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Anders J. Dahlin
Anders J. Dahlin (born March 12, 1975) is a Swedish tenor. He studied at the in Sweden, at the Norwegian Academy of Music in Oslo, and at the Royal Danish Academy of Music in Copenhagen. Music career In 1998 he made his operatic debut at the Norwegian National Opera as Tom Wingfield in Antonio Bibalo's opera ''Die Glasmenagerie'' (after Tennessee Williams' ''The Glass Menagerie''). In recent years he has become one of the leading interpreters of the early French Baroque music. He is a sought after Evangelist (Bach), Evangelist in Passions (Bach), J. S. Bach's passions and has worked over the years with conductors like John Eliot Gardiner, William Christie (musician), William Christie, Christophe Rousset, Emmanuelle Haïm, René Jacobs, Hervé Niquet, Marc Minkowski, Andreas Spering, Alexis Kossenko, Eric Ericson and François-Xavier Roth. Dahlin is the recipient of the Jussi Björling#Legacy, Jussi Björling Award for 2014. Opera roles Francesco Cavalli, F. Cavalli * Gli amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Academy Of Music
The Norwegian Academy of Music (Norwegian: ''Norges musikkhøgskole'', NMH) is a university-level music conservatory located in Oslo, Norway, in the neighbourhood of Majorstuen, Frogner. It is the largest music academy in Norway and offers the country's highest level of music education. As a specialized university (''vitenskapelig høgskole''), it offers both undergraduate and postgraduate courses. Throughout the years the Academy has educated many of Norway's most renowned musicians. The Norwegian Academy of Music educates performers, composers and pedagogues, and attempts to lay the foundation for research within various fields of music. It educates musicians within folk music genres, church music, classical music and, quite notably in later years, a string of successful performers within the jazz realm. The Academy is also Oslo's biggest concert organizer, presenting approximately 300 concerts a year. As is the case with all schools in the Norwegian educational system, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eric Ericson
Eric Gustaf Ericson (26 October 1918 – 16 February 2013) was a Swedish choral conductor and influential choral teacher. Life and career He graduated from the Royal College of Music (''Kungl. Musikhögskolan'') in Stockholm in 1943 and went on to complete his studies abroad, at the Schola Cantorum Basiliensis, Switzerland, and in Germany, Great Britain, and the United States. Renowned for his innovative teaching methods and the wide-ranging nature of his repertoire, Ericson was the principal conductor of the Orphei Drängar choir at Uppsala University from 1951 until 1991, and choirmaster until 1982 of the Swedish Radio Choir which was established on his initiative in 1951. Also in 1951, he began his teaching career at the Royal College of Music in Stockholm, where he became a legendary and inspirational figure, and he was appointed to the chair of choral conducting there in 1968. In 1983 Ericson received an honorary doctorate from the Faculty of Humanities at Uppsala U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Australian
''The Australian'', with its Saturday edition, ''The Weekend Australian'', is a broadsheet newspaper published by News Corp Australia since 14 July 1964.Bruns, Axel. "3.1. The active audience: Transforming journalism from gatekeeping to gatewatching." (2008). "''The Australian'' has long positioned itself as a loyal supporter of the incumbent government of Prime Minister John Howard, and is widely regarded as generally favouring the conservative side of politics." As the only Australian daily newspaper distributed nationally, its readership of both print and online editions was 2,394,000. Its editorial line has been self-described over time as centre-right. Parent companies ''The Australian'' is published by News Corp Australia, an asset of News Corp, which also owns the sole daily newspapers in Brisbane, Adelaide, Hobart, and Darwin, and the most circulated metropolitan daily newspapers in Sydney and Melbourne. News Corp's Chairman and Founder is Rupert Murdoch. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Et Jonathas
''David et Jonathas'' (''David and Jonathan''), H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan. Although the opera takes the form of a typical French ''tragédie en musique'' it has also been referred to as a ''tragédie biblique'' because of its Biblical subject matter. ''David et Jonathas'' was first performed at a Jesuit college in combination with a spoken drama in Latin, ''Saul'', by Father Étienne Chamillard (1656–1730). Each act of the opera was followed by one act from the play. Charpentier's work was so successful, it was reprised at other Jesuit colleges in 1706, 1715 and 1741. The opera received its American premiere in Baltimore in 2005. Pinchgut Opera performed the Australian premiere in 2008; a recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dardanus (Rameau)
''Dardanus'' is an opera by Jean-Philippe Rameau with a French-language libretto by Charles-Antoine Leclerc de La Bruère. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Dardanus'' premiered at the Paris Opéra on 19 November 1739 to mixed success, mainly because of the dramatic weakness of the libretto. This caused Rameau and La Bruère to rework the opera, completely rewriting the last three acts, for a revival in 1744. Only when ''Dardanus'' was again performed in 1760 did it win acclaim as one of Rameau's greatest works. The original story is loosely based on that of Dardanus, the son of Zeus and Electra, and ancestor of the Trojans. However, in the opera, Dardanus is at war with King Teucer, who has promised to marry his daughter Iphise to King Anténor. Dardanus and Iphise meet through the intervention of the magician Isménor and fall in love. Dardanus attacks a monster ravaging Teucer's kingdom, saving the life of Anténor who is attempti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castor Et Pollux
''Castor et Pollux'' (''Castor and Pollux'') is an opera by Jean-Philippe Rameau, first performed on 24 October 1737 by the Académie royale de musique at its theatre in the Palais-Royal in Paris. The librettist was Pierre-Joseph-Justin Bernard, whose reputation as a salon poet it made. This was the third opera by Rameau and his second in the form of the ''tragédie en musique'' (if the lost ''Samson'' is discounted). Rameau made substantial cuts, alterations and added new material to the opera for its revival in 1754. Experts still dispute which of the two versions is superior. Whatever the case, ''Castor et Pollux'' has always been regarded as one of Rameau's finest works. Composition history Charles Dill proposes that Rameau had composed the 1737 opera just after working with Voltaire on the opera "Samson" that was never completed, after which he composed "Castor et Pollux" implementing Voltaire's aesthetics. For example, Voltaire sought the presentation of static tableaus th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Indes Galantes
(French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an ''opéra-ballet'' with a prologue and (in its final form) four ''entrées'' (acts). Following an allegorical prologue, the four ''entrées'' have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, ''Danse des Sauvages'' and the final ''Chaconne'', come from the final ''entrée'' (''Les sauvages''). The premiere, including only the prologue and the first two of its four ''entrées'' (acts), was staged by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on 23 August 1735,Sadler starring the leading singers of the Opéra: Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platée
''Platée'' is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto ''Platée ou Junon jalouse'' (''Plataea, or Juno Jealous'') by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his ''Guide to Greece''. Rameau's first attempt at comic opera, the plot concerns an ugly water nymph who believes that Jupiter, the king of the gods, is in love with her. The work was initially called a ''ballet bouffon'', though it was later styled a ''comédie lyrique'', putting it in the same category as Rameau's '' Les Paladins''. It was written for the celebrations of the wedding of Louis, Dauphin of France, son of King Louis XV, to the Infanta María Teresa Rafaela of Spain, who, according to contemporary sources, like the title character was no beauty. Instead of getting the composer into trouble, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoroastre
''Zoroastre'' (''Zoroaster'') is an opera by Jean-Philippe Rameau, first performed on 5 December 1749 by the Opéra in the first Salle du Palais-Royal in Paris. The libretto is by Louis de Cahusac. ''Zoroastre'' was the fourth of Rameau's '' tragédies en musique'' to be staged and the last to appear during the composer's own lifetime. Audiences gave the original version a lukewarm reception, so Rameau and his librettist thoroughly reworked the opera for a revival which took place at the Opéra on 19 January 1756. This time the work was a great success and this is the version generally heard today. Performance history ''Zoroastres premiere in 1749 was not a success; despite the magnificence of the staging, it failed to compete with Mondonville's new '' opéra-ballet'' ''Le carnaval du Parnasse''. Rameau and Cahusac decided to rework the opera completely before offering it to the public again in 1756. Acts 2,3 and 5 were heavily rewritten and there were several modifications to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Philippe Rameau
Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin. Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his ''Treatise on Harmony'' (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, ''Hippolyte et Aricie'' (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony. Nevertheless, Rameau's pre-eminence in the field of French opera was soon acknowledged, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gli Amori D'Apollo E Di Dafne
''Gli amori d'Apollo e di Dafne'' (''The Loves of Apollo and Daphne'') is an opera by the Italian composer Francesco Cavalli. It was Cavalli's second operatic work and was premiered at the Teatro San Cassiano, Venice during the Carnival season of 1640. The libretto is by Giovanni Francesco Busenello and is based on the story of the god Apollo's love for the nymph Daphne as told in Ovid's ''Metamorphoses''. Roles Recordings * ''Gli Amori d'Apollo e di Dafne'' Orquestra Joven de la Sinfónica de Galicia, Alberto Zedda, Naxos, 2006. * ''Gli amori d'Apollo e di Dafne'' Ensemble Elyma, Gabriel Garrido, K617 2009. * ''Gli amori d'Apollo e di Dafne, Act 3: Misero Apollo'' Philippe Jaroussky, Artaserse ' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over 90 known settings of Metastasio's text. The libretto was originally written for, .... References *Holden, Amand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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