Ancient Roman Painting
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Ancient Roman Painting
The art of Ancient Rome, and the territories of its Roman Republic, Republic and later Roman Empire, Empire, includes Roman architecture, architecture, painting, Roman sculpture, sculpture and Roman mosaic, mosaic work. Luxury objects in metal-work, engraved gem, gem engraving, ivory carvings, and Roman glass, glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in ''terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society ...
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Villa Of The Mysteries
The Villa of the Mysteries ( it, Villa dei Misteri) is a well-preserved suburban ancient Roman villa on the outskirts of Pompeii, southern Italy. It is famous for the series of exquisite frescos in Room 5, which are usually interpreted as showing the initiation of a bride into a Greco-Roman mystery cult. These are now among the best known of the relatively rare survivals of Ancient Roman painting from the 1st century BC. Like the rest of the Roman city of Pompeii, the villa was buried in the eruption of Mount Vesuvius in 79 AD. It was excavated from 1909 onwards. It is now a popular part of tourist visits to Pompeii and forms part of the UNESCO World Heritage Site at Pompeii. Location The villa is located some 400 m northwest of the town walls, between the roads Via Delle Tombe and Via Superiore lined with funerary monuments leading to the Herculaneum Gate of Pompeii, and is near the Villa of Diomedes and the so-called Villa of Cicero. It lies on a hill and enjoyed an expan ...
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History Of Silk
The production of silk originated in Neolithic China within the Yangshao culture (4th millennium BCE). Though it would later reach other places in the world, the art of silk production remained confined to China until the Silk Road opened at 114 BC, though China maintained its virtual monopoly over silk production for another thousand years. The use of silk within China was not confined to clothing alone, and silk was used for a number of applications, such as writing. Within clothing, the color of silk worn also held social importance, and formed an important guide of social class during the Tang dynasty. Silk cultivation spread to Japan around 300 AD, and, by 552 AD, the Byzantine Empire managed to obtain silkworm eggs and were able to begin silkworm cultivation; the Arabs also began to manufacture silk at the same time. As a result of the spread of sericulture, Chinese silk exports became less important, although they still maintained dominance over the luxury silk market. The C ...
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Zeuxis And Parrhasius
Zeuxis (; grc-gre, Ζεῦξις) (of Heraclea Lucania, Heraclea) was a Greek painter who flourished during the 5th century BCE and became famous for his ability to imitate nature and especially still life with his art. Life and work Zeuxis was an innovative Greek painter. Although his paintings have not survived, historical records state they were known for their realism, small scale, novel subject matter, and independent format. His technique created volumetric illusion through manipulating light and shadow, a change from the usual method of filling in shapes with flat color. Preferring small scale panels to murals, Zeuxis also introduced genre subjects (such as still life) into painting. He contributed to the composite method of composition, and may have originated an approach to, and thus influenced the concept of the ideal form of the nude, as described by art historian Kenneth Clark. As the story goes, according to Cicero, Zeuxis could not find a woman beautiful enough to ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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Apollodorus (painter)
Apollodorus Skiagraphos ( el, Ἀπολλόδωρος ὁ σκιαγράφος) was an influential Ancient Greek painter of the 5th century BC whose work has since been entirely lost. Apollodorus left a technique behind known as skiagraphia, a way to easily produce shadow, that affected the works not only of his contemporaries but also of later generations. This shading technique uses hatched areas to give the illusion of both shadow and volume. Life and accomplishments Little is known about the actual life of Apollodorus, although he was catalogued by the notable historians Plutarch and Pliny the Elder. It was recorded that Apollodorus was active around 480 BCE; his dates of birth and death, however, are not attested in any surviving historical works or fragments of works.“Apollodorus.” The Columbia Electronic Encyclopedia, Sixth Edition. Columbia University Press., 2003. Answers.com 26 Nov. 2008. http://www.answers.com/topic/apollodorus-painter. He was given different n ...
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Polygnotos
Polygnotus ( el, Πολύγνωτος ''Polygnotos'') was an ancient Greek painter from the middle of the 5th century BC. Life He was the son and pupil of Aglaophon. He was a native of Thasos, but was adopted by the Athenians, and admitted to their citizenship. During the time of Cimon, Polygnotus painted for the Athenians a picture of the taking of Troy on the walls of the Stoa Poikile, and another of the marriage of the daughters of Leucippus in the Anacaeum. Plutarch mentions that historians and the poet Melanthius attest that Polygnotus did not paint for the money but rather out of a charitable feeling towards the Athenian people. In the hall at the entrance to the Acropolis other works of his were preserved. The most important of his paintings were his frescoes in the Lesche of the Knidians, a building erected at Delphi by the people of Cnidus. The subjects of these were the visit to Hades by Odysseus and the taking of Troy. The traveller Pausanias recorded a ca ...
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Paintings
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Peiraikos
Peiraikos, or Piraeicus, was an Ancient Greek painter of uncertain date and location. None of his work is known to have survived and he is known only from a brief discussion by the Latin author Pliny the Elder. Pliny's passage comes in the middle of his discussion of painting in Book XXXV of his '' Natural History'', completed about 78 AD: It is well to add an account of the artists who won fame with the brush in painting smaller pictures. Amongst them was Peiraikos. In mastery of his art but few take rank above him, yet by his choice of a path he has perhaps marred his own success, for he followed a humble line, winning however the highest glory that it had to bring. He painted barbers' shops, cobblers' stalls, asses, eatables and similar subjects, earning for himself the name of ''rhyparographos'' ainter of dirt/low things In these subjects he could give consummate pleasure, selling them for more than other artists received for their large pictures. In the terms of later a ...
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Golden Age
The term Golden Age comes from Greek mythology, particularly the ''Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages of Man, Ages, Gold being the first and the one during which the Golden Race of humanity ( ''chrýseon génos'') lived. After the end of the first age was the Silver age, Silver, then the Bronze Age (mythology), Bronze, after this the Greek Heroic Age, Heroic age, with the fifth and current age being Iron Age (mythology), Iron. By extension, "Golden Age" denotes a period of primordial peace, harmony, ecological stability, stability, and prosperity. During this age, peace and harmony prevailed in that people did not have to work to feed themselves for the earth provided food in abundance. They lived to a very old age with a youthful appearance, eventually dying peacefully, with spirits living on as "guardians". Plato in ''Cratylus (dialogue), Cratylus'' (397 e) recounts the golden race of human ...
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Pliny The Elder
Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ''Naturalis Historia'' (''Natural History''), which became an editorial model for encyclopedias. He spent most of his spare time studying, writing, and investigating natural and geographic phenomena in the field. His nephew, Pliny the Younger, wrote of him in a letter to the historian Tacitus: Among Pliny's greatest works was the twenty-volume work ''Bella Germaniae'' ("The History of the German Wars"), which is no longer extant. ''Bella Germaniae'', which began where Aufidius Bassus' ''Libri Belli Germanici'' ("The War with the Germans") left off, was used as a source by other prominent Roman historians, including Plutarch, Tacitus and Suetonius. Tacitus—who many scholars agree had never travelled in Germania—used ''Bella Germani ...
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Eclecticism
Eclecticism is a conceptual approach that does not hold rigidly to a single paradigm or set of assumptions, but instead draws upon multiple theories, styles, or ideas to gain complementary insights into a subject, or applies different theories in particular cases. However, this is often without conventions or rules dictating how or which theories were combined. It can sometimes seem inelegant or lacking in simplicity, and eclectics are sometimes criticized for lack of consistency in their thinking. It is, however, common in many fields of study. For example, most psychologists accept certain aspects of behaviorism, but do not attempt to use the theory to explain all aspects of human behavior. Eclecticism in ethics, philosophy, politics and religion is also known as syncretism. Origin Eclecticism was first recorded to have been practiced by a group of ancient Greek and Roman philosophers who attached themselves to no real system, but selected from existing philosophical beliefs t ...
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Egyptian Art
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at). Art of Pre-Dynastic Egypt (6000 ...
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