Anita O'Day And Billy May Swing Rodgers And Hart
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Anita O'Day And Billy May Swing Rodgers And Hart
''Anita O'Day and Billy May Swing Rodgers and Hart'' is a 1960 studio album by Anita O'Day, arranged by Billy May. O'Day and May had previously recorded an album dedicated to a single composer, Cole Porter, in 1959. Reception In a review for AllMusic, John Bush wrote: "Broadway fans could understandably fear that O'Day and May would pulverize the waltzing balladry of Rodgers as well as Hart's intricate wordplay. They should have realized that, like the breakneck yet technically perfect performances of bop originators Charlie Parker and Dizzy Gillespie, O'Day would miss no subtleties -- and would probably add some of her own -- while she graced these energized versions of American pop classics." The authors of ''The Penguin Guide to Jazz Recordings'' remarked that the album "starts on a wild high... and just goes on from there." They commented: "O'Day is a natch for Hart's clever lyrics and multiple rhymes and there isn't a poor track on it." Marc Myers, writing for All About ...
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Anita O'Day
Anita Belle Colton (October 18, 1919 – November 23, 2006), known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer". Refusing to pander to any female stereotype, O'Day presented herself as a "hip" jazz musician, wearing a band jacket and skirt as opposed to an evening gown. She changed her surname from Colton to O'Day, pig Latin for "dough", slang for money. Early career Anita Belle Colton (who later took the surname "O'Day") was born to Irish parents, James and Gladys M. (née Gill) Colton in Kansas City, Missouri, and raised in Chicago, Illinois, during the Great Depression. Colton took the first chance to leave her unhappy home when, at age 14, she became a contestant in the popular Walk-a-thons as a dancer. She toured with the Walk-a-thons circuits for two years, occasionally being ...
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Little Girl Blue (song)
"Little Girl Blue" is a popular music, popular song with music by Richard Rodgers and lyrics by Lorenz Hart, published in 1935. The song was introduced by Gloria Grafton in the Broadway theater, Broadway musical play, musical ''Jumbo (musical), Jumbo''. Film appearances *1962 Billy Rose's Jumbo - sung by Doris Day *1990 The Handmaid's Tale (film), The Handmaid's Tale Recordings Many popular and jazz artists have recorded the tune, including: *The Afghan Whigs *Louis Armstrong *Chet Baker *Polly Bergen - ''Little Girl Blue'' (1955) *Donald Byrd - ''Byrd in Flight'' (Blue Note 1960) *Ann Hampton Callaway - ''To Ella with Love'' (1996) *The Carpenters - ''Lovelines'' (1989) *Rosemary Clooney - ''Rosemary Clooney Sings Rodgers, Hart & Hammerstein'' (1990) *Sam Cooke - ''My Kind of Blues (Sam Cooke album), My Kind of Blues'' (1961) *Doris Day - ''Billy Rose's Jumbo (soundtrack), Billy Rose's Jumbo'' (1962) *Ethel Ennis - ''Eyes for You'' (1964) *Ella Fitzgerald - ''Ella Fitzgerald S ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ...
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Spring Is Here
"Spring is Here" is a 1938 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical ''I Married an Angel'' (1938), where it was introduced by Dennis King and Vivienne Segal. Rodgers and Hart had previously written a song entitled "Spring is Here in Person," which served as the title song for a 1929 Broadway production (filmed in 1930 - see ''Spring is Here (film)''). Theatrical producer Josh Logan, a longtime associate of Rodgers & Hart, would opine that "the most touching f Hart's lyricsare those about unrequited love ith the 1938 song'Spring is Here' eingone of the greatest examples". Hart had had a romantic interest in ''I Married an Angel'' leading lady Vivienne Segal who turned down more than one marriage proposal from him. Logan believed that Hart's lyrics for "Spring is Here" evoked the composer's disappointment over Segal's failure to reciprocate his interest. Notable recordings * Chet Baker – ''Deep in a Dream'' (2002, posthumous, pre ...
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To Keep My Love Alive
"To Keep My Love Alive" is a 1943 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the 1943 revival of the 1927 musical '' A Connecticut Yankee,'' where it was introduced by Vivienne Segal. It was written especially for Segal. It was the last song that Hart wrote before his death from pneumonia. The song outlines the many ways the singer "bumped off" her fifteen husbands in order to avoid being unfaithful to any of them. Some of her methods are arsenic poisoning, stabbing and appendectomy. Lyrics I've been married, and married, and often I've sighed, "I'm never a bridesmaid, I'm always a bride." I never divorced them—I hadn't the heart-- Yet remember these sweet words: "'Til death do us part..." First stanza I married many men, a ton of them, And yet I was untrue to none of them, Because I bumped off every one of them To keep my love alive. Sir Paul was frail; he looked a wreck to me. At night he was a horse's neck to me, So I performed an appendectom ...
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I've Got Five Dollars
"I've Got Five Dollars" is a 1931 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart for the musical '' America's Sweetheart'' (1931) where it was introduced by Harriette Lake (aka Ann Sothern) and Jack Whiting. Popular recordings in 1931 were by Ben Pollack (recorded March 2, 1931 for Perfect Records, No. 15431) and by Emil Coleman & his Orchestra (recorded January 23, 1931, Brunswick 6036) with Smith Ballew, vocal refrain. Note that this is a different song than the country and western song titled " I've Got Five Dollars and It's Saturday Night" written by Ted Daffan. Other notable recordings *Lee Morse & Her Bluegrass Boys (recorded February 20, 1931, Columbia 2417-D) (1931) *Lee Wiley - on Gala 78 (1940) *Bing Crosby - ''Bing Sings Whilst Bregman Swings'' (1956) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Rodgers & Hart Songbook'' (1956) *Jeri Southern - included in her album ''Jeri Gently Jumps'' (1957) *Anita O'Day - recorded for her album ''Anita O'Day ...
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It Never Entered My Mind
"It Never Entered My Mind" is a show tune from the 1940 Rodgers and Hart musical '' Higher and Higher'', where it was introduced by Shirley Ross. Notable recordings *Frank Sinatra – ''Frankly Sentimental'' (1949) Originally recorded November 5, 1947, ''In the Wee Small Hours'' (1955), '' She Shot Me Down'' (1981) *Patty Andrews (with Gordon Jenkins and orchestra) (1951) *Julie London – ''Julie Is Her Name'' (1955) *Miles Davis – '' Miles Davis, Volume 3'' (Blue Note 1954) & ''Workin' with the Miles Davis Quintet'' (Prestige 1956) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Rodgers & Hart Songbook'' (1956) *Bud Powell – ''Bud Powell's Moods'' (1956) *Coleman Hawkins and Ben Webster – '' Coleman Hawkins Encounters Ben Webster'' (1957) *Stan Getz – ''Stan Getz and J. J. Johnson at the Opera House'' (1957) *Jeri Southern – ''Southern Hospitality'' (1958) *Stan Getz – '' Jazz Giants '58'' *Sarah Vaughan – '' Sarah Vaughan Sings Broadway: Great Songs from Hit Show ...
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Lover (Rodgers And Hart Song)
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie ''Love Me Tonight'' (1932) by Jeanette MacDonald. Popular recordings in 1933 were by Paul Whiteman and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller. Other notable recordings * Stan Kenton – with Kai Winding (1940) * Gene Krupa – ''1945'' * Harry James – released three live recordings of the song from the 1940s and 50s * Les Paul – ''The New Sound'' (Capitol, 1950) * Frank Sinatra – ''Sing and Dance with Frank Sinatra'' (1950) and ''Come Swing with Me!'' (1961) * Peggy Lee – ''Lover'' (1952) and in the movie ''The Jazz Singer'' (1952) * Charlie Parker – ''Big Band'' (1952) * Yvette Giraud – French-language of the song (lyrics by Henri Contet), under the title "Partout Toi", was a hit in 1954 * Dave Brubeck – ''Jazz: Red, Hot, and Cool'' (1955) * Sonny Stitt – ''Sonny Stitt Plays Arrangements from the Pen of ...
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Have You Met Miss Jones?
"Have You Met Miss Jones?" is a popular song that was written for the musical comedy ''I'd Rather Be Right''. The music was written by Richard Rodgers and the lyrics by Lorenz Hart. The song was published in 1937. Background In the musical the song is performed by characters Peggy Jones and Phil Barker. In the 1937 version these characters were played by Joy Hodges and Austin Marshall. In movie Gentlemen Marry Brunettes (1955) sung by Rudy Vallee, Jane Russell, Jeanne Crain (dubbed by Anita Ellis), Scott Brady (dubbed by Robert Farnon) and Alan Young, Danced by Jane Russell and Jeanne Crain. Other recordings * Stan Getz – ''The Artistry of Stan Getz'' (1953) * Benny Goodman with Teddy Wilson and Gene Krupa – ''Camel Caravan'' (1937) * Tony Bennett - ''Tony Bennett, Stan Getz & Friends'' (1964) * Ahmad Jamal – '' Ahmad Jamal at the Top: Poinciana Revisited'' (1969) * Red Norvo with Charles Mingus and Tal Farlow – 1950 * Bing Crosby — ''Bing Sings Whilst Bregman Swings'' ...
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