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Anacréon (1757)
''Les surprises de l'Amour'' is an '' opéra-ballet'' in two ''entrées'' (three or four in later versions) and a prologue by the French composer Jean-Philippe Rameau. It was first performed in Versailles on 27 November 1748. The opera is set to a libretto by Gentil-Bernard. According to the usage of the time, it was originally just billed as a ''ballet'' and was only later classified by scholars as an ''opéra-ballet'', although its content might more precisely ascribe it to the ''ballet héroïque'' genre. The original 1748 version consisted of a prologue and two entrées (acts), "La lyre enchantée" and "Adonis". For its 1757 revival, Rameau cut the prologue and added a third entrée, "Anacréon". The composer had written another opera under the title ''Anacréon'' in 1754. The earlier work has a libretto by Louis de Cahusac and a completely different plot. Both are linked by the figure of the ancient Greek lyric poet Anacreon. William Christie and Marc Minkowski have re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of Jean-Philippe Rameau - Joseph Aved
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis César De La Baume Le Blanc
Louis César de La Baume Le Blanc, ''duc de Vaujours'', '' ''duc de La Vallière'''' (9 October 1708 – 16 November 1780), was a French nobleman, bibliophile and military man. The present '' duc d'Uzès'' and ''duc de Luynes'' descend from him. Family and childhood Louis César was the son of Charles François de La Baume Le Blanc, ''marquis'' and then ''duc de La Vallière'', and his wife, Marie Thérèse de Noailles, a daughter of Anne Jules de Noailles, ''duc de Noailles''. His father was a nephew of Louise de La Vallière, the first official mistress of King Louis XIV of France. On his father's side of the family, Louis César's relatives at court included Louise de La Vallière's daughter by Louis XIV, Marie Anne de Bourbon, ''princesse de Conti''. On his mother's side, his aunt was Marie Victoire de Noailles, the wife of Louis Alexandre de Bourbon, ''comte de Toulouse'', and mother of Louis Jean Marie de Bourbon, ''duc de Penthièvre'', the wealthiest man in France ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis De Noailles
Louis de Noailles, 4th Duke of Noailles (21 April 1713 in Versailles22 August 1793 in Saint-Germain-en-Laye) was a French peer and Marshal of France. He was the son of Françoise Charlotte d'Aubigné, niece of Madame de Maintenon, and a nephew of Marie Victoire de Noailles, daughter-in-law of Louis XIV of France. Life Louis bore the title of Duke of Ayen until his father's death in 1766 when he became Duke of Noailles. On 25 February 1737 he married Cathérine Françoise Charlotte de Cossé-Brissac, with whom he had four children, two sons and two daughters: John Paul. Duke of Ayen, Adrienne Catherine de Noailles, Emmanuel de Noailles, and Philippine Louise de Noailles. He served in most of the wars of the eighteenth century without particular distinction, but was nevertheless made a Marshal of France in 1775. He refused to emigrate during the Revolution but escaped the guillotine by dying in August 1793. Family The duke's widow, granddaughter, and daughter-in-la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Marmontel
Jean-François Marmontel (11 July 1723 – 31 December 1799) was a French historian, writer and a member of the Encyclopédistes movement. Biography He was born of poor parents at Bort, Limousin (today in Corrèze). After studying with the Jesuits at Mauriac, Cantal, he taught in their colleges at Clermont-Ferrand and Toulouse; and in 1745, acting on the advice of Voltaire, he set out for Paris to try for literary success. From 1748 to 1753 he wrote a succession of tragedies: ''Denys le Tyran'' (1748); ''Aristomene'' (1749); ''Cleopâtre'' (1750); ''Heraclides'' (1752); ''Egyptus'' (1753). These literary works, though only moderately successful on the stage, secured Marmontel's introduction into literary and fashionable circles. He wrote a series of articles for the ''Encyclopédie'' evincing considerable critical power and insight, which in their collected form, under the title ''Eléments de Littérature'', still rank among the French classics. He also wrote several c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Sibarites
''Les sibarites'' (''The Sybarites'') is an opera in the form of a one-act ''acte de ballet'' by Jean-Philippe Rameau, first performed on 13 November 1753 at Fontainebleau. The libretto is by Jean-François Marmontel. It tells the story of a war between Sybaris and Croton. The conflict ends when the king and queen of the two cities fall in love with each other. The work was later incorporated into a revival of Rameau's '' opéra-ballet Les surprises de l'Amour'' in 1757. Roles Synopsis Scene: ''The stage shows a verdant amphitheatre covered with trees forming a bower. In the background is a throne covered by a canopy of flowers. Queen Hersilide is sitting on the throne.'' The people of Sybaris celebrate the coronation of their new queen (Chorus: ''"Régnez, mortelle adorable"''). Agis and Philoé trust she will maintain the Sybarite tradition of devotion to pleasure. Hersilide pledges that her reign will bring love and happiness. The Sybarite festivities are suddenly interru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Francœur
François () is a French masculine given name and surname, equivalent to the English name Francis. People with the given name * Francis I of France, King of France (), known as "the Father and Restorer of Letters" * Francis II of France, King of France and King consort of Scots (), known as the husband of Mary Stuart, Queen of Scots * François Amoudruz (1926–2020), French resistance fighter * François-Marie Arouet (better known as Voltaire; 1694–1778), French Enlightenment writer, historian, and philosopher *François Aubry (other), several people *François Baby (other), several people * François Beauchemin (born 1980), Canadian ice hockey player for the Anaheim Duck *François Blanc (1806–1877), French entrepreneur and operator of casinos *François Boucher (other), several people *François Caron (other), several people * François Cevert (1944–1973), French racing driver * François Chau (born 1959), Cambodian American actor * F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
