Angelos Sikelianos
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Angelos Sikelianos
Angelos Sikelianos ( el, Άγγελος Σικελιανός; 28 March 1884 – 19 June 1951) was a Greek lyric poet and playwright. His themes include Greek history, religious symbolism as well as universal harmony in poems such as ''The Moonstruck'', ''Prologue to Life'', ''Mother of God'', and ''Delphic Utterance''. His plays include '' Sibylla'', '' Daedalus in Crete'', '' Christ in Rome'', '' The Death of Digenis'', '' The Dithyramb of the Rose'' and ''Asklepius''. Although occasionally his grandiloquence blunts the poetic effect of his work, some of Sikelianos finer lyrics are among the best in Western literature. Every year from 1946 to 1951, he was nominated for the Nobel Prize for Literature. Biography Sikelianos was born in Lefkada where he spent his childhood. In 1900, he registered to the Athens Law School but never graduated. In the course of the following years, he traveled extensively and devoted himself to poetry. In 1907, he married the American Eva Palmer in th ...
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ...
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Nicolas Kitsikis
Nicolas Kitsikis ( el, Νίκος Κιτσίκης; Nafplio, August 14, 1887 – July 26, 1978, Athens), was a top civil engineer of 20th century Greece, and father of Beata Maria Kitsikis Panagopoulos, Elsa Schmid-Kitsikis and Dimitri Kitsikis. He served as professor and rector of the Athens Polytechnic School, was named doctor honoris causa of the Technical University of Berlin, became a member of the Greek Parliament and Senate of Greece, Senator during the Interbellum, and joined the EAM-ELAS resistance movement against the German occupation of Greece in 1941-1944. At the liberation of Greece in 1944, he joined the Greek Communist Party and became President of the Greek-Soviet Association in 1945, as well as initiating in 1955, with his wife, Beata Kitsikis, a Communist feminist fighter, the Greece-People's China Association. Life His father, Dimitri Kitsikis senior, was born on the island of Lesbos in 1850 and came to Athens at the age of 15 for studies. He married Kassandra ...
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Greek Jews
The history of the Jews in Greece can be traced back to at least the fourth century BCE. The oldest and the most characteristic Jewish group that has inhabited Greece are the Romaniotes, also known as "Greek Jews." The term "Greek Jew" is predominantly used for any Jew that lives in or originates from the modern region of Greece. Aside from the Romaniotes, a distinct Jewish population that historically lived in communities throughout Greece and neighboring areas with large Greek populations, Greece had a large population of Sephardi Jews, and is a historical center of Sephardic life; the city of Salonica or Thessaloniki, in Greek Macedonia, was called the "Mother of Israel."Samuel Usque, The Foundation for the Advancement of Sephardic Studies and Culture, p. 1 Greek Jews played an important role in the early development of Christianity, and became a source of education and commerce for the Byzantine Empire and throughout the period of Ottoman Greece, until suffering devastatio ...
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Archbishop Damaskinos
Archbishop Damaskinos Papandreou ( el, Αρχιεπίσκοπος Δαμασκηνός Παπανδρέου), born Dimitrios Papandreou ( el, Δημήτριος Παπανδρέου; 3 March 1891 – 20 May 1949) was the archbishop of Athens and All Greece from 1941 until his death. He was also the regent of Greece between the pull-out of the German occupation force in 1944 and the return of King George II to Greece in 1946. His rule was between the liberation of Greece from the German occupation during World War II and the Greek Civil War. Early life He was born Dimitrios Papandreou (no relation to the Papandreou political family from Achaea) in Dorvitsa, Greece. He enlisted in the Hellenic Army during the Balkan Wars. He was ordained a priest of the Greek Orthodox Church in 1917. In 1922, he was made Bishop of Corinth. He spent the early 1930s as an ambassador of the Ecumenical Patriarch in the United States, where he labored to help organize the Greek Orthodox Archdio ...
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Kostis Palamas
Kostis Palamas ( el, Κωστής Παλαμάς; – 27 February 1943) was a Greeks, Greek poet who wrote the words to the Olympic Hymn. He was a central figure of the Greek Literature, Greek literary generation of the 1880s and one of the cofounders of the so-called New Athenian School (or Palamian School, or Second Athenian School) along with Georgios Drosinis and Ioannis Polemis. Biography Born in Patras, in the same house as born the Italian novelist Matilde Serao, he received his primary and secondary education in Mesolonghi. In 1877 he enrolled at the School of Law, Economics and Political Sciences of the University of Athens, but he soon abandoned his studies."Palamas, Kostis, 1859-1943"
at :el:Εθνικό Κέντρο Βιβλίου, E.KE.BI / B ...
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Delphi
Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The oracle had origins in prehistory and it became international in character and also fostered sentiments of Greek nationality, even though the nation of Greece was centuries away from realization. The Ancient Greece, ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as Omphalos of Delphi, the omphalos (navel). The sacred precinct of Ge or Gaia was in the region of Phocis (ancient region), Phocis, but its management had been taken away from the Phocis (ancient region), Phocians, who were trying to extort money from its visitors, and had been placed in the hands of an Amphictyonic League, amphictyony, or committee of persons chosen mainly from Central Greece. According to the Suda, Delphi took its n ...
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European Cultural Centre Of Delphi
The European Cultural Centre of Delphi (ECCD) was founded in 1977 upon the inspiration and initiative of Konstantinos Karamanlis with the view of setting up a European and intellectual centre in Delphi. The first thoughts and discussions started in the 1930s when, in the aftermath of the Delphic Festivals ( 1927 & 1930), the Parliament and the Senate passed a law providing for the establishment and organization of an International Intellectual Cooperation Centre of Peoples similar to the "treasures" of the ancient Greek city of Delphi. In 1957, Greece filed a draft proposal to the Council of Europe for the Foundation of an Intellectual Centre in Delphi, which was also accepted. The construction for the conference venue began in 1966. The cost was covered by state funds and funds of the Council of Europe. In 1977, by an act of the Greek Parliament, the European Cultural Centre of Delphi (ECCD) was established as a "corporate body under private law", under the supervision of the Hel ...
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Prometheus Bound
''Prometheus Bound'' ( grc, Προμηθεὺς Δεσμώτης, ''Promētheús Desmṓtēs'') is an Ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J. Herington claims that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos (Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros (Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars ha ...
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Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with naive art, 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." For a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. ...
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Byzantine Music
Byzantine music (Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephaly fr ...
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