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Andromache (play)
''Andromache'' ( grc, Ἀνδρομάχη) is an Athenian tragedy by Euripides. It dramatises Andromache's life as a slave, years after the events of the Trojan War, and her conflict with her master's new wife, Hermione. The date of its first performance is unknown. Some scholars place the date sometime between 428 and 425 BC. Müller places it between 420 and 417 BC. A Byzantine scholion to the play suggests that its first production was staged outside Athens, though modern scholarship regards this claim as dubious. Background During the Trojan War, Achilles killed Andromache's husband Hector. Homer describes Andromache's lament, after Hector's death, that their young son Astyanax will suffer poverty growing up without a father. Instead, the conquering Greeks threw Astyanax to his death from the Trojan walls, for fear that he would grow up to avenge his father and city. Andromache was made a slave of Achilles' son Neoptolemus. Years pass and Andromache has a child with Neoptolem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phthia
In Greek mythology Phthia (; grc-gre, Φθία or Φθίη ''Phthía, Phthíē'') was a city or district in ancient Thessaly. It is frequently mentioned in Homer's ''Iliad'' as the home of the Myrmidones, the contingent led by Achilles in the Trojan War. It was founded by Aeacus, grandfather of Achilles, and was the home of Achilles' father Peleus, mother Thetis (a sea nymph), and son Neoptolemus (who reigned as king after the Trojan War). Phthia is referenced in Plato's ''Crito'', where Socrates, in jail and awaiting his execution, relates a dream he has had (43d–44b): "I thought that a beautiful and comely woman dressed in white approached me. She called me and said: 'Socrates, may you arrive at fertile Phthia on the third day. The reference is to Homer's ''Iliad'' (ix.363), when Achilles, upset at having his war-prize, Briseis, taken by Agamemnon, rejects Agamemnon's conciliatory presents and threatens to set sail in the morning; he says that with good weather he might ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Leighton
Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style. His paintings were enormously popular, and expensive, during his lifetime, but fell out of critical favour for many decades in the early 20th century. Leighton was the bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death. Biography Leighton was born in Scarborough to Augusta Susan and Dr. Frederic Septimus Leighton (1799-1892), a medical doctor. Leighton's grandfather, Sir James Boniface Leighton (1769-1843), had been the primary physician to two Russian tsars - Alexander I and Nicholas I - and their families, and amassed a fortune while in their service. Leighton’s career was always cushioned by this family wealth, with his father pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scholia
Scholia (singular scholium or scholion, from grc, σχόλιον, "comment, interpretation") are grammatical, critical, or explanatory comments – original or copied from prior commentaries – which are inserted in the margin of the manuscript of ancient authors, as glosses. One who writes scholia is a scholiast. The earliest attested use of the word dates to the 1st century BC. History Ancient scholia are important sources of information about many aspects of the ancient world, especially ancient literary history. The earliest scholia, usually anonymous, date to the 5th or 4th century BC (such as the ''scholia minora'' to the ''Iliad''). The practice of compiling scholia continued to late Byzantine times, outstanding examples being Archbishop Eustathius' massive commentaries to Homer in the 12th century and the ''scholia recentiora'' of Thomas Magister, Demetrius Triclinius and Manuel Moschopoulos in the 14th. Scholia were altered by successive copyists an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoptolemos
In Greek mythology, Neoptolemus (; ), also called Pyrrhus (; ), was the son of the warrior Achilles and the princess Deidamia, and the brother of Oneiros. He became the mythical progenitor of the ruling dynasty of the Molossians of ancient Epirus. From his father, Neoptolemus was sometimes called Achillides, and from his grandfather or great-grandfather, Pelides and Aeacides. Description Neoptolemus was described by the chronicler Malalas in his account of the ''Chronography'' as "of good stature, good chest, thin, white, good nose, ruddy hair, wooly hair, light-eyed, big-eyed, blond eyebrows, blond beginnings of a beard, round-faced, precipitate, daring, agile, a fierce fighter". Meanwhile, in the account of Dares the Phrygian, he was illustrated as ". . .large, robust, and easily irritated. He lisped slightly, and was good-looking, with hooked nose, round eyes, and shaggy eyebrows. Family In some accounts, Neoptolemus was the son of Achilles by Iphigenia instead. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troy
Troy ( el, Τροία and Latin: Troia, Hittite language, Hittite: 𒋫𒊒𒄿𒊭 ''Truwiša'') or Ilion ( el, Ίλιον and Latin: Ilium, Hittite language, Hittite: 𒃾𒇻𒊭 ''Wiluša'') was an ancient city located at Hisarlik in present-day Turkey, south-west of Çanakkale and about miles east of the Aegean Sea. It is known as the setting for the Greek mythology, Greek myth of the Trojan War. In Ancient Greek literature, Troy is portrayed as a powerful kingdom of the Greek Heroic Age, Heroic Age, a mythic era when monsters roamed the earth and gods interacted directly with humans. The city was said to have ruled the Troad until the Trojan War led to its complete destruction at the hands of the Greeks. The story of its destruction was one of the cornerstones of Greek mythology and literature, featuring prominently in the ''Iliad'' and the ''Odyssey'', and referenced in numerous other poems and plays. Its legacy played a large role in Greek society, with many prominent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mourning
Mourning is the expression of an experience that is the consequence of an event in life involving loss, causing grief, occurring as a result of someone's death, specifically someone who was loved although loss from death is not exclusively the cause of all experience of grief. The word is used to describe a complex of behaviours in which the bereaved participate or are expected to participate, the expression of which varies by culture. Wearing black clothes is one practice followed in many countries, though other forms of dress are seen. Those most affected by the loss of a loved one often observe a period of mourning, marked by withdrawal from social events and quiet, respectful behavior. People may follow religious traditions for such occasions. Mourning may apply to the death of, or anniversary of the death of, an important individual such as a local leader, monarch, religious figure, or member of family. State mourning may occur on such an occasion. In recent years, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prologue
A prologue or prolog (from Greek πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek ''prólogos'' included the modern meaning of ''prologue'', but was of wider significance, more like the meaning of preface. The importance, therefore, of the prologue in Greek drama was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded. Latin On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which Plautus prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the ''Rudens'', Plautus rises to the height of his genius in his adroit and romantic prolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctuary
A sanctuary, in its original meaning, is a sacred place, such as a shrine. By the use of such places as a haven, by extension the term has come to be used for any place of safety. This secondary use can be categorized into human sanctuary, a safe place for people, such as a political sanctuary; and non-human sanctuary, such as an animal or plant sanctuary. Religious sanctuary ''Sanctuary'' is a word derived from the Latin , which is, like most words ending in , a container for keeping something in—in this case holy things or perhaps cherished people (/). The meaning was extended to places of holiness or safety, in particular the whole demarcated area, often many acres, surrounding a Greek or Roman temple; the original terms for these are ''temenos'' in Greek and ''fanum'' in Latin, but both may be translated as "sanctuary". Similar usage may be sometimes found describing sacred areas in other religions. In Christian churches ''sanctuary'' has a specific meaning, covering p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Temple
Greek temples ( grc, ναός, naós, dwelling, semantically distinct from Latin , "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic (a god or goddess that does not reside on the Earth) deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Of Troy
Helen of Troy, Helen, Helena, (Ancient Greek: Ἑλένη ''Helénē'', ) also known as beautiful Helen, Helen of Argos, or Helen of Sparta, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda, and was the sister of Clytemnestra, Castor and Pollux, Philonoe, Phoebe and Timandra. She was married to King Menelaus of Sparta "who became by her the father of Hermione, and, according to others, of Nicostratus also." The usual tradition is that after the goddess Aphrodite promised her to Paris in the Judgement of Paris, she was seduced by him and carried off to Troy. This resulted in the Trojan War when the Achaeans set out to reclaim her. Another ancient tradition, told by Stesichorus, tells of how "not she, but her wraith only, had passed to Troy, while she was borne by the Gods to the land of Egypt, and there remained until the day when her lord Menelaus, turning aside on the homewar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoptolemus
In Greek mythology, Neoptolemus (; ), also called Pyrrhus (; ), was the son of the warrior Achilles and the princess Deidamia, and the brother of Oneiros. He became the mythical progenitor of the ruling dynasty of the Molossians of ancient Epirus. From his father, Neoptolemus was sometimes called Achillides, and from his grandfather or great-grandfather, Pelides and Aeacides. Description Neoptolemus was described by the chronicler Malalas in his account of the ''Chronography'' as "of good stature, good chest, thin, white, good nose, ruddy hair, wooly hair, light-eyed, big-eyed, blond eyebrows, blond beginnings of a beard, round-faced, precipitate, daring, agile, a fierce fighter". Meanwhile, in the account of Dares the Phrygian, he was illustrated as ". . .large, robust, and easily irritated. He lisped slightly, and was good-looking, with hooked nose, round eyes, and shaggy eyebrows. Family In some accounts, Neoptolemus was the son of Achilles by Iphigenia instead. After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
