|
Amor Victorious
''Amor Vincit Omnia'' ("Love Conquers All" in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'', or ''Earthly Love'') is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori'' ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between "ep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David With The Head Of Goliath (Caravaggio, Rome)
'' David with the Head of Goliath '' is a painting by the Italian Baroque artist Caravaggio. It is housed in the Galleria Borghese, Rome.Catherine Puglisi, ''Caravaggio'' (Phaidon, 1998), p. 360, plate 180 The painting, which was in the collection of Cardinal Scipione Borghese in 1650, has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former. Caravaggio also treated this subject in a work dated c. 1607 in the Kunsthistorisches Museum in Vienna, and in an early work dated c. 1600 in the Prado in Madrid. The immediate inspiration for Caravaggio was a work by a follower of Giorgione, c.1510, but Caravaggio captures the drama more effectively by having the head dangling from David's hand and dripped out blood, rather than resting on a ledge. The sword in David's hand carries an abbreviated inscription H-AS OS; this has been interpreted as an abbreviation of the Latin phrase ''humilitas occidit superbiam'' ("humility kills prid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrifice Of Isaac (Caravaggio)
The ''Sacrifice of Isaac'' is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac. The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619. Princeton version The ''Sacrifice of Isaac'', in the Piasecka-Johnson Collection in Princeton, New Jersey, is a disputed work that was painted circa 1603. According to Giulio Mancini, a contemporary of Caravaggio and an early biographer, the artist, while convalescing in the Hospital of the Consolazione, did a number of paintings which the prior took home with him to Seville. (The hospital had a Spanish prior from 1593 to around mid-1595.) That would date the work to the mid-1590s, but it seems far more sophisticated than anything else known from that period of Caravaggio's career, and Peter Robb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Martyrdom Of Saint Matthew (Caravaggio)
''The Martyrdom of Saint Matthew'' ( it, Martirio di San Matteo; 1599–1600) is a painting by the Italian master Michelangelo Merisi da Caravaggio. It is located in the Contarelli Chapel of the church of the French congregation San Luigi dei Francesi in Rome, where it hangs opposite ''The Calling of St Matthew (Caravaggio), The Calling of Saint Matthew ''and beside the altarpiece ''The Inspiration of Saint Matthew'', both by Caravaggio. It was the first of the three to be installed in the chapel, in July 1600. The painting shows the martyrdom of Saint Matthew the Four Evangelists, Evangelist, author of the Gospel of Matthew. According to tradition, the saint was killed on the orders of the king of Ethiopia while celebrating Mass at the altar. The king lusted after his own niece, and had been rebuked by Matthew, for the girl was a nun, and therefore the bride of Christ. Cardinal Contarelli, who had died several decades earlier, had laid down very explicitly what was to be shown: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martyr's Palm
The palm branch is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world. The palm ''(Phoenix)'' was sacred in Mesopotamian religions, and in ancient Egypt represented immortality. In Judaism, the lulav, a closed frond of the date palm is part of the festival of Sukkot. A palm branch was awarded to victorious athletes in ancient Greece, and a palm frond or the tree itself is one of the most common attributes of Victory personified in ancient Rome. In Christianity, the palm branch is associated with Jesus' Triumphal Entry into Jerusalem, celebrated on Palm Sunday, when the Gospel of John says of the citizens, "they took palm branches and went out to meet Him" (12:13 HCSB). Additionally, the palm has meaning in Christian iconography, representing victory, i.e. the victory of the spirit over the flesh (Revelation 7:9). Since a victory signals an end to a conflict or competition, the palm developed into a symbol of peace, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Conversion Of Saint Paul (Caravaggio)
''The Conversion of Saint Paul'' (or ''Conversion of Saul''), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is '' The Conversion of Saint Paul on the Road to Damascus'', in the Cerasi Chapel of Santa Maria del Popolo. Background The painting, together with a '' Crucifixion of Saint Peter'', was commissioned by Monsignor (later Cardinal) Tiberio Cerasi, Treasurer-General to Pope Clement VIII, in September 1600. According to Caravaggio's early biographer Giovanni Baglione, both paintings were rejected by Cerasi, and replaced by the second versions which hang in the chapel today. The dates of completion and rejection are determined from the death of Cerasi in May 1601. Baglione states that the first versions of both paintings were taken by Cardinal Giacomo Sannessio, but another early writer, Giulio Mancini, says that Sannessio's paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecco Del Caravaggio
Cecco del Caravaggio (active – mid-1620s), is the notname given to a painter who worked in Rome in the early decades of the 17th century and was an important early follower of Caravaggio (1571–1610). In the past art historians have suggested he may have been a Flemish, French or Spanish Caravaggist but more recently some have identified the artist with Francesco Boneri (or Buoneri), although this is not universally accepted. In his work the artist responded in a very individual and original manner to Caravaggio's naturalism."Caravaggio, Cecco del." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 May 2017 Life Little is known about Cecco del Caravaggio. His active period appears to have been from 1610 to the mid 1620s. The name "Cecco" is a diminutive of "Francesco". In his guide to contemporary artists written for fellow-collectors in about 1620 entitled ''Considerazioni sulla Pittura'', Giulio Mancini mentions a ("Francesco, known as 'Cecco del Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Symonds (diarist)
Richard Symonds (1617–1660) was an English royalist and antiquary, now remembered for an eye-witness diary he wrote of events of the First English Civil War. Life He was the eldest son of Edward (or Edmund) Symonds of Black Notley, Essex, where he was born in 1617. His mother, who brought the Notley property into the family, was Anne, daughter of Joshua Draper of Braintree. Like his father and grandfather, as well as several of his uncles and cousins, Symonds became a cursitor of the chancery court. He was committed a prisoner by Miles Corbet as a delinquent on 25 March 1643, but escaping on 21 October he joined the royalist army, becoming a member of the troop of horse which formed the king's lifeguard, under the command of Lord Bernard Stuart, afterwards Earl of Lichfield. He was with the king’s forces in most of his movements during the ensuing two years, being present at the engagements of Cropredy Bridge, Newbury, Naseby, and at the relief of Chester, where the Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucifer
Lucifer is one of various figures in folklore associated with the planet Venus. The entity's name was subsequently absorbed into Christianity as a name for the devil. Modern scholarship generally translates the term in the relevant Bible passage ( Isaiah 14:12), where the Greek Septuagint reads ὁ ἑωσφόρος ὁ πρωὶ, as "morning star" or "shining one" rather than as a proper noun, Lucifer, as found in the Latin Vulgate. As a name for the Devil in Christian theology, the more common meaning in English, "Lucifer" is the rendering of the Hebrew word he, הֵילֵל, hêlēl, label=none, (pronunciation: ''hay-lale'') in Isaiah given in the King James Version of the Bible. The translators of this version took the word from the Latin Vulgate, Originally published New York: The MacMillan Co., 1923. which translated by the Latin word (uncapitalized), meaning "the morning star", "the planet Venus", or, as an adjective, "light-bringing". As a name for the planet in its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase in the 1610s, Baglione's final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benedetto Giustiniani
Benedetto Giustiniani (5 June 1554 – 27 March 1621) was an Italian clergyman who was made a cardinal in the consistory of 16 November 1586 by Pope Sixtus V. He participated in the papal conclaves of 1592 and 1621. From 1615 to 1620 he was bishop of the Sabina and from 1620 to 1621 of Porto. Either he or his brother Vincenzo commissioned the 1621-1629 painting of ''Saint John the Evangelist'' by Domenichino. His postmortem inventory contained 280 paintings. Episcopal succession References External links Benedetto Giustiniani in the Historical Archives of the Pontifical Gregorian University 1554 births 1621 deaths 16th-century Italian cardinals Benedetto Benedetto is a common Italian name, the equivalent of the English name Benedict. Notable people named Benedetto include: People with the given name * Benedetto Accolti (other), several people * Benedetto Aloi (1935–2011), American ... Clergy from Chios 17th-century Italian cardinals {{Italy-R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Caravaggio")
_-_The_Palm_Leaf_(Unknown).jpg "Click for more on -> Martyr's Palm")
