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Andrée Esposito
Andrée Esposito (born 7 February 1934) is a French opera singer, a lyric soprano particularly associated with the French repertory and contemporary works. Biography Andrée Esposito was born in Algiers, Algeria, into a family of French-Italian origin. She began her musical studies at the Music Conservatory of her native city, obtaining a first prize there. She completed her studies at the Paris Music Conservatory, where she was a pupil of Louis Noguéra and Charles Panzéra. She made her professional debut at Metz, as Suzel in Camille Erlanger's ''Le Juif Polonais''. Esposito was then quickly invited to all the major opera houses of France, including the Paris Opéra-Comique, singing the standard French light lyric repertory: Olympia in ''Les contes d'Hoffmann'', Philline in ''Mignon'', ''Mireille'', Micaela in '' Carmen'', Leila in '' Les pêcheurs de perles'', ''Lakmé''. She made her debut at the Paris Opéra in 1959, as Violetta in '' La traviata''. Other roles there i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Weight
Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music. Lighter voices are often associated with the term "lyric" and are usually brighter and more agile; heavier voices are often associated with the term "dramatic" and are usually powerful, rich, and darker. Other voice types like the spinto have a more medium vocal weight. Vocal weight can also affect overall vocal agility; heavier voices often have more difficulty maneuvering through florid coloratura passages than their lighter counterparts, as their weight and power compromises agility. Likewise, dramatic roles are often written with larger orchestras in mind as dramatic voices can carry more easily over larger ensembles. See also * Fach * Voice type * Singing * Music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mines Of Sulphur
''The Mines of Sulphur'' is an opera in three acts by Richard Rodney Bennett, his first full-length opera, composed in 1963. Beverley Cross wrote the libretto, based on his play ''Scarlet Ribbons'', at the suggestion of Colin Graham, who eventually directed the first production in 1965. The opera is dedicated to Benjamin Britten, whose Aldeburgh Festival had originally commissioned the opera. ''The Mines of Sulphur'' was premièred on 24 February 1965 at Sadler's Wells Theatre in London. It was also broadcast on BBC Radio Network Three on 5 March 1965, and produced in a version for BBC Television on 13 November 1966. It received numerous subsequent performances, including in Cologne, Marseille, Milan, Toronto, Los Angeles, and New York City (at the Juilliard School). Most productions were well received, except for one directed by John Huston at La Scala. After the mid-1970s, however, the work was mostly forgotten, until a popular revival by Glimmerglass Opera in 2004. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Yves Daniel-Lesur
Daniel Jean-Yves Lesur (19 November 1908 – 2 July 2002) was a French organist and composer. He was the son of the composer Alice Lesur. Biography Born in Paris, he entered the Conservatoire de Paris at age 11, studying solfège with Emile Schwartz, harmony with Jean Gallon, and composition with Georges Caussade. He also took private lessons in piano with Armand Ferté and composition with Charles Tournemire. From 1935 to 1964, he was professor of counterpoint at the Schola Cantorum under director Nestor Lejeune, becoming director himself in 1957. In 1936, he co-founded the group '' La Jeune France'' along with composers Olivier Messiaen (with whom he would remain a lifelong friend), André Jolivet and Yves Baudrier, who were attempting to re-establish a more human and less abstract form of composition. ''La Jeune France'' developed from the avant-garde chamber music society ''La spirale'', formed by Jolivet, Messiaen, and Daniel-Lesur the previous year. That same year h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Delerue
Georges Delerue (12 March 1925 – 20 March 1992) was a French composer who composed over 350 scores for cinema and television. Delerue won numerous important film music awards, including an Academy Award for ''A Little Romance'' (1980), three César Awards (1979, 1980, 1981), two ASCAP Awards (1988, 1990), and one Gemini Award for ''Sword of Gideon'' (1987). He was also nominated for four additional Academy Awards for ''Anne of the Thousand Days'' (1969), ''The Day of the Dolphin'' (1973), ''Julia'' (1977), and '' Agnes of God'' (1985), four additional César Awards, three Golden Globe Awards, and one Genie Award for '' Black Robe'' (1991). The French newspaper ''Le Figaro'' named him "the Mozart of cinema." Delerue was the first composer to win three consecutive César Awards for ''Get Out Your Handkerchiefs'' (1979), '' Love on the Run'' (1980), and ''The Last Metro'' (1981). Georges Delerue was named Commander of Arts and Letters, one of France's highest honours. Early life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duparc
Eugène Marie Henri Fouques Duparc (21 January 1848 – 12 February 1933) was a French composer of the late Romantic period. Biography Son of Charles Fouques-Duparc and Amélie de Guaita. Henri Fouques-Duparc was born in Paris. He studied piano with César Franck at the Jesuit College in the Vaugirard district and became one of his first composition pupils. Following military service in the Franco-Prussian War, he married Ellen MacSwiney, from Scotland, on 9 November 1871. In the same year, he joined Saint-Saëns and Romain Bussine to found the Société Nationale de Musique. Duparc is best known for his 17 mélodies ("art songs"), with texts by poets such as Baudelaire, Gautier, Leconte de Lisle and Goethe. A mental illness, diagnosed at the time as "neurasthenia", caused him abruptly to cease composing at age 37, in 1885. He devoted himself to his family and his other passions, drawing and painting. But increasing vision loss after the turn of the century eventual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Chausson
Amédée-Ernest Chausson (; 20 January 1855 – 10 June 1899) was a French Romantic composer who died just as his career was beginning to flourish. Life Born in Paris into an affluent bourgeois family, Chausson was the sole surviving child of a building contractor who made his fortune assisting Baron Haussmann in the redevelopment of Paris in the 1850s. To please his father, Chausson studied law and was appointed a barrister for the Court of Appeals, but had little or no interest in the profession. He frequented the Paris salons, where he met celebrities such as Henri Fantin-Latour, Odilon Redon, and Vincent d'Indy. Before deciding on a musical career, he dabbled in writing and drawing. In 1879, at the age of 24, he began attending the composition classes of Jules Massenet at the Paris Conservatoire; Massenet came to regard him as "an exceptional person and a true artist". He had already composed some piano pieces and songs. Nevertheless, the earliest manuscripts that have be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thais (opera)
Thais can be the plural of ''Thai'' and refer to: * The Thai people, the main ethnic group of Thailand * The Thai peoples or Tai peoples, the ethnic groups of southern China and Southeast Asia In the singular, Thais may refer to: People Ancient world * Thaïs, a celebrated hetaira during the era of Alexander (356-323BCE) * Thaïs (saint), 4th century repentant courtesan and saint of Roman Egypt Modern world * Thaís (footballer, born 1987), Brazilian footballer * Thaís (footballer, born 1996), Brazilian footballer * Thaisinha (born 1993), Brazilian footballer * Thaís Picarte (born 1982), Brazilian football goalkeeper * Thaís Fidélis (born 2001), Brazilian artistic gymnast * Thais Weiller, Brazilian game designer and producer * Thais Russomano (born 1963), Brazilian doctor and researcher * Thais Souza Wiggers (born 1985), Brazilian television presenter and model * Thaís de Campos (born 1956), Brazilian actress * Thaís Melchior (born 1990), Brazilian actress * Tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are ''Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
