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An Die Ferne Geliebte
' (''To the distant beloved''), Op. 98, is a composition by Ludwig van Beethoven written in April 1816, setting poetry by Alois Jeitteles. Beethoven's ' Beethoven's only song cycle was the precursor of a series of followers, including those of Franz Schubert, Robert Schumann and Carl Loewe. The setting is for a man's voice (usually tenor) with piano. The title page of the original edition (S. A. Steiner, Vienna) bore a dedication with permission to Fürst Joseph Franz von Lobkowitz, Duke of Raudnitz, a leading Austrian musical patron, in whose palace the Eroica Symphony was first performed in 1804; Beethoven also dedicated the six string quartets, Op. 18, the Eroica Symphony, Op. 55, the Triple Concerto, Op. 56, the C minor Symphony, Op. 67, the Pastoral Symphony, Op. 68, and the String Quartet, Op. 74 to him. The text was written by a physician named Alois Isidor Jeitteles, probably at Beethoven's request. Jeitteles had published several short verses, economic in style, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brno
Brno ( , ; german: Brünn ) is a city in the South Moravian Region of the Czech Republic. Located at the confluence of the Svitava and Svratka rivers, Brno has about 380,000 inhabitants, making it the second-largest city in the Czech Republic after the capital, Prague, and one of the 100 largest cities of the EU. The Brno metropolitan area has almost 700,000 inhabitants. Brno is the former capital city of Moravia and the political and cultural hub of the South Moravian Region. It is the centre of the Czech judiciary, with the seats of the Constitutional Court, the Supreme Court, the Supreme Administrative Court, and the Supreme Public Prosecutor's Office, and a number of state authorities, including the Ombudsman, and the Office for the Protection of Competition. Brno is also an important centre of higher education, with 33 faculties belonging to 13 institutes of higher education and about 89,000 students. Brno Exhibition Centre is among the largest exhibition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Minor
A-flat minor is a minor scale based on A, consisting of the pitches A, B, C, D, E, F, and G. Its key signature has seven flats. Its relative major is C-flat major (or enharmonically B major), its parallel major is A-flat major, and its enharmonic equivalent is G-sharp minor. The A-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-flat harmonic minor and melodic minor scales are: : : Music in A-flat minor Although A-flat minor occurs in modulation in works in other keys, it is only rarely used as the principal key of a piece of music. Some well-known uses of the key in classical and romantic piano music include: * The Funeral March in Ludwig van Beethoven's Piano Sonata No. 12, Op. 26. * An early section of the last movement of Beethoven's Piano Sonata No. 31, Op. 110 (although the key signature of this section uses only 6 flats, not 7). * The second Trio in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A-flat Major
A-flat major (or the key of A-flat) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats. The A-flat major scale is: : Its relative minor is F minor. Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor contains seven flats and G-sharp minor only contains five sharps, making A-flat minor rarely usable. Its enharmonic, G-sharp major, with eight sharps, including the F, has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor. (The same enharmonic situation also occurs with the keys of D-flat major and C-sharp minor.) Compositions in A-flat major Beethoven chose A-flat major as the key of the slow movement for most of his C minor works, a practice which Anton Bruckner imitated in his first two C minor symphonies and also Antonín Dvořák in his only C minor symphony. The second movement of Haydn's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Through-composed
In music theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music. While most musical forms such as ternary form, (ABA), rondo form, (ABACABA), and sonata form (ABA') rely on repetition, through-composed music does not re-use material (ABCD). This constant introduction of new material is most noticeable in musical settings of poems, in contrast to the often used strophic form (AAA). Through-composed songs have different music for each stanza of the lyrics. The German word "''durchkomponiert'' " is also used to indicate this concept. Examples Musicologist James Webster defines through-composed music in the following manner: Many examples of this form can be found in Schubert's ''Lieder'', where the words of a poem are set to music and each line is different. In his lied ''Erlkönig'', in which the setting proceeds to a different musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard R
Bernhard is both a given name and a surname. Notable people with the name include: Given name *Bernhard of Saxe-Weimar (1604–1639), Duke of Saxe-Weimar * Bernhard, Prince of Saxe-Meiningen (1901–1984), head of the House of Saxe-Meiningen 1946–1984 *Bernhard, Count of Bylandt (1905–1998), German nobleman, artist, and author *Prince Bernhard of Lippe-Biesterfeld (1911–2004), Prince Consort of Queen Juliana of the Netherlands *Bernhard, Hereditary Prince of Baden (born 1970), German prince *Bernhard Frank (1913–2011), German SS Commander *Bernhard Garside (born 1962), British diplomat *Bernhard Goetzke (1884–1964), German actor *Bernhard Grill (born 1961), one of the developers of MP3 technology *Bernhard Heiliger (1915–1995), German sculptor *Bernhard Langer (born 1957), German golfer *Bernhard Maier (born 1963), German celticist *Bernhard Raimann (born 1997), Austrian American football player *Bernhard Riemann (1826–1866), German mathematician *Bernhard Siebken ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birgit Lodes
Birgit Lodes (born 30 April 1967) is a German musicologist and lecturer at the University of Vienna. Career Born in Marktredwitz, Lodes grew up in Bayreuth. In 1986 she was accepted into the Maximilianeum Foundation (Wittelsbacher Jubiläumsstiftung). From 1986 to 1991 she studied music for the teaching profession at grammar schools (with piano and violoncello) as well as musicology with the subsidiary subjects and at the Hochschule für Musik and at the Ludwig-Maximilians-Universität München. In 1988/89 she studied at the University of California. In 1991 she passed her first state examination in school music. 1992/93 she was a visiting fellow at Harvard University. In 1995, she received her doctorate with the distinction ''summa cum laude'' from the University of Munich. Her dissertation ''Das Gloria in Beethoven's Missa solemnis'' was awarded the doctorate prize of the university. From 1994 to 2004, Lodes was a research assistant, assistant and senior assistant at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immortal Beloved
The Immortal Beloved (German "Unsterbliche Geliebte") is the addressee of a love letter which composer Ludwig van Beethoven wrote on 6–7 July 1812 in Teplitz. The unsent letter is written in pencil on 10 small pages. It was found in the composer's estate following his death and is now in the Berlin State Library. Beethoven did not specify a year or a location. In the 1950s an analysis of the paper's watermark yielded the year, and by extension the place of the letter. Scholars disagree about the intended recipient of the letter. Two people favoured by most contemporary scholars are Antonie Brentano and Josephine Brunsvik. (Other possibilities include Johanna van Beethoven, Julie ("Giulietta") Guicciardi, Therese Brunsvik, Amalie Sebald, Dorothea von Ertmann, Therese Malfatti, Anna Maria Erdődy, and Bettina von Arnim.) Text analysis After Schmidt-Görg (1957) published 13 then-unknown love letters by Beethoven to Josephine Brunsvik, it became clear that the one to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Friedlaender (musicologist)
Max Friedlaender (12 October 1852, Brieg/Brzeg, Province of Silesia, Prussia – 2 May 1934, Berlin) was a German bass singer, music editor, and musicologist. He specialized in German Lieder. Life Friedlaender studied voice with well-known teachers Manuel Garcia in London and Julius Stockhausen in Frankfurt, both of the bel-canto school. From 1881 to 1883 the singer lived and worked at Frankfurt, moving to Berlin in 1883. He received a doctorate from the University of Rostock in 1894 with a dissertation on Franz Schubert and joined the music faculty at Berlin University in 1894. Friedlaender emigrated to America in 1911 where he taught at Harvard University. He succeeded Rochus von Liliencron as general editor for a ''Book of National Songs for Men's Choirs'' first proposed by Kaiser Wilhelm II in 1906. In the 1920s, Friedlaender was closely involved in the formation of the ''Deutscher Volksliedarchiv'' (German folksong archive). The Nazi regime popularized the archive's work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
