a saint in the Roman Catholic Church. Life Roseline was born to an aristocratic family, at the château of Les Arcs-sur-Argens, Var, in eastern Provence, near Draguignan. As a child, she discreetly distributed food from the chateau larder to the local poor people. A similar Miracle of the roses is told of her, as is attributed to several other saints. Having overcome her father's opposition, Roseline became a Carthusian nun at Bertaud in the Alps of Dauphiné. Her consecration took place in 1288, and in about 1330 she succeeded her aunt, Jeanne (Diane) de Villeneuve, as prioress of La Celle-Robaud in the Diocese of Fréjus near her home. In 1320 her brother Hélion de Villeneuve, Grand Master (1319–46) of the Knights of St. John, restored the monastery, and in 1323 and 1328 Pope John XXII, formerly Bishop of Fréjus, increased its revenue, granting indulgences fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Furioso (Vivaldi, 1727)
''Orlando'' ( RV 728), usually known in modern times as ' (), is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem '' Orlando Furioso'' (''The Frenzy of Orlando''). The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, '' Orlando furioso'', set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself. The opera – more formally, the ''dramma per musica'' – alternates arias with recitative, and is set on an island at an unspecified time. The story line combines several plot lines from Ariosto: the exploits of the hero Orlando are detailed, as well as the tale of the sorceress Alcina. Roles Synopsis Act 1 In a delightful garden in which two springs are seen, Medoro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Giay
Giovanni Antonio Giay (sometimes spelled Giaj; 11 June 1690 – 10 September 1764) was an Italian composer. His compositional output includes 15 operas, 5 symphonies, and a significant amount of sacred music. Life and career Born in Turin, Giay's father, Stefano Giuseppe Giay, was a chemist. His father died when he was 5 years old. In 1710 he entered the Collegio degli Innocenti at the Turin Cathedral where he studied music with Francesco Fasoli. His first opera, ''Il trionfo d'Amore ossia La Fillide'', premiered at the Teatro Carignano during Carnival of 1715. In 1732 he succeeded Andrea Stefano Fiorè as the ''maestro di cappella'' at the royal chapel in Turin at the behest of Charles Emmanuel III of Savoy. He remained in that post until his death 26 years later, after which his son, Francesco Saverio, took over the post from 1764 until 1798. As master of the Cappella Regia, Giay wrote many religious and secular musical and operatic works. His work include ''Don Chisciott ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Brusco
Francesco Brusco (died 1625) was a Roman Catholic prelate who served as Bishop of Lettere-Gragnano (1599–1625). Biography On 27 September 1599, Francesco Brusco was appointed during the papacy of Pope Clement VIII Pope Clement VIII ( la, Clemens VIII; it, Clemente VIII; 24 February 1536 – 3 March 1605), born Ippolito Aldobrandini, was head of the Catholic Church and ruler of the Papal States from 2 February 1592 to his death in March 1605. Born ... as Bishop of Lettere-Gragnano. He served as Bishop of Lettere-Gragnano until his death in 1625. References External links and additional sources * (for Chronology of Bishops) * (for Chronology of Bishops) 17th-century Italian Roman Catholic bishops Bishops appointed by Pope Clement VIII 1625 deaths {{17C-Italy-RC-bishop-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorilla In Tempe
''Dorilla in Tempe'' is a ''melodramma eroico pastorale'' or opera in three acts by composer Antonio Vivaldi with an Italian libretto by Antonio Maria Lucchini. The opera premiered at the Teatro San Angelo in Venice on 9 November 1726. Vivaldi later revised the opera numerous times for several different performances throughout the second half of his career. History ''Dorilla in Tempe'' was well received at its premiere and became one of Vivaldi's personal favorites. The opera was the first work by Vivaldi to include in its cast the mezzo-soprano Anna Girò, who went on to form a lifelong friendship and professional partnership with the composer. The opera was also noted for its visual aspects, boasting some of the most elaborate sets (by Antonio Mauro) in the history of opera up to that point and for its beautiful choreography by Giovanni Galletto. In 1728 the opera was revived at the small Teatro San Margherita in Venice with an almost identical text, and again in Prague at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
