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Angels In Disguise (album)
''Angels in Disguise'' is the second album released by Interface and considered by many of its fans as its best to date. Clocking in at over 71 minutes, the album spans many different styles, from electro-industrial to trance to synthpop, with traces of trip hop and jungle for good measure. As with the debut album, it was almost entirely produced and performed by Eric Eldredge. It was released by Tinman Records on July 15, 2002. Critics in magazines such as Industrial Nation, Side Line, and Outburn were highly taken with the album's overall positive imagery, which is uncommon in this genre. Part of the reason behind the vast improvements in the band's sound was the major upgrades Eldredge did to Interface's studio in the three-plus years between albums. The album produced several club ready tracks, such as "Wasted Time", "Ability", "Temperature", and the title track, all of which found their way onto playlists of many dance clubs, radio stations, webcasts, and podcasts. Add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interface (music Group)
Interface is an electronic music group based on Long Island, New York. It was founded in 1993 by Eric Eldredge (keyboards, sequences, and vocals). Its career has been lined with a steady output of songs and dance remixes for other artists and several lineup shifts. Each of its three albums to date display a blend of various styles of electronic music, most notably trance, synthpop, electro-industrial and aggrotech, with a strong sense of melody and songwriting. Band history The project became a serious entity when Eldredge left another group, Valve, in 1997. The band's inaugural lineup also included Joseph Destry (guitar, vocals) and Mike Cummings a/k/a DJ ANGZTEK (drums). In total Interface released four demo tapes between 1993 and 1998, with little interest from record labels or the music press. DJ ANGZTEK (Mindsett, Absolution) and Destry left Interface in 1998, leaving Eldredge as its sole member. Interface self-released the first LP ''The Artemis Complex'' in January 1999. Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-industrial
Electro-industrial is a music genre that emerged from industrial music in the early 1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial tends to have a grittier, complex and layered sound with a more experimentalExplore MusicPop/Rock » Alternative/Indie Rock » Electro-Industrial@ AllMusic. ''RhythmOne Group''. Retrieved 8 February 2021. approach. The style was pioneered by Skinny Puppy, Front Line Assembly, Numb, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the ''dark electro'' genre, and in the mid-/late-1990s, the ''aggrotech'' offshoot.Interview with Axel Machens, Vendetta Music, 23 April 2007Access date: 23 December 2008. The fan base for the style is linked to the rivethead subculture. Characteristics After the EBM movement faded in the early 1990s, electro-industrial increasingly attained popularity in the international club scene. In contrast to the straight EBM style, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tinman
Paul David Dakeyne (born 30 January 1961), known by his stage name Tinman, is an English house music producer/remixer from Hull, East Riding of Yorkshire. In 1994, his single "Eighteen Strings" (also written as "18 Strings") became an international club hit. It was rumoured that the original bootleg recording of "Eighteen Strings" contained a sample of the riff from "Smells Like Teen Spirit" by Nirvana, and that the usage of the sample was disallowed, therefore it was reproduced for commercial release. However, the riffs from the bootleg and commercial release were both produced by Dakeyne. The song was a Top 10 hit in the UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s .... In addition to this commercial success, Dakeyne also remixed many tracks for DMC which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Eldredge
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Artemis Complex
''The Artemis Complex'' is the debut album for Interface, released in January 1999. Originally self-pressed and intended to be sold independently, it wasn't long before Tinman Records signed Interface to a distribution deal. Between the album's release and the band's increasing marketing presence on the internet, Interface's fanbase grew accordingly. Tinman also lifted the track "Frantic" for their compilation CD ''Ringworm V1'' in early 1999. It received favorable reviews in publications like "DAMN!" magazine and the Long Island Press. Overall, the album's raw, gritty sound is reminiscent of mid 1990s electro-industrial, combining definitive recordings of tracks heard on earlier demo tapes with newer dance tracks and atmospheric instrumentals. The album was mainly performed, produced, and recorded by Eric Eldredge in the fall of 1998. It includes two of the band's most enduring songs, "Metalstorm" and "The Softest Blade". The album's name comes from an article in a psychology mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beyond Humanity
''Beyond Humanity'' is the third full-length album by Interface. It was released by Nilaihah Records on March 14, 2006. The album was the band's first to be recorded and produced entirely within the environment of the computer, with little hardware instrumentation.1 It was also the band's first album in nearly four years thanks to the demise of the Tinman record label at the end of 2005. By that point the band had already committed to recording a new album, and began to shop it to other labels. Landing on Nilaihah in early 2006, the album saw the light of day March 14 with a series of bonus tracks added on. Some of these were remixes of songs on the album while others were of earlier material from ''Angels In Disguise'' songs, and the last track "Doubts And Fears" was exclusive to a compilation CD. To make room for the latter, the band was forced to drop a track from the original listing named "Darkness Prevails", which did appear when the band held a listening party premiere on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jungle
A jungle is land covered with dense forest and tangled vegetation, usually in tropical climates. Application of the term has varied greatly during the past recent century. Etymology The word ''jungle'' originates from the Sanskrit word ''jaṅgala'' (), meaning rough and arid. It came into the English language via Hindi in the 18th century. ''Jāṅgala'' has also been variously transcribed in English as ''jangal'', ''jangla'', ''jungal'', and ''juṅgala''. Although the Sanskrit word refers to dry land, it has been suggested that an Anglo-Indian interpretation led to its connotation as a dense "tangled thicket", while others have argued that a cognate word in Urdu derived from Persian, جنگل (Jangal), did refer to forests. The term is prevalent in many languages of the Indian subcontinent, and the Iranian Plateau, where it is commonly used to refer to the plant growth replacing primeval forest or to the unkempt tropical vegetation that takes over abandoned areas. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
