Ana Karen Allende
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Ana Karen Allende
Ana Karen Allende is a Mexican artisan from the Mexico City borough of Coyoacán, who specializes in creating rag dolls and soft fabric animals. The tradition of making rag dolls in Mexico extends back to the pre-Hispanic period with the making of rag dolls reaching its peak in the 19th century. Allende's first doll was made when her sister was about to turn fifteen. For quinceañera celebrations in Xochimilco, it is customary to give the girl her “last doll” as a means of marking her transition from child to adult. Allende decided to make this doll herself, using sewing skills taught to her by her grandmother. Soon after, she began to make dolls for her friends and family, and the attention they received prompted her to think of selling them. Allende started her own small business called Retacitos (Scraps) in 2002 involving other members of her family, such as her at that time husband Sinhúe Lucas, along with contracting various single mothers in her area to work. She sell ...
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Coyoacán
Coyoacán ( , ) is a borough (''demarcación territorial'') in Mexico City. The former village is now the borough's "historic center". The name comes from Nahuatl and most likely means "place of coyotes", when the Aztecs named a pre-Hispanic village on the southern shore of Lake Texcoco dominated by the Tepanec people. Against Aztec domination, these people welcomed Hernán Cortés and the Spanish, who used the area as a headquarters during the Spanish conquest of the Aztec Empire and made it the first capital of New Spain between 1521 and 1523. The village and later municipality of Coyoacán remained completely independent of Mexico City through the colonial period into the 19th century. In 1857, the area was incorporated into the then Federal District when this district was expanded. In 1928, the borough was created when the Federal District was divided into sixteen boroughs. The urban sprawl of Mexico City reached the borough in the mid-20th century, turning farms, former l ...
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Cecilia Toussaint
Cecilia is a personal name originating in the name of Saint Cecilia, the patron saint of music. The name has been popularly used in Europe (particularly the United Kingdom and Italy, where in 2018 it was the 43rd most popular name for girls born that year), and the United States, where it has ranked among the top 500 names for girls for more than 100 years. It also ranked among the top 100 names for girls born in Sweden in the early years of the 21st century, and was formerly popular in France. The name "Cecilia" applied generally to Roman women who belonged to the plebeian clan of the Caecilii. Legends and hagiographies, mistaking it for a personal name, suggest fanciful etymologies. Among those cited by Chaucer in "The Second Nun's Tale" are: lily of heaven, the way for the blind, contemplation of heaven and the active life, as if lacking in blindness, and a heaven for people to gaze upon.
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Mexican Handcrafts And Folk Art
Mexican handcrafts and folk art is a complex collection of items made with various materials and intended for utilitarian, decorative or other purposes. Some of the items produced by hand in this country include ceramics, wall hangings, vases, furniture, textiles and much more. In Mexico, both crafts created for utilitarian purposes and folk art are collectively known as “artesanía” as both have a similar history and both are a valued part of Mexico's national identity. Mexico's artesanía tradition is a blend of indigenous and European techniques and designs. This blending, called “ mestizo” was particularly emphasized by Mexico's political, intellectual and artistic elite in the early 20th century after the Mexican Revolution toppled Porfirio Díaz’s French-style and modernization-focused presidency. Today, Mexican artesanía is exported and is one of the reasons why tourists are attracted to the country. However, competition from manufactured products and imitations ...
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Centaur
A centaur ( ; grc, κένταυρος, kéntauros; ), or occasionally hippocentaur, is a creature from Greek mythology with the upper body of a human and the lower body and legs of a horse. Centaurs are thought of in many Greek myths as being as wild as untamed horses, and were said to have inhabited the region of Magnesia and Mount Pelion in Thessaly, the Foloi oak forest in Elis, and the Malean peninsula in southern Laconia. Centaurs are subsequently featured in Roman mythology, and were familiar figures in the medieval bestiary. They remain a staple of modern fantastic literature. Etymology The Greek word ''kentauros'' is generally regarded as being of obscure origin. The etymology from ''ken'' + ''tauros'', 'piercing bull', was a euhemerist suggestion in Palaephatus' rationalizing text on Greek mythology, ''On Incredible Tales'' (Περὶ ἀπίστων), which included mounted archers from a village called ''Nephele'' eliminating a herd of bulls that were the scourge ...
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Alebrije
Alebrijes () are brightly colored Mexican folk art sculptures of fantastical (fantasy/mythical) creatures. Description The monos de madera or alebrijes as they are called in Spanish were originally created by carver Manuel Jimenez but soon became so popular that other people from his town and a few other communities in Oaxaca began carving to have an extra income. The first alebrijes, along with the invention of the term, originated with Mexico City '' cartonero'' Pedro Linares. Linares often told that in 1943, he fell very ill. While he was in bed unconscious, he dreamt of a strange place resembling a forest. There, he saw trees, rocks, and clouds that suddenly turned into something strange, and some kind of animals but unknown animals. He saw "a donkey with butterfly wings, a rooster with bull horns, and a lion with an eagle head", and all of them were shouting one word ''"Alebrijes! Alebrijes! Alebrijes!"'' Before this happened, he was already a cartonero artisan. Upon recover ...
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Calaca
A calaca (, a colloquial Mexican Spanish name for skeleton) is a figure of a skull or skeleton (usually human) commonly used for decoration during the Mexican Day of the Dead festival, although they are made all year round. Description Tracing their origins from Mayan imagery, calacas are frequently shown with marigold flowers and foliage. As with other aspects of the Day of the Dead festival, calacas are generally depicted as joyous rather than mournful figures. They are often shown wearing festive clothing, dancing, and playing musical instruments to indicate a happy afterlife. This draws on the Mexican belief that no dead soul likes to be thought of sadly, and that death should be a joyous occasion. This goes back to Aztec beliefs, one of the few calaca to remain after the Spanish conquest. Calacas used in the festival include carved skull masks worn by revelers, small figures made out of carved wood or fired clay, and sweet treats in the form of skulls or skeletons. Calacas ...
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Chaneque
Chanekeh, Chaneque or Ohuican Chaneque, as they were called by the Aztecs, are legendary creatures in Mexican folklore. In Náhuatl, chaneque means "those who inhabit dangerous places" or the "owners of the house". They are conceived of as small, sprite-like beings, elemental forces and guardians of nature. Similar mythical beings are common in Mesoamerican and other Latin American folkloric traditions, generally referred to in Spanish as ''duende''. In the folkloric tradition of the Yucatán Peninsula, these elementals are known by their Yucatec Mayan name ''aluxob.'' In some contemporary legends, chaneques are described as children with the face of old men or women, that make people go stray during three or seven days, after which the victims cannot recall anything that happened—although it is thought that they are taken by the chaneques to their home in the Underworld, also known as Mictlán or Chiconauhmictlán, through the entrance in a dry '' kapok'' tree. In other cases ...
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Alux
An alux (Mayan: , plural: ''aluxo'ob'' ) is a type of sprite or spirit in the mythological tradition of certain Maya peoples from the Yucatán Peninsula and Guatemala, also called Chanekeh or Chaneque by the Nahuatl people. Aluxo'ob are conceived of as being small, only about knee-high, and in appearance resembling miniature traditionally dressed Maya people. Tradition holds that aluxob are generally invisible but are able to assume physical form for purposes of communicating with and frightening humans as well as to congregate. They are generally associated with natural features such as forests, caves, stones, and fields but can also be enticed to move somewhere through offerings. Their description and mythological role are somewhat reminiscent of other sprite-like mythical entities in a number of other cultural traditions (such as the Celtic leprechaun), as the tricks they play are similar. Some Maya believe that the Aluxo'ob are called into being when a farmer builds a littl ...
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El Rayo De Jalisco
Máximino Linares Moreno (November 22, 1932 – July 19, 2018) was a Mexican '' luchador'' (professional wrestler) and lucha film star, better known under the ring name Rayo de Jalisco ("The Lightning Bolt from Jalisco"). He is considered to be one of the best wrestlers of his generation. Linares' son followed in his footsteps and is working under the name Rayo de Jalisco Jr., wearing the same distinctive black mask with silver lightning bolt on it when wrestling. One of Linares' grandsons is also a wrestler, known as "Rayman". During his career, Linares held the NWA World Middleweight Championship on three occasions as well as the Mexican National Tag Team Championship with ''lucha libre'' icon El Santo. He was inducted into the Wrestling Observer Newsletter Hall of Fame in 1996 and the AAA Hall of Fame in 2014. Linares worked for Consejo Mundial de Lucha Libre for a large part of his career and was honored by them in 2013 as part of their annual ''Homenaje a Dos Leyendas'' ...
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El Santo
Rodolfo Guzmán Huerta (23 September 1917 – 5 February 1984), known professionally as El Santo or in English The Saint, was a Mexican luchador enmascarado (Spanish for "masked professional wrestler"), actor and folk hero. He is one of the most famous and iconic Mexican luchadores, and has been referred to as one of "the greatest legends in Mexican sports". His wrestling career spanned nearly five decades, during which he became a folk hero and a symbol of justice for the common man through his appearances in lucha films and comic books telling fictionalized stories of El Santo fighting for justice. He starred or co-starred in at least 54 movies between 1958 and 1982. During his career, he mainly wrestled for Empresa Mundial de Lucha Libre in Mexico where he won the Mexican National Light Heavyweight Championship, Mexican National Middleweight Championship, Mexican National Tag Team Championship with Rayo de Jalisco, Mexican National Welterweight Championship, NWA World Midd ...
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Blue Demon
Alejandro Muñoz Moreno (April 24, 1922 – December 16, 2000), better known by the ring name Blue Demon (''Demonio Azul'' in Spanish), was a Mexican film actor and ''luchador enmascarado'' (Spanish for masked professional wrestler). Blue Demon is considered a legend of lucha libre, partially from starring in a series of Lucha films between 1961 and 1979, often alongside in-ring rival El Santo. His in-ring career began in 1948 and stretched for 41 years until his retirement in 1989. Throughout his career Muñoz never lost a ''Lucha de Apuestas'' match and retired without exposing his face to the public; he would later be buried in his signature blue and silver mask. In his 41-year career he won the NWA World Welterweight Championship twice, the Mexican National Welterweight Championship three times and the Mexican National Tag Team Championship with long time tag team partner Black Shadow. He also won the hair of Cavernario Galindo and the masks of Espectro II, Matemático ...
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