Andrew Pennycuicke
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Andrew Pennycuicke
Andrew Pennycuicke (fl. 1638 – 1658) was a mid-seventeenth-century actor and publisher; he was responsible for publishing a number of plays of English Renaissance drama. What little is known of Pennycuicke's acting career comes from his own publications. In his edition of Robert Davenport's ''King John and Matilda'', he states that he was the last actor to play the heroine's part in that play, prior to the closing of the theatres in 1642 at the start of the English Civil War. In his edition of Philip Massinger's ''The City Madam'', he states that he acted in that play as well. So Pennycuicke must have been an actor c. 1638–42, up to the closing of the theatres; he was apparently a boy player who took women's roles, and a hired man rather than a sharer in any company. (Queen Henrietta's Men staged a late revival of the Davenport play, in 1638–39, while the Massinger work belonged to the King's Men. Pennycuicke could have worked for both companies at different ti ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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King John And Matilda
''King John and Matilda'' is a Caroline era stage play, a historical tragedy written by Robert Davenport. It was initially published in 1655; the cast list included in the first edition provides valuable information on some of the actors of English Renaissance theatre. Performance and publication No certain information survives on the play's date of authorship or earliest production. Scholars generally date the play to c. 1628–29, though dates as early as 1624 and as late as 1634 have been proposed. The title page of the first edition states that the play was acted by Queen Henrietta's Men at the Cockpit Theatre; the actors in the cast list belonged to that company. The troupe staged a revival of Davenport's play c. 1638–39, perhaps a decade after its initial appearance. The 1655 quarto was published by actor-turned-stationer Andrew Pennycuicke. The volume includes an epistle addressed "To the knowning Reader" that is signed with the initials "R. D." This has been t ...
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English Male Stage Actors
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * En ...
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17th-century English Male Actors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Publishers (people) From London
Publishing is the activity of making information, literature, music, software and other content available to the public for sale or for free. Traditionally, the term refers to the creation and distribution of printed works, such as books, newspapers, and magazines. With the advent of digital information systems, the scope has expanded to include electronic publishing such as ebooks, academic journals, micropublishing, websites, blogs, video game publishing, and the like. Publishing may produce private, club, commons or public goods and may be conducted as a commercial, public, social or community activity. The commercial publishing industry ranges from large multinational conglomerates such as Bertelsmann, RELX, Pearson and Thomson Reuters to thousands of small independents. It has various divisions such as trade/retail publishing of fiction and non-fiction, educational publishing (k-12) and academic and scientific publishing. Publishing is also undertaken by governments, civ ...
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Gerald Eades Bentley
Gerald Eades Bentley (September 15, 1901 – July 25, 1994) was an American academic and literary scholar, best remembered for his seven-volume work, ''The Jacobean and Caroline Stage,'' published by Oxford University Press between 1941 and 1968. That work, modeled on Edmund Kerchever Chambers' classic four-volume ''The Elizabethan Stage,'' has itself become a standard and essential reference work on English Renaissance theatre. Bentley was born in Brazil, Indiana, the son of a Methodist clergyman. Originally intending to be a creative writer, he changed his career to literary scholarship during his graduate studies. He earned his B.A. at DePauw University (1923), his M.A. in English at the University of Illinois at Urbana–Champaign (1926), and his Ph.D. at the University of London (1929), studying under Allardyce Nicoll. Bentley taught at the University of Chicago from 1929 to 1945 before accepting a position as Murray Professor of English at Princeton University in 1945, where he ...
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Theophilus Bird
Theophilus Bird, or Bourne, (1608 – 1663) was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced hiatus (1642–60) when the theatres were closed during the English Civil War and the Interregnum. Beginnings Theophilus was the son of William Bird, an actor long associated with the theatrical enterprise of Philip Henslowe and active in the years 1597–1622. Theophilus was baptized on 7 December 1608. Both father William and son Theophilus alternatively spelled their family name as Bird or Bourne. The extensive Henslowe papers in the collection of Dulwich College contain many mentions of the elder Bird and members of his family. The younger Bird started out as a boy player acting female roles, as was customary at the time; he played Paulina in Massinger's ...
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William Beeston
William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his father's assistant in managing the Cockpit and Red Bull theatres and their associated companies of actors, including the company of younger players colloquially known as Beeston's Boys. Upon his father's death in 1638, William Beeston inherited their theatrical enterprise – though he managed it with much less success than his father had. On 5 May 1640 he was thrown into the Marshalsea Prison for a Beeston's Boys' play, acted the day before, that gave offence to Sir Henry Herbert, the Master of the Revels. The play was most likely ''The Court Beggar'' by Richard Brome, which satirized several members of Queen Henrietta Maria's circle of favourites, including Sir John Suckling and Sir William Davenant (though Brome's ''The Queen and Co ...
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Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I of England, James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admissio ...
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John Ford (dramatist)
John Ford (1586c. 1639) was an English playwright and poet of the Jacobean and Caroline eras born in Ilsington in Devon, England. His plays deal mainly with the conflict between passion and conscience. Although remembered primarily as a playwright, he also wrote a number of poems on themes of love and morality. Origins John Ford was baptised 17 April 1586 at Ilsington Church, Devon. He was the second son of Thomas Ford (1556–1610) of Bagtor in the parish of Ilsington, and his wife Elizabeth Popham (died 1629) of the Popham family of Huntworth in Somerset. Her monument exists in Ilsington Church. Thomas Ford's grandfather was John Ford (died 1538) of Ashburton (the son and heir of William Ford of Chagford) who purchased the estate of Bagtor in the parish of Ilsington, which his male heirs successively made their seat. The Elizabethan mansion of the Fords survives today at Bagtor as the service wing of a later house appended in about 1700. Life and work Ford left home to s ...
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Thomas Dekker (poet)
Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists. Early life Little is known of Dekker's early life or origins. From references in his pamphlets, Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. His last name suggests Dutch ancestry, and his work, some of which is translated from Latin, suggests that he attended grammar school. Career Dekker embarked on a career as a theatre writer in the middle 1590s. His handwriting is found in the manuscript of '' Sir Thomas More'', though the date of his involvement is undetermined. More certain is his work as a playwright for the Admiral's Men of Philip Henslowe, in whose account book he is first mentioned in early 1598. While there are plays connected with his name performed as early ...
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The Sun's Darling
''The Sun's Darling'' is a masque, or masque-like play, written by John Ford and Thomas Dekker, and first published in 1656. ''The Sun's Darling'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 3 March 1624. It was probably composed not long before; nineteenth-century speculations that the text was an old play of Dekker's, revised by Ford, have fallen out of favor. The original text may have been revised c. 1638–39; material in the early portion of Act V reflects the dominant political situation at that time. Cyrus Hoy has suggested that the play was revised and revived at that time, as a response to Thomas Nabbes's ''Microcosmus'' (1636; published 1637). Several attempts have been made by individual commentators to identify the shares of the two collaborators, though no general agreement on the question has been reached. The first edition was a quarto printed by T. Bell for the bookseller Andrew Pennycuicke. The 1656 title page states that t ...
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