Andrea Aromatico
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Andrea Aromatico
Andrea Aromatico (born on 22 September 1966) is an Italian historian, Art history, art historian, journalist, essayist, writer and expert in Hermeticism, Hermetic iconography and Western esotericism, esotericism. Career Aromatico was born in Urbino, educated at the Faculty of Letters and Philosophy of University of Urbino. He is manager of the historical archives for the Region of Province of Pesaro and Urbino, Pesaro-Urbino, Italy. He has worked for various Italian public and private organisations and was responsible for a scientific exhibition dedicated to alchemy in Urbino in 1998. He has taught at the University of Perugia where he gave seminars and special courses. From 1999 to 2001, he was professor of art history at Ludes University of Lugano and was director of external relations at the same university since 2000. He has held conferences and seminars at numerous cultural centres and universities in Italy and abroad. He collaborates with various magazines and is director ...
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Urbino
Urbino ( ; ; Romagnol: ''Urbìn'') is a walled city in the Marche region of Italy, south-west of Pesaro, a World Heritage Site notable for a remarkable historical legacy of independent Renaissance culture, especially under the patronage of Federico da Montefeltro, duke of Urbino from 1444 to 1482. The town, nestled on a high sloping hillside, retains much of its picturesque medieval aspect. It hosts the University of Urbino, founded in 1506, and is the seat of the Archbishop of Urbino. Its best-known architectural piece is the Palazzo Ducale, rebuilt by Luciano Laurana. Geography The city lies in a hilly region, at the foothills of the Northern Apennines and the Tuscan-Romagnolo Apennines. It is within the southern area of Montefeltro, an area classified as medium-high seismic risk. In the database of earthquakes developed by the National Institute of Geophysics and Volcanology, nearly 65 seismic events have affected the town of Urbino between 26 March 1511 and 26 March 19 ...
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Collection (publishing)
In the field of book publishing, a collection or, more precisely, editorial collection (french: collection éditoriale; es, colección editorial; it, collana editoriale; pt, coleção de livros, translation=collection of books), is a set of books published by the same publisher, usually written by various authors, each book with its own title, but all grouped under the same collective title. The collective title is the title of the collection, it must be mentioned on each book. The books that make up an editorial collection can be published in a specific order or not. When each volume in the collection has a serial number, it is called a numbered collection. A collection generally using distinctive, common formats and features. The title of a collection can be accompanied by the term "series" or its equivalents in other languages, such as in the English-speaking world, for example, the "Bibliothèque de la Pléiade", " Découvertes Gallimard" and "Que sais-je?" are all termed " ...
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Splendor Solis
''Splendor Solis'' ("The Splendour of the Sun") is a version of the illuminated alchemical text attributed to Salomon Trismosin. This version dates from around 1582. The earliest version, written in Central German, is dated 1532–1535 and is part of the Kupferstichkabinett Berlin collection at the State Museums in Berlin. It is illuminated on vellum, with decorative borders like a book of hours, meticulously painted and highlighted with gold. The later copies in London, Kassel, Paris and Nuremberg are equally fine. Twenty versions exist worldwide. The original of ''Splendor Solis'', which contained seven chapters, appeared in Augsburg. In miniatures the works of Albrecht Dürer, Hans Holbein and Lucas Cranach were used. The author of the manuscript was considered to be the legendary Salomon Trismosin, allegedly the teacher of Paracelsus, though the name is believed to be a pseudonym. The work consists of a sequence of 22 elaborate images, set in ornamental borders and nich ...
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Basilica Philosophica 1618
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ...
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The Alchemist Discovering Phosphorus
''The Alchemist Discovering Phosphorus'' is a painting by Joseph Wright of Derby originally completed in 1771 then reworked in 1795. The full title of the painting is ''The Alchymist, in Search of the Philosopher's Stone, Discovers Phosphorus, and prays for the successful Conclusion of his operation, as was the custom of the Ancient Chymical Astrologers''. It has been suggested that ''The Alchymist'' refers to the discovery of phosphorus by the Hamburg alchemist Hennig Brand in 1669. This story was often printed in popular chemical books in Wright's lifetime, and was widely known. Description The picture shows the alchemist trying to produce the elusive Philosopher's stone, which could turn ordinary metal into gold, but instead, to his amazement, he discovers phosphorus. However, Wright does not picture the alchemist in a 17th-century background, but he romanticises the room by imagining medieval gothic arches and high, pointed windows as if he is in a church. He also gave a ve ...
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Paperback
A paperback (softcover, softback) book is one with a thick paper or paperboard cover, and often held together with adhesive, glue rather than stitch (textile arts), stitches or Staple (fastener), staples. In contrast, hardcover (hardback) books are bound with cardboard covered with cloth, leather, paper, or plastic. Inexpensive books bound in paper have existed since at least the 19th century in such forms as pamphlets, yellow-backs, yellowbacks, dime novels, and airport novels. Modern paperbacks can be differentiated from one another by size. In the United States, there are "mass-market paperbacks" and larger, more durable "trade paperbacks". In the United Kingdom, there are A-format, B-format, and the largest C-format sizes. Paperback editions of books are issued when a publisher decides to release a book in a low-cost format. Lower-quality paper, glued (rather than stapled or sewn) bindings, and the lack of a hard cover may contribute to the lower cost of paperbacks. Paperb ...
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Abrams Books
Abrams, formerly Harry N. Abrams, Inc. (HNA), is an American publisher of art and illustrated books, children's books, and stationery. The enterprise is a subsidiary of the French publisher La Martinière Groupe. Run by President and CEO Michael Jacobs, Abrams publishes and distributes approximately 250 titles annually and has more than 3,000 titles in print. Abrams also distributes publications for the Victoria and Albert Museum, Tate, Vendome Press (in North America), Booth Clibborn Editions, SelfMadeHero, MoMA Children's Books, and 5 Continents. History Founded by Harry N. Abrams in 1949, Abrams was the first company in the United States to specialize in the creation and distribution of art books.Harry N. Abrams interview
1972 March 14,

Éditions Gallimard
Éditions Gallimard (), formerly Éditions de la Nouvelle Revue Française (1911–1919) and Librairie Gallimard (1919–1961), is one of the leading French book publishers. In 2003 it and its subsidiaries published 1,418 titles. Founded by Gaston Gallimard in 1911, the publisher is now majority-owned by his grandson Antoine Gallimard. Éditions Gallimard is a subsidiary of Groupe Madrigall, the third largest French publishing group. History The publisher was founded on 31 May 1911 in Paris by Gaston Gallimard, André Gide, and Jean Schlumberger as ''Les Éditions de la Nouvelle Revue Française'' (NRF). From its 31 May 1911 founding until June 1919, Nouvelle Revue Française published one hundred titles including ''La Jeune Parque'' by Paul Valéry. NRF published the second volume of '' In Search of Lost Time'', In the Shadow of Young Girls in Flower, which became the first Prix Goncourt-awarded book published by the company. Nouvelle Revue Française adopted the name "Li ...
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Monograph
A monograph is a specialist work of writing (in contrast to reference works) or exhibition on a single subject or an aspect of a subject, often by a single author or artist, and usually on a scholarly subject. In library cataloging, ''monograph'' has a broader meaning—that of a nonserial publication complete in one volume (book) or a definite number of volumes. Thus it differs from a serial or periodical publication such as a magazine, academic journal, or newspaper. In this context only, books such as novels are considered monographs.__FORCETOC__ Academia The English term "monograph" is derived from modern Latin "monographia", which has its root in Greek. In the English word, "mono-" means "single" and "-graph" means "something written". Unlike a textbook, which surveys the state of knowledge in a field, the main purpose of a monograph is to present primary research and original scholarship ascertaining reliable credibility to the required recipient. This research is prese ...
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Nonfiction
Nonfiction, or non-fiction, is any document or media content that attempts, in good faith, to provide information (and sometimes opinions) grounded only in facts and real life, rather than in imagination. Nonfiction is often associated with being presented more objectively, like historical, scientific, or otherwise straightforward and accurate information, but sometimes, can be presented more subjectively, like sincerely held beliefs and thoughts on a real-world topic. One prominent usage of nonfiction is as one of the two fundamental divisions of narrative (storytelling)—often, specifically, prose writing—in contrast to narrative fiction, which is largely populated by imaginary characters and events, though sometimes ambiguous regarding its basis in reality. Some typical examples of nonfiction include diaries, biographies, news stories, documentary films, textbooks, travel books, recipes, and scientific journals. While specific claims in a nonfiction work may p ...
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Alchemy
Alchemy (from Arabic: ''al-kīmiyā''; from Ancient Greek: χυμεία, ''khumeía'') is an ancient branch of natural philosophy, a philosophical and protoscientific tradition that was historically practiced in China, India, the Muslim world, and Europe. In its Western form, alchemy is first attested in a number of pseudepigraphical texts written in Greco-Roman Egypt during the first few centuries AD.Principe, Lawrence M. The secrets of alchemy'. University of Chicago Press, 2012, pp. 9–14. Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality; and the creation of panaceas able to cure any disease. The perfection of the human body and soul was thought to result from the alchemical ''magnum opus'' ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of the ...
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Pietro Longhi
Pietro Longhi (1702 or November 5, 1701 – May 8, 1785) was a Venetian painter of contemporary genre scenes of life. Biography Pietro Longhi was born in Venice in the parish of Saint Maria, first child of the silversmith Alessandro Falca and his wife, Antonia. He adopted the Longhi last name when he began to paint. He was initially taught by the Veronese painter Antonio Balestra, who then recommended the young painter to apprentice with the Bolognese Giuseppe Maria Crespi, who was highly regarded in his day for both religious and genre painting and was influenced by the work of Dutch painters. Longhi returned to Venice before 1732. He was married in 1732 to Caterina Maria Rizzi, by whom he had eleven children (only three of which reached the age of maturity). Among his early paintings are some altarpieces and religious themes. His first major documented work was an altarpiece for the church of San Pellegrino in 1732. In 1734, he completed frescoes in the walls and ceiling o ...
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