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Analog Sequencer
An analog sequencer is a music sequencer constructed from analog (analogue) electronics, invented in the first half of the 20th century. Raymond Scott designed and constructed some of the first electro-mechanical music sequencers in the 1940s. The first electronic sequencer was invented by Raymond Scott, using thyratrons and relays. Incidentally in 1951, computer music was started from the music sequencing, and later its applicable fields were expanded into the music composition and sound generation. However, the RCA Mark II Sound Synthesizer in 1957 was still indirectly controlled via punch-tape system similar to piano rolls, a kind of mechanical sequencer. Also, in earlier electronic music, artists used sound-on-film technology to generate sound waves as well as control sequences of notes. At its most basic, an analog sequencer consists of a bank of potentiometers and a "clock" (pulse generator) connected to a sequencer, which steps through these potentiometers one at a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg
, founded as Keio Electronic Laboratories, is a Japanese multinational corporation that manufactures electronic musical instruments, audio processors and guitar pedals, recording equipment, and electronic tuners. Under the Vox brand name, they also manufacture guitar amplifiers and electric guitars. History Korg was founded in 1962 in Tokyo by Tsutomu Kato and Tadashi Osanai as ''Keio Gijutsu Kenkyujo Ltd.''. It later became because its offices were located near the Keio train line in Tokyo and Keio can be formed by combining the first letters of Kato and Osanai. Before founding the company, Kato ran a nightclub. Osanai, a Tokyo University graduate and noted accordionist, regularly performed at Kato's club accompanied by a Wurlitzer Sideman rhythm machine. Dissatisfied with the rhythm machine, Osanai convinced Kato to finance his efforts to build a better one.Julian Colbeck, Keyfax Omnibus Edition, MixBooks, 1996, p. 52. The company's first product was an electro- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Departure From The Northern Wasteland
''Departure from the Northern Wasteland'' is the debut studio album of electronic music composer Michael Hoenig, released in 1978 by Warner Bros. Records. Track listing Personnel Adapted from the ''Departure from the Northern Wasteland'' liner notes. ;Musicians * Michael Duwe – keyboards (B3) * Michael Hoenig – instruments, production, mixing, recording * Uschi Obermaier – voice (A) * Lutz Ulbrich – double guitar (A) ;Production and additional personnel * Arnie Acosta – mastering * John Cabalka – art direction * Dennis G. Hendricks – illustrations * Jutta Henglein – photography * Dave Hutchins – mixing * Conny Plank Konrad "Conny" Plank (3 May 1940 – 5 December 1987) was a German record producer and musician. He is known for his innovative work as a sound engineer and producer in Germany's krautrock and kosmische music scene in the 1970s. Plank was invol ... – mixing Release history Refer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encore (Tangerine Dream Album)
''Encore: Tangerine Dream Live'' is the tenth major release and second live album by the German group Tangerine Dream. It is mostly assembled from various recordings from the band's very successful 1977 U.S. tour. Background Tangerine Dream performed "Cherokee Lane" and "Monolight", or some variants thereof, at every concert in 1977. The released version of "Monolight" has been identified as having been recorded in Washington, D.C. on 4 April. The spoken introduction – by Leo del Aguila a.k.a. Prof. Mota, WGTB’s music director – of the album also comes from that concert. A fantape of this complete concert was officially released as a part of the ''Bootleg Box Set vol. 2'' in 2004. (Two other tracks, named "Monolith" and "Drywater Rush" on ''Tangerine Tree volume 4'' and subsequently also on the ''Bootleg Box'', were also played in some form from concert to concert, but were not included on ''Encore''.) With regards to "Coldwater Canyon", Edgar Froese has stated that the tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricochet (Tangerine Dream Album)
''Ricochet'' is the seventh major release and first live album by German electronic music group Tangerine Dream. It was released, on the Virgin label, in 1975. It consists of two side-long compositions mixed from studio recordings and the UK portion of their August–October 1975 European Tour. The sound of the album is similar to that of the group's other "Virgin Years" releases, relying heavily on synthesizers and sequencers to produce a dense, ambient soundscape, but is much more energetic than their previous works. ''Ricochet'' uses more percussion and electric guitar than its predecessors '' Phaedra'' and '' Rubycon'', and borders on electronic rock. The main innovation on the album is the use of complex, multi-layered rhythms, foreshadowing the band's own direction in the 1980s and trance music and similar genres of electronic dance music. According to the official ''In Search Of Hades'' boxed set, Part 1 was entirely recorded at The Manor Studio in England. The openin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rubycon (album)
''Rubycon'' is the sixth major release and sixth studio album by German electronic music group Tangerine Dream. It was released in 1975. It is widely regarded as one of their best albums. ''Rubycon'' further develops the Berlin School sequencer-based sound they ushered in with the title track from ''Phaedra''. Although not quite matching the sales figures for ''Phaedra'', ''Rubycon'' reached number 10 in a 14-week run, their highest-charting album in the UK. Music The album consists of two long tracks, each just over 17 minutes long. "Rubycon, Part One", the A-side of the LP, "ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface”. The B-side, "Rubycon, Part Two", "opens in a wonderfully haunted way" before "the synthesizer arpeggios return to drive things along". Critical reception From contemporary reviews, Chris Salewicz of the '' NME'' wrote that "a touch more electronically sophisticated than ''Phaedra'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phaedra (album)
''Phaedra'' is the fifth major release and fifth studio album by German electronic music group Tangerine Dream. It was recorded during November 1973 at The Manor in Shipton-on-Cherwell, England and released on 20 February 1974 through Virgin Records. This is the first Tangerine Dream album to feature their now classic sequencer-driven sound, which is considered to have greatly influenced the Berlin School genre. The album marked the beginning of the group's international success and was their first album released on the Virgin label. It achieved six-figure sales in the UK, reaching number 15 in the UK Albums Chart in a 15-week run, with virtually no airplay, only by strong word of mouth. It also earned the group a gold disc in seven countries, though in their native Germany it sold barely 6,000 units. The album title refers to Phaedra of Greek mythology. Background and recording On hearing a set of recordings Edgar Froese and Christopher Franke had made earlier in the year at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Hoenig
Michael Hoenig (born 4 January 1952) is a German composer who has composed music for several films and games, in addition to two solo albums, including the highly acclaimed 1978 album '' Departure from the Northern Wasteland''. In 1997, he was nominated for a Primetime Emmy Award for Outstanding Main Title Theme Music for composing the theme to the science fiction series ''Dark Skies''. Early career As the editor of the underground magazine ''LOVE'' in the late sixties, Hoenig was part of the burgeoning progressive rock scene in Berlin, which fostered bands like Tangerine Dream, Ash Ra Tempel and Agitation Free. His interest in avant-garde music, sound generators and prepared tapes caught the eye of Michael Günther, the bassist of Agitation Free, and he joined the band in February 1971. In March 1975, Hoenig was hired to replace Peter Baumann in Tangerine Dream for an Australian tour and a London Royal Albert Hall concert, and subsequently left Agitation Free, which broke up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tangerine Dream
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese having been the only constant member until his death in January 2015. The best-known lineup of the group was its mid-1970s trio of Froese, Christopher Franke, and Peter Baumann. In 1979, Johannes Schmoelling replaced Baumann. Since Froese's death in 2015, the group has been under the leadership of Thorsten Quaeschning (Froese's chosen successor and the current longest-serving band member, having joined in 2005). He was joined by violinist Hoshiko Yamane in 2011, Ulrich Schnauss in 2014 and Paul Frick in 2020. Tangerine Dream are considered a pioneering act in electronica. Their work with the electronic music Ohr label produced albums that had a pivotal role in the development of the German musical scene known as kosmische Musik ("cosmic music"). Their "Virgin Years", so called because of their association with Virgin Recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variable-gain Amplifier
A variable-gain (VGA) or voltage-controlled amplifier (VCA) is an electronic amplifier that varies its gain depending on a control voltage (often abbreviated CV). VCAs have many applications, including audio level compression, synthesizers and amplitude modulation. A crude example is a typical inverting op-amp configuration with a light-dependent resistor (LDR) in the feedback loop. The gain of the amplifier then depends on the light falling on the LDR, which can be provided by an LED (an optocoupler). The gain of the amplifier is then controllable by the current through the LED. This is similar to the circuits used in optical audio compressors. A voltage-controlled amplifier can be realised by first creating a voltage-controlled resistor (VCR), which is used to set the amplifier gain. The VCR is one of the numerous interesting circuit elements that can be produced by using a JFET (junction field-effect transistor) with simple biasing. VCRs manufactured in this way c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voltage-controlled Oscillator
A microwave (12–18GHz) voltage-controlled oscillator A voltage-controlled oscillator (VCO) is an electronic oscillator whose oscillation frequency is controlled by a voltage input. The applied input voltage determines the instantaneous oscillation frequency. Consequently, a VCO can be used for frequency modulation (FM) or phase modulation (PM) by applying a modulating signal to the control input. A VCO is also an integral part of a phase-locked loop. VCOs are used in synthesizers to generate a waveform whose pitch can be adjusted by a voltage determined by a musical keyboard or other input. A voltage-to-frequency converter (VFC) is a special type of VCO designed to be very linear in frequency control over a wide range of input control voltages. Types VCOs can be generally categorized into two groups based on the type of waveform produced. * ''Linear'' or ''harmonic oscillators'' generate a sinusoidal waveform. Harmonic oscillators in electronics usually consist of a reson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and exc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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