An Adventurous Automobile Trip
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An Adventurous Automobile Trip
''An Adventurous Automobile Trip'' (french: Le Raid Paris–Monte Carlo en automobile or ''Le Raid Paris–Monte Carlo en deux heures'') is a 1905 French short film, short silent film, silent comedy film directed by Georges Méliès. The film, a spoof of the devil-may-care motoring exploits of King Leopold II of Belgium, features the King engaging in a manic, implausibly fast automobile ride from Paris to Monte Carlo. The singer-comedian Harry Fragson stars as the King, supported by a large cast of stage performers from the Folies Bergère cabaret and other venues, with two cameo appearances from Méliès himself. Méliès, working in collaboration with the stage director Victor de Cottens, designed ''An Adventurous Automobile Trip'' as an innovative Folies Bergère act combining stage performance and film, with a live prologue and epilogue used to frame the filmed sequence. After this version premiered on 31 December 1904, Méliès adapted the film to be a standalone release fo ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Paris Opera House
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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Séverin Cafferra
Séverin Cafferra, known as Séverin or mime Séverin (1863-1930), was one of the best-known French Pierrots or mime artists around the turn of the twentieth century. Life Caffera was born in Ajaccio, Corsica. He studied under the Marseille mime Louis Rouffe (1849-1885), who in turn had studied under Charles Deburau. He worked at Marseilles, then at the Théatre des Funambules in Paris Paris () is the Capital city, capital and List of communes in France with over 20,000 inhabitants, most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), ma .... In his 1929 book, ''L'Homme Blanc : souvenirs d'un Pierrot'', Caffera describes Rouffe as having created a complete language of gesture. References Bibliography * Caffera, Séverin (named simply Séverin as author). ''L'Homme Blanc : souvenirs d'un Pierrot'' ("The Man in White: Memories of a Clown"). Introduction and notes by Gustave Fré ...
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Monologue
In theatre, a monologue (from el, μονόλογος, from μόνος ''mónos'', "alone, solitary" and λόγος ''lógos'', "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices. Similar literary devices Monologues are similar to poems, epiphanies, and others, in that, they involve one 'voice' speaking but there are differences between them. For example, a soliloquy involves a character relating their thoughts and feelings to themself and to the audience without addressing any of the other characters. A monologue is the thoughts of a person spoken out l ...
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Music Hall
Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous ''Music Hall'' and subsequent, more respectable ''Variety'' differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food ...
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Félix Galipaux
Félix Galipaux (12 December 1860 – 7 December 1931) was a French actor, playwright, and humorist; known for his comic stage monologues, such as ''Communication Telephonique'' (Paris, 1906). A few of these monologues were recorded. Biography Galipaux was born in Bordeaux, and educated in Bordeaux and Paris. He wrote some forty plays produced in Parisian theatres. He was also a newspaper columnist using the pseudonym Félix Mayran, and collaborated with the writer Henri Pagat under the joint pseudonym Pagalipaux. Galipaux and the actor Coquelin Cadet popularized the genre of music hall monologue acts in the 1880s. He and Gabrielle Réjane, in character as their roles in the play '' Madame Sans-Gêne'', are the subjects of Henri de Toulouse-Lautrec's 1893 lithograph ''Réjane et Galipaux dans "Madame Sans-Gêne"''. Galipaux was also one of the founding members of the Cercle Funambulesque and was linked to the Incoherents movement. In 1896 or 1897, the pioneering filmmaker Cha ...
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Gaumont Film Company
The Gaumont Film Company (, ), often shortened to Gaumont, is a French film studio headquartered in Neuilly-sur-Seine, France. Founded by the engineer-turned-inventor Léon Gaumont (1864–1946) in 1895, it is the oldest extant film company in the world, established before other studios such as Pathé (founded in 1896), Titanus (1904), Nordisk Film (1906), Universal, Paramount, and Nikkatsu (founded in 1912). Gaumont predominantly produces, co-produces, and distributes films, and in 2011, 95% of Gaumont's consolidated revenues came from the film division. The company is increasingly becoming a TV series producer with its American subsidiary Gaumont International Television as well as its existing French production features. Gaumont is run by Nicolas Seydoux (President), Sidonie Dumas (General Director), and Christophe Riandee (Deputy General Director). History Originally dealing in photographic apparatus, the company began producing short films in 1897 to promote its make of ...
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Pathé Frères
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the largest film equipment and prod ...
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Little Tich
Harry Relph (21 July 186710 February 1928),Russell, Dav"Relph, Harry (1867–1928)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, online edition, January 2011. Retrieved 1 August 2013 professionally known as Little Tich, was a English music hall comedian and dancer during the late 19th and early 20th centuries. He was best known for his acrobatic and comedic "Big-Boot Dance", which he performed in Europe and for which he wore boots with soles long. Aside from his music hall appearances, he was also a popular performer in Christmas pantomimes and appeared in them annually at theatres throughout the English provinces. He repeated this success in London, where he appeared in three pantomimes at the Theatre Royal, Drury Lane, between 1891 and 1893 alongside Dan Leno and Marie Lloyd. Born in Cudham, Kent, Little Tich began performing aged ten when he developed a dance and tin-whistle act which he showcased at public houses in Sevenoaks. In the early 1 ...
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Jean Noté
Jean-Baptiste Noté (6 May 1858 in Tournai – 1 April 1922 in Brussels) was a Belgian operatic baritone. He graduated from the Royal Conservatory of Ghent in 1884 with first prizes in singing and lyrical declamation. He made his professional opera debut in 1885 at the Opéra de Lille as Lord Enrico Ashton in Gaetano Donizetti's ''Lucia di Lammermoor''. From 1887-1889 he was committed to the Théatre Royal in Antwerp. He then became a member of the Opéra National de Lyon where he had major success in the operas of Richard Wagner; especially the parts of Friedrich of Telramund in ''Lohengrin'' and Wolfram von Eschenbach in ''Tannhäuser''. He was also admired at that theatre as Roland in Jules Massenet's '' Esclarmonde''. He left Lyon in 1893 to join the roster of principal artists at the Paris Opera where he remained for the rest of his career. He made his debut in Paris in the title role of Giuseppe Verdi's ''Rigoletto''. He continued to perform with that company up until his ...
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Raid Paris–Monte-Carlo Méliès
Raid, RAID or Raids may refer to: Attack * Raid (military), a sudden attack behind the enemy's lines without the intention of holding ground * Corporate raid, a type of hostile takeover in business * Panty raid, a prankish raid by male college students on the living quarters of female students to steal panties as trophies * Police raid, a police action involving the entering of a house with the intent to capture personnel or evidence, often taking place early in the morning * Union raid, when an outsider trade union takes over the membership of an existing union Arts, entertainment, and media Films * ''Raid'' (1947 film), an East German film * ''Raid'' (2003 film), a 2003 Finnish film * ''Raid'' (2018 film), an Indian period crime thriller Gaming * Raid (gaming), a type of mission in a video game where a large number of people combine forces to defeat a powerful enemy * ''Raid'' (video game), a Nintendo Entertainment System title released by Sachen in 1989 * ''Raid over M ...
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Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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