|
Anandabhairavi (2007 Film)
'' Anandabhairavi'' is a 2007 Indian Malayalam-language film by Jayaraj starring Sai Kumar and Devdas. Sai Kumar won the Kerala State Film Award for second best actor for this film. The film tells about the story of a highly talented, but ailing boy, with extraordinary skills in music. Cast Plot Jayaraj's Anandabhairavi depicts the life of Vasudeva Panicker, a Kathakali artist, and his son. Sai Kumar plays the role of Panikker and Master Devan is his son Appu. Sai Kumar won the Kerala State Film Award The Kerala State Film Awards are the film awards for a motion picture made in Kerala. The awards started in 1969 by the Department of Cultural Affairs, Government of Kerala and since 1998 the awards have been bestowed by Kerala State Cha ... for the second best actor, for his performance in this movie. Storyline is prepared jointly by Mahesh and Sajeev. Madambu Kunjukkuttan scripted the movie. The music is by Parthasarathi. Harinath cranked the camera. Soundtrack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayaraj
Jayarajan Rajasekharan Nair, professionally credited as Jayaraj, is an Indian filmmaker, who predominantly works in Malayalam film industry. He has won many awards, including Crystal Bear at the Berlin International Film Festival, the Golden Peacock award at the IFFI, and the FIPRESCI Award from the International Federation of Film Critics. He is also a seven-time recipient of the National Film Award and several Kerala State Film Awards. His films include ''Paithrukam'' (1993), ''Desadanam'' (1996), '' 4 The People'' (2004), ''Vellapokkathil'' (2007), ''Ottaal'' (2015), and ''Bhayanakam'' (2018). He is the founder of the Birds Club International and is actively involved in philanthropic work. Early life During his stay at Thiruvananthapuram, he attended film festivals including the International Film Festival of Kerala and watched many world classics. Kurosawa's ''Rashomon'' and DeSica's ''Bicycle Thieves'' were among them, and they influenced him immensely. Career Bh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irayimman Thampi
Iravivarman Thampi, better known as Irayimman Thampi (1782 October 12 - 1856 July 29), was an Indian Carnatic musician, music composer and poet from the Kingdom of Travancore. He was a vocalist in the court of Swathi Thirunal Rama Varma, Swathi Thirunal. His compositions include the lullaby ''Omanathinkal Kidavo'', one of the most popular lullabies in Malayalam. Biography Irayimman Thampi, named Iravivarman Thampi after his grandfather, was born in 1782 at Kottakkakom Kizhake Madom, in Karamana, Travancore to Kerala Varma Thampuran, of the royal family of Cherthala, and Parvathi Pillai Thankachi of the Puthumana Ammaveedu Thampi family, the daughter of Prince Makayiram Thirunal Ravi Varma and niece of the Maharajah Dharma Raja of Travancore royal family. Thampi was brought up by his parents at a house called ''Kizhake Madom'' and after early education from his father, he went under the tutorship of Shankaran Elayathu in grammar, linguistics and Sanskrit literature. He dedicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Malayalam-language Films
S, or s, is the nineteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Origin Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a phoneme, so the derived Greek letter sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ) "to hiss". The original name of the letter "sigma" may have been ''san'', but due to the complic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Films
The following is an overview of events in 2007 in film, including the highest-grossing films, award ceremonies and festivals, a list of films released and notable deaths. The highest-grossing film of the year was '' Pirates of the Caribbean: At World's End'', which was just ahead of '' Harry Potter and the Order of the Phoenix''. 2007 is often considered one of the greatest years for film in the 21st century. This would also be the last year in which no films grossed at least $1 billion at the box office until 2020, when the COVID-19 pandemic prevented multiple theatrically released films. Evaluation of the year Many have considered 2007 to be the greatest year for film in the 21st century and one of the greatest of all time. In his article from April 18, 2017, which highlighted the best movies of 2007, critic Mark Allison of ''Den of Geek'' said, "2007 must surely be remembered as one of the finest years in English-language film-making, quite possibly the best of this century s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalavati
Kalavati or Kalawati is a modern pentatonic Hindustani classical raga. Svaras Re (the second tone) and Ma (the fourth tone) are strictly omitted (Varjya/Varjit). Kalavati belongs to the Khamaj Thaat. Aroha and avaroha Ārohana S G P D n S' In the Western scale, assuming S C, this would roughly translate to: C E G A B♭ c Avarohana S' n D P G S Kalavati uses (komal) ni as Vakra Svarain Aroha. P D n D S' Vadi and samavadi The Vadi is Pa, while the Samvadi is Sa Pakad or chalan Komal Ni is weak in Aroha and often dropped: G P D n D S' or S G P D S', but in Tanas G P D n S' is also taken. Komal Ni is alsAndolitaG P D n~ D P It's also used as G P D n – S' D G P D S n – D P Organization and relationships Kalavati is derived from a Carnatic raga (see also Yagapriya). According to J.D. Patki the raga was popularized in Maharashtra by Pandit Rao Nagarkar, Roshan Ara Begum and Gangubai Hangal. B.Subba Rao explains the Carnatic Kalavati as omitting Ga and Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muthuswami Dikshitar
Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical trinity of Carnatic music. Muthuswami Dikshitar was born on 24 March 1775 in Tiruvarur near Thanjavur, in what is now the state of Tamil Nadu in India, to a family that is traditionally traced back to Virinichipuram in the northern boundaries of the state. His compositions, of which around 500 are commonly known, are noted for their elaborate and poetic descriptions of Hindu gods and temples and for capturing the essence of the raga forms through the vainika (veena) style that emphasises gamakas. They are typically in a slower speed (chowka kala). He is also known by his signature name of Guruguha which is also his mudra (and can be found in each of his songs). His compositions are widely sung and played in classical concerts of Carnatic mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindolam
Hindōḷaṃ is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Hindolam is not the same as the Hindustani Hindol. The equivalent of ''Hindolam'' in Hindustani music is ''Malkauns''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or Malkosh''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is known to be a rāgam that is generally beautiful and soothing to listen to. Being symmetrical in its ascending and descending scales, it lends itself very well to improvisation and is therefore popular at concerts. Structure and Lakshana ''Hindōḷaṃ'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification—''audava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasikapriya
Rasikapriya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the last (72nd) ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Rasamanjari in Muthuswami Dikshitar school of Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Structure and Lakshana It is the 6th rāgam in the 12th ''chakra Aditya''. The mnemonic name is ''Aditya-Sha''. The mnemonic phrase is ''sa ru gu mi pa dhu nu''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (the scale uses the notes ''shatsruthi rishabham, antara gandharam, prati madhyamam, shatsruthi dhaivatham, kakali nishadham'') As it is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravi Shankar
Ravi Shankar (; born Robindro Shaunkor Chowdhury, sometimes spelled as Rabindra Shankar Chowdhury; 7 April 1920 – 11 December 2012) was an Indian sitarist and composer. A sitar virtuoso, he became the world's best-known export of North Indian classical music in the second half of the 20th century, and influenced many musicians in India and throughout the world. Shankar was awarded India's highest civilian honour, the Bharat Ratna, in 1999. Shankar was born to a Bengali Brahmin family in India, and spent his youth as a dancer touring India and Europe with the dance group of his brother Uday Shankar. He gave up dancing in 1938 to study sitar playing under court musician Allauddin Khan. After finishing his studies in 1944, Shankar worked as a composer, creating the music for the ''Apu Trilogy'' by Satyajit Ray, and was music director of All India Radio, New Delhi, from 1949 to 1956. In 1956, Shankar began to tour Europe and the Americas playing Indian classical music and incr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kottakkal Madhu
Kottakkal Madhu (born 26 October 1968) is a prominent Kathakali Musician, Playback singer and Composer from Kottakkal, Kerala, India who specializes in Kathakali music. He works as kathakali music instructor in PSV Natyasangham(c/o Arya Vaidya Sala, Kottakkal). He received the Kerala Sangeetha Nataka Akademi Award Kerala Sangeetha Nataka Akademi Award is an award given by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultur ... in 2016. References External links Cyberkerala – Kottakkal Madhu* * [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayamalavagowla
Mayamalavagowla (pronounced ) is a raga of Carnatic music (musical scale of South Indian classical music). It is classified as 15th ''melakarta'' raga under Venkatamakhin's ''melakarta'' system. Originally known as ''malavagowla'', "maya" was prefixed to it after the advent of the scheme of the 72 ''melas''. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga. Structure and Lakshana Venkatamakhin defines its lakshana thus: पूर्णो माळवगोळाख्यः स ग्रहो गीयते सदा ''Mayamalavagowla'' is the 3rd raga in the 3rd ''chakra, Agni''. Its mnemonic name is ''Agni-Go''. Its mnemonic phrase is ''sa ra gu ma pa dha nu''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : The notes in this raga are ''ṣaḍjam, śuddha r̥ṣabham, ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
