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Ancient Greek Funerary Vases
Ancient Greek funerary vases are decorative grave markers made in ancient Greece that were designed to resemble liquid-holding vessels. These decorated vases were placed on grave sites as a mark of elite status. There are many types of funerary vases, such as amphorae, kraters, oinochoe, and kylix cups, among others. One famous example is the Dipylon amphora. Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. Uses One major type of funerary vase was the krater, a mixing bowl for wine and water used by elite Greek males at symposiums. Symposiums were an eastern influence in which the aristocracy would lie down and drink; many Greek painters referenced this lifestyle in their art. The krater was so s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WLA Metmuseum Krater Hirschfeld Workshop
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Achilles Painter
The Achilles Painter was a vase-painter active ca. 470–425 BC. His name vase is an amphora, Vatican 16571, in the Vatican museums depicting Achilles and dated 450–445 BC. An armed and armored Achilles gazes pensively to the right with one hand on his hip. The other hand holds a spear. On the opposite surface a woman performs libation. J. D. Beazley attributed over 200 vases to his hand, the largest share being red-figure and white-ground lekythoi. In his middle phase (ca. 450–445 BC), he decorates more open forms. The Achilles Painter was a late pupil of the Berlin Painter. The Phiale Painter became the Achilles Painter's most prominent student after he assumed the Berlin Painter's workshop. Almost a dozen other recognizable painters passed through the Achilles Painter's workshop as well. Notable painters include the Westreenen Painter, the Persephone Painter, the Clio Painter, Loeb Painter, and the Dwarf Painter. The Kleophon Painter, the Sabouroff Painter, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thanatos
In Greek mythology, Thanatos (; grc, Θάνατος, pronounced in "Death", from θνῄσκω ''thnēskō'' "(I) die, am dying") was the personification of death. He was a minor figure in Greek mythology, often referred to but rarely appearing in person. His name is transliterated in Latin as ''Thanatus'', but his counterpart in Roman mythology is Mors or Letum. In myth and poetry The Greek poet Hesiod established in his ''Theogony'' that Thánatos has no father, but is the son of Nyx (Night) and brother of Hypnos (Sleep).Hesiod, ''Theogony'' 758 ff, trans. Evelyn-White, Greek epic 8th or 7th century BC Homer confirmed Hypnos and Thanatos as twin brothers in his epic poem, the ''Iliad'', where they were charged by Zeus via Apollo with the swift delivery of the slain hero Sarpedon to his homeland of Lycia. Counted among Thanatos' siblings were other negative personifications such as Geras (Old Age), Oizys (Suffering), Moros (Doom), Apate (Deception), Momus (Blame) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dipylon Amphora Close Front (Prothesis)
The Dipylon ( gr, Δίπυλον, "Two-Gated") was the main gate in the city wall of Classical Athens. Located in the modern suburb of Kerameikos, it led to the namesake ancient cemetery, and to the roads connecting Athens with the rest of Greece. The gate was of major ceremonial significance as the starting point of the procession of the Great Panathenaea, and accordingly it was a large, monumental structure, "the largest gate of the ancient world". Erected in 478 BC as part of Themistocles' fortification of Athens and rebuilt in the 300s BC, it remained standing and in use until the 3rd century AD. History The Dipylon gate was built, along with the neighbouring Sacred Gate, in 478 BC as part of Themistocles' fortification of Athens following the Persian Wars. The new circuit was much wider than the old one that was destroyed by the Persians, and many of the graves and monuments of the already existing Kerameikos cemetery were used in its construction, a fact which earned Themist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bier
A bier is a stand on which a corpse, coffin, or casket containing a corpse is placed to lie in state or to be carried to the grave.''The American Heritage Dictionary of the English Language'' (American Heritage Publishing Co., Inc., New York, 1973), s.v., "bier" In Christian burial, the bier is often placed in the centre of the nave with candles surrounding it, and remains in place during the funeral. The bier is a flat frame, traditionally wooden but sometimes of other materials. In antiquity it was often a wooden board on which the dead were placed, covered with a shroud. In modern times, the corpse is rarely carried on the bier without being first placed in a coffin or casket, though the coffin or casket is sometimes kept open. A bier is often draped with cloth to lend dignity to the funeral service. The modern funeral industry uses a collapsible aluminium bier on wheels, known as a "church truck" to move the coffin to and from the church or funeral home for services. Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shroud
Shroud usually refers to an item, such as a cloth, that covers or protects some other object. The term is most often used in reference to ''burial sheets'', mound shroud, grave clothes, winding-cloths or winding-sheets, such as the famous Shroud of Turin, ''tachrichim'' (burial shrouds) that Jews are dressed in for burial, or the white cotton ''kaffan'' sheets Muslims are wrapped in for burial. A traditional Orthodox Jewish shroud consists of a tunic; a hood; pants that are extra-long and sewn shut at the bottom, so that separate foot coverings are not required; and a belt, which is tied in a knot shaped like the Hebrew letter ''shin'', mnemonic of one of God's names, Shaddai. Traditionally, mound shrouds are made of white cotton, wool or linen, though any material can be used so long as it is made of natural fibre. Intermixture of two or more such fibres is forbidden, a proscription that ultimately derives from the Torah, ''viz.'', Deut. 22:11. An especially pious Jewish ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometric Art
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, . Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases. Funerary context Funerary vases not only depicted funerary scenes, but they also had practical purposes, either holding the ashes or being used as grave markers. Relatives of the deceased conducted burial rituals that included three parts: the ''prothesis'' ''(''laying out of the body), the ''ekphora'' (funeral procession), and the interment of the body or cremated remains of the body. To the Greeks, an omission of a proper b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swastikas
The swastika (卐 or 卍) is an ancient religious and cultural symbol, predominantly in various Eurasian, as well as some African and American cultures, now also widely recognized for its appropriation by the Nazi Party and by neo-Nazis. It continues to be used as a symbol of divinity and spirituality in Indian religions, including Hinduism, Buddhism, and Jainism. It generally takes the form of a cross, the arms of which are of equal length and perpendicular to the adjacent arms, each bent midway at a right angle. The word ''swastika'' comes from sa, स्वस्तिक, svastika, meaning "conducive to well-being". In Hinduism, the right-facing symbol (clockwise) () is called ', symbolizing ("sun"), prosperity and good luck, while the left-facing symbol (counter-clockwise) () is called ''sauwastika'', symbolising night or tantric aspects of Kali. In Jain symbolism, it represents Suparshvanathathe seventh of 24 Tirthankaras (spiritual teachers and saviours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphronios Krater (8254576758)2
The Euphronios Krater (or Sarpedon Krater) is an ancient Greek terra cotta calyx-krater, a bowl used for mixing wine with water. Created around the year 515 BC, it is the only complete example of the surviving 27 vases painted by the renowned Euphronios and is considered one of the finest Ancient Greek vases in existence. Illegally excavated from an Etruscan cemetery near Cerveteri, it was part of the collection of the Metropolitan Museum of Art in New York from 1972 to 2008, until repatriated to Italy under an agreement negotiated in February 2006. It is now in the collection of the Archaeological Museum of Cerveteri it as part of a strategy of returning stolen works of art to their place of origin. Description The Euphronios Krater stands 45.7 cm (18 inches) in height and has a diameter of 55.1 cm (21.7 inches). It can hold about 45 L (12 gallons). The style of the vase is red-figure pottery, in which figure outlines, details, and the background are painted with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regina Vasorum
The ''Regina Vasorum'' or ''Queen of Vases'' is a 4th-century BC hydria from Cumae depicting Eleusinian Mysteries, Eleusinian divinities with Gilding, gilded flesh in polychrome relief. It is held in the collections of the Hermitage Museum, St. Petersburg. In addition to its aesthetic qualities, it is valued as an iconography, iconographical source for Religion in ancient Greece, ancient Greek religion. The ''Regina Vasorum'' is a "spectacular" and unusually large example of technical experimentation among Pottery of Ancient Greece, Greek potters after the Red-figure pottery, red-figure style had run its course.Harvey Alan Shapiro, Carlos A. Picón, Gerry D. Scott, "Introduction to South Italian Vases," in ''Greek Vases'' (San Antonio Museum of Art, 1995), p. 25online./ref> The figures were made separately, painted, and gilded, then attached to the vase with slip (ceramics), slip, possibly by Sprigging (pottery), sprigging. See also * South Italian ancient Greek pottery Source ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydria
The hydria ( el, ὑδρία; plural hydriai) is a form of Greek pottery from between the late Geometric period (7th century BC) and the Hellenistic period (3rd century BC). The etymology of the word hydria was first noted when it was stamped on a hydria itself, its direct translation meaning ‘jug’. It is a type of water-carrying vessel, but it had many other purposes. As time progressed the hydria developed into many forms, some of which were smaller or of a different material. These variants were decorated with detailed figures to represent Greek mythological stories, as well as scenes of daily life, providing extensive insight into Ancient Greek culture and society. Function Originally, the hydria's purpose was for the collection of water, but it also held oil and the votes of judges. The design of the hydria allowed for the efficient collecting and pouring of liquids as it possessed three handles: two horizontal ones at its sides and a vertical one on its back. The sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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