Anatoly Rykov
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Anatoly Rykov
Anatoly Rykov is a Russian art and political theorist, art historian, and professor at the Saint Petersburg State University. In his numerous writings Professor Rykov argues that leftist projects in art and culture often employ repressive and totalitarian concepts and metaphors. He introduced the notion of “radical conservatism” in order to explain this phenomenon in the theoretical matrix of the avant-garde and its postmodern interpretation. An expert on both Russian and Western art history and theory, he has written on a range of subjects in the Renaissance, 18th, 19th and 20th Century art. In his award-winning book, Postmodernism as radical conservatism (2007), he analyses the connotations of right-wing politics and philosophy in the work of eminent representatives of American art theory. His other publications include Marxism and Loneliness (On the “Political Unconscious” of the Contemporary Humanities in the West, Foundations of Art Theory (2007), Origins of the ava ...
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Anatolii Rykov At The Actual Problems Of Theory And History Of Art Conference, 2014
Anatoly (russian: Анато́лий, Anatólij , uk, Анато́лій, Anatólij ) is a common Russian and Ukrainian male given name, derived from the Greek name ''Anatolios'', meaning "sunrise." Other common Russian transliterations are Anatoliy and Anatoli. The Ukrainian transliteration is Anatoliy or Anatolii. The French version of the name is Anatole. Other variants are Anatol and more rarely Anatolio. Saint Anatolius of Alexandria was a fifth-century saint who became the first patriarch of Constantinople in 451. Anatoly was one of the five most popular names for baby boys born in St. Petersburg, Russia, in 2004. One in every 35,110 Americans are named Anatoly and the popularity of the name Anatoly is 28.48 people per million. The name of Anatolia – a region located to the east from the Greeks' point of view – shares the same linguistic origin. People * Anatoli Agrofenin (born 1980), Russian footballer * Anatoli Aleksandrovich Grishin (born 1986), Russian footba ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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21st-century Russian Historians
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, ...
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Russian Avant-garde
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum and Neo-primitivism. Many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, Wassily Kandinsky, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde. The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism. Artists and de ...
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Russian Philosophers
Russian philosophy includes a variety of philosophical movements. Authors who developed them are listed below sorted by movement. While most authors listed below are primarily philosophers, also included here are some Russian fiction writers, such as Tolstoy and Dostoyevsky, who are also known as philosophers. Russian philosophy as a separate entity started its development in the 19th century, defined initially by the opposition of Westernizers, advocating Russia's following the Western political and economical models, and Slavophiles, insisting on developing Russia as a unique civilization. The latter group included Nikolai Danilevsky and Konstantin Leontiev, the early founders of eurasianism. The discussion of Russia's place in the world has since become the most characteristic feature of Russian philosophy. In its further development, Russian philosophy was also marked by deep connection to literature and interest in creativity, society, politics and nationalism; cosmos and ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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Year Of Birth Missing (living People)
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the ...
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Nikolai Punin
Nikolay Nikolayevich Punin (russian: link=no, Никола́й Никола́евич Пу́нин; – August 21, 1953) was a Russian art scholar and writer. He edited several magazines, such as ''Izobrazitelnoye Iskusstvo'' among others, and was also co-founder of the Department of Iconography in the State Russian Museum. Punin was a lifelong friend and common-law husband of poet Anna Akhmatova who is famous for writing the poem ''Requiem''. Biography A key figure in the Russian art world Nikolay Punin was born in Helsingfors (now Helsinki), Grand Duchy of Finland, into the family of Nikolay Mikhaylovich Punin, a Medical Doctor of the Imperial Russian Army stationed in Helsingfors. Nikolay’s younger brother Leonid Punin was later to become a commander in the White armies. Young Punin moved to St. Petersburg and attended the classical gymnasium where he first met young student Anna Akhmatova. From 1907 to 1914, Punin attended the St. Petersburg University, studied hi ...
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Formalism (art)
In art history, formalism is the study of art by analyzing and comparing form and style. Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that everything necessary to comprehending a work of art is contained within the work of art. The context of the work, including the reason for its creation, the historical background, and the life of the artist, that is, its conceptual aspect is considered to be external to the artistic medium itself, and therefore of secondary importance. History The historical origin of the modern form of the question of aesthetic formalism is usually dated to Immanuel Kant and the writing of his third Critique where Kant states: "Every form of the objects of sense is either ...
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ...
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Right-wing Politics
Right-wing politics describes the range of political ideologies that view certain social orders and hierarchies as inevitable, natural, normal, or desirable, typically supporting this position on the basis of natural law, economics, authority, property or tradition.T. Alexander Smith, Raymond Tatalovich. ''Cultures at war: moral conflicts in western democracies''. Toronto, Canada: Broadview Press, Ltd, 2003. p. 30. "That viewpoint is held by contemporary sociologists, for whom 'right-wing movements' are conceptualized as 'social movements whose stated goals are to maintain structures of order, status, honor, or traditional social differences or values' as compared to left-wing movements which seek 'greater equality or political participation.' In other words, the sociological perspective sees preservationist politics as a right-wing attempt to defend privilege within the ''social hierarchy''."''Left and right: the significance of a political distinction'', Norberto Bobbio an ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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