Andreas Hofer (composer)
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Andreas Hofer (composer)
Andreas Hofer (ca. 1629 – 25 February 1684) was a German composer of the Baroque period. Hofer was born at Reichenhall. He was a contemporary of Heinrich Ignaz Franz von Biber, whose predecessor he was in Salzburg in his office of Inspector and ''Hofkapellmeister,'' i.e., director of the court orchestra. Like Biber, Hofer was noted for his large-scale polychoral sacred works. It has been suggested that Hofer was the composer of the famous Missa Salisburgensis à 53 voci, which earlier had been attributed to Orazio Benevoli, although it is now accepted that it was the work of Biber. Hofer died at Salzburg. His compositions contain significant roles for instruments like the cornetto, trombone or sackbut and trumpet. Little of his music has been performed or recorded in recent times; several scores, however, have been made available. Compositions *Missa Archi Episcopalis à 19: 8 Voci Concertati SSAA/TTBB, 2 Violini, 2 Viole, 2 Cornetti, 2 Trombettae ("Clarini"), 3 Tromboni, Org ...
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Reichenhall
Bad Reichenhall (Central Bavarian: ''Reichahoi'') is a spa town, and administrative center of the Berchtesgadener Land district in Upper Bavaria, Germany. It is located near Salzburg in a basin encircled by the Chiemgau Alps (including Mount Staufen (1,771 m) and Mount Zwiesel (1,781 m)). Together with other alpine towns Bad Reichenhall engages in the Alpine Town of the Year Association for the implementation of the Alpine Convention to achieve sustainable development in the alpine arc. Bad Reichenhall was awarded Alpine Town of the Year in 2001. Bad Reichenhall is a traditional center of salt production, obtained by evaporating water saturated with salt from brine ponds. History * The earliest known inhabitants of this area are the tribes of the Glockenbecher-Culture (a Bronze Age Culture, from about 2000 B.C.) * In the age of the La Tene culture (about 450 B.C.) organised salt production commenced utilising the local brine pools. In the same period a Celtic place of worship i ...
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Colossal Baroque
The Colossal Baroque style is a name which has been coined to describe a number of compositions from the 17th and 18th centuries composed in an opulent, magnificent and large-scaled style. Such works frequently make use of polychoral techniques and often feature instrumental forces considerably larger than the norm for the Baroque period. The Colossal Baroque had its roots in Italy, in the resplendent multiple polychoral music of the Venetian School, in the sumptuous, extravagant productions of the Medici court, for example the 40- and 60-voice ''Missa sopra Ecco sì beato giorno'' by Alessandro Striggio, and in the large polychoral works of the Roman School, many of which were written long after the Venetian School had vanished. An impetus for this music was the Council of Trent, which marked the beginning of the Counter-Reformation. Some attendees of the Council held the unofficial point of view that music should be subservient to text, as idealized and exemplified in the chora ...
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17th-century Classical Composers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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People From Bad Reichenhall
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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German Classical Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Ger ...
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German Baroque Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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1684 Deaths
Events January–March * January 5 – King Charles II of England gives the title Duke of St Albans to Charles Beauclerk, his illegitimate son by Nell Gwyn. * January 15 (January 5 O.S.) - To demonstrate that the River Thames, frozen solid during the Great Frost that started in December, is safe to walk upon, "a Coach and six horses drove over the Thames for a wager" and within three days "whole streets of Booths are built on the Thames and thousands of people are continually walking thereon." Sir Richard Newdigate, 2nd Baronet, records the events in his diary. * January 26 – Marcantonio Giustinian is elected Doge of Venice. * January – Edmond Halley, Christopher Wren and Robert Hooke have a conversation in which Hooke later claimed not only to have derived the inverse-square law, but also all the laws of planetary motion attributed to Sir Isaac Newton. Hooke's claim is that in a letter to Newton on 6 January 1680, he first stated the inverse-square law. * Februa ...
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1629 Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by ...
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Archiv Für Musikwissenschaft
The ''Archiv für Musikwissenschaft'' is a quarterly German-English-speaking trade magazine devoted to music history and historical musicology, which publishes articles by well-known academics and young scholars. It was founded in 1918 as the successor of the ''Sammelbände der Internationalen Musikgesellschaft'' by Max Seiffert, Johannes Wolf and Max Schneider, who were also the first editors. It was under the patronage of the Fürstliches Institut für musikwissenschaftliche Forschung zu Bückeburg. The first two volumes 1918/1919 and 1919/1920 were published by Breitkopf & Härtel, then the volumes 1921 to 1926 by . With the 8th volume the publication of the journal was stopped in 1927, but resumed in 1952 with the 9th volume. Publisher of the quarterly was Wilibald Gurlitt (in connection with Heinrich Besseler, Walter Gerstenberg and Arnold Schmitz), who assigned the editorship to Hans Heinrich Eggebrecht. With the 19th/20th volume 1962/1963 the Archive for Musicology was ...
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Jürg Stenzl
Jürg Thomas Stenzl (born 23 August 1942) is a Swiss musicologist, and University professor. Life Born in Basel, Stenzl began his musical education in 1949, first took flute and violin lessons. From 1961 he studied oboe with Walter Huwyler and from 1963 to 1968 musicology, German literature and philosophy at the University of Bern (with Arnold Geering and Lucie Dikenmann-Balmer) as well as in 1965 at the Sorbonne, where he listened to Jacques Chailley. With his dissertation ''The Forty Clausulae of the Manuscript Paris, Bibliothèque nationale latin 15139 (Abbey of Saint-Victor, Paris – Clausulae)'', a work on 13th century music, he was awarded a doctorate in 1968 at the University of Bern. In 1970 the work appeared as a publication of the . From 1969 to his habilitation in 1974 as assistant to Luigi Ferdinando Tagliavini and from 1980 to 1991 as titular professor, he taught musicology at the University of Freiburg. Afterwards he was a representative and visiting scholar, ...
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Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century)
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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