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Anaku
Anaku (アナク) is a kata derived from Ananku (See Karate kata). It is translated as Expression Pivoting Form or Pivoting Swallow Form. This kata is typically taught to Go Kyu (Green Belt Kata). Anaku is used to teach two principles: shifting from Kiba Dachi to Zenkutsu Dachi to Kiba Dachi, and T'ung Gee Hsing's principle of pounding, which is hitting the same spot multiple times. Chotoku Kyan is credited with recomposing this kata for Karate in 1895. Bunkai *Hsing-Yi's principle is used four times in the kata. The first time it is two tate zukis (vertical punch). The second time it is used with two tate zuki's, a mae geri, and another tate zuki. The name comes from Xingyiquan five element principles, and T'ung Gee Hsing, a known practitioner of Xingyiquan who taught Robert Trias some Xing Yi Quan *There is a third principle that is no longer really taught, though it is used in universal bunkai , literally meaning "analysis" or "disassembly", "is a term used in Japanese m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karate Kata
Kata ( ja, 形, or more traditionally, 型; lit. "form") is a Japanese word describing detailed patterns of movements practiced either solo or in pairs. Karate kata are executed as a specified series of a variety of moves, with stepping and turning, while attempting to maintain perfect form. The kata is not intended as a literal depiction of a mock fight, but as a display of transition and flow from one posture and movement to another, teaching the student proper form and position, and encouraging them to visualise different scenarios for the use of each motion and technique. Karateka "read" a kata in order to explain the imagined events, a practice known as ''bunkai''. There are various kata, each with many minor variations. Origins Kata originated from the practice of paired attack and defence drills by ancient Chinese martial artists, these were known as the "five form fists" or "five patterns" after the fighting methods of five different animals. These were brought to Okina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xingyiquan
Xing Yi Quan is classified as one of the internal styles of Chinese martial arts. The name of the art translates approximately to "Form-Intention Fist", or "Shape-Will Fist". Xing Yi is characterized by aggressive, seemingly linear movements and explosive power that's most often applied from a short range. A practitioner of Xing Yi uses coordinated movements to generate bursts of power intended to overwhelm the opponent, simultaneously attacking and defending. Methods vary from school to school, but always include bare-handed fighting training (mostly in single movements/combinations and sometimes in forms) and the training of weapons usage with similar or identical body mechanics to that used for bare-handed intense fighting. The most basic notions of movement and body mechanics in the art were heavily influenced by the practice of staves and spears. Historically and technically related martial arts include Dai Xin Yi Liu He Quan, Liu He Xin Yi Quan and Yi Quan. Origins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Trias
Robert A. Trias (March 18, 1923 – July 11, 1989) was an American karate pioneer, founding the first karate school in the mainland United States and becoming one of the first known American black belts. He also developed Shuri-ryū karate, an eclectic style with roots in Chinese kung-fu, and indirectly some Okinawan karate. Life before karate Trias was employed by Southern Pacific Company as a boilermaker apprentice from 1937 to 1939 and a boilermaker from 1939 to 1942. Introduction to karate While serving in the United States Naval Reserve as a Metalsmith First Class (M1c) during World War II, Robert Trias was stationed on or around Tulagi in the Solomon Islands from June 1944 to November 1945, and was a Navy champion middleweight boxer. There he met Tung Gee Hsiang, a Chinese missionary of Chan (Zen) Buddhism. Hsiang often watched Trias work out and imitated his boxing footwork, and he asked to practice with Trias. Trias refused because Hsiang was "just a tiny little guy," ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xing Yi Quan
Xing Yi Quan is classified as one of the internal styles of Chinese martial arts. The name of the art translates approximately to "Form-Intention Fist", or "Shape-Will Fist". Xing Yi is characterized by aggressive, seemingly linear movements and explosive power that's most often applied from a short range. A practitioner of Xing Yi uses coordinated movements to generate bursts of power intended to overwhelm the opponent, simultaneously attacking and defending. Methods vary from school to school, but always include bare-handed fighting training (mostly in single movements/combinations and sometimes in forms) and the training of weapons usage with similar or identical body mechanics to that used for bare-handed intense fighting. The most basic notions of movement and body mechanics in the art were heavily influenced by the practice of staves and spears. Historically and technically related martial arts include Dai Xin Yi Liu He Quan, Liu He Xin Yi Quan and Yi Quan. Origins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunkai
, literally meaning "analysis" or "disassembly", "is a term used in Japanese martial arts referring to process of analysing kata and extracting fighting techniques from the movements of a 'form' (''kata''). The extracted fighting techniques are called ''Oyo''." Process Bunkai is usually performed with a partner or a group of partners which execute predefined attacks, and the student performing the ''kata'' responds with defenses, counterattacks, or other actions, based on a part of the ''kata''. This allows the student in the middle to understand what the movements in ''kata'' are meant to accomplish. It also illustrates how to improve the technique by adjusting distances (Maai), timing, rhythm (Ritsudo) and fluidity (Nagare) in combat properly, in order to adapt and adjust any technique depending on the size of an opponent. Some ''kata'' have another layer of application that is taught using an ''Oyo Bunkai'', an "application of the kata in ways other than the standard bunkai." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
