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Aminta
''Aminta'' is a play written by Torquato Tasso in 1573, represented during a garden party at the court of Ferrara. Both the actors and the public were noble persons living at the Court, who could understand subtle allusions the poet made to that style of life, in contrast with the life of shepherds, represented in an idyllic way. Text The text is written in hendecasyllabic and septenary verses; it is divided into five acts. The play has a pastoral theme, and is set in the time of Alexander the Great. The characters are shepherds and nymphs. The story is about Aminta's love for the beautiful nymph Silvia, who does not return his attentions and prefers hunting. She risks rape at the hands of a Satyr but Aminta saves her; however, again she flees from him. Aminta, finding her blood-stained veil, attempts to kill himself. Now Silvia is remorseful, comes back to cry over Aminta's body who is still alive, and the two can happily marry, following the advice that older and wiser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Re Pastore
' (''The Shepherd King'') is an opera, K. 208, written by Wolfgang Amadeus Mozart to an Italian libretto by Metastasio, edited by Giambattista Varesco. It is an opera seria. The opera was first performed on 23 April 1775 in Salzburg in the Rittersaal (knight's hall) of the Residenz-Theater in the palace of the Archbishop Count Hieronymus von Colloredo. In 1775 the opera was commissioned for a visit by the Archduke Maximilian Francis of Austria, the youngest son of Empress Maria Theresa, to Salzburg. Mozart spent six weeks working on the opera. It consists of two acts and runs for approximately 107 minutes. Metastasio wrote the libretto in 1751, basing it on a work by Torquato Tasso called ''Aminta''. The libretto was picked up when Mozart (just 19 at the time) and his father saw a performance of it set to music composed by Felice Giardini – Mozart's version, however was two acts rather than Giardini's three, and has a few substantial changes. Each act lasts for around an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvia (ballet)
''Sylvia'', originally ''Sylvia, ou La nymphe de Diane'', is a full-length ballet in two or three act (theatre), acts, first choreography, choreographed by Louis Mérante to music by Léo Delibes in 1876. ''Sylvia'' is a typical classical ballet in many respects, yet it has many interesting features that make it unique. The work is notable for its mythological Arcadia (paradise), Arcadian setting, creative choreographies, expansive sets and, above all, its remarkable Sheet music, score. When ''Sylvia, ou La nymphe de Diane'' premiered on 14 June 1876 at the Palais Garnier, it went largely unnoticed by the critics. The first seven productions of ''Sylvia'' were not commercially successful. The 1952 revival, choreographed by Frederick Ashton, Sir Frederick Ashton, popularized the ballet. The 1997, 2004, 2005 and 2009 productions were all based on Ashton's original choreography. History Preparations The origins of the ballet ''Sylvia'' are in the Italian poet Torquato Tasso, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torquato Tasso
Torquato Tasso ( , also , ; 11 March 154425 April 1595) was an Italian poet of the 16th century, known for his 1591 poem ''Gerusalemme liberata'' (Jerusalem Delivered), in which he depicts a highly imaginative version of the combats between Christians and Muslims at the end of the First Crusade, during the Siege of Jerusalem (1099), Siege of Jerusalem of 1099. Tasso had mental illness and died a few days before he was to be Poet laureate, crowned on the Capitoline Hill as the king of poets by Clement VIII, Pope Clement VIII. His work was widely translated and adapted, and until the beginning of the 20th century, he remained one of the most widely read poets in Europe. Biography Early life Born in Sorrento, Torquato was the son of Bernardo Tasso, a nobleman of Bergamo and an epic and lyric poet of considerable fame in his day, and his wife Porzia de Rossi, a noblewoman born in Naples of Tuscany, Tuscan origins. His father had for many years been secretary in the service of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dancer (dramatist)
John Dancer () was an Irish dramatist, connected with the Theatre Royal, Dublin. His works consist of several translations from Italian and French, original plays, and some miscellaneous stories and poems. Life John Dancer lived for some time in Dublin, where two of his dramatic translations were performed with some success at the Theatre Royal. To the Duke of Ormonde and to the Duke's children, Thomas, Earl of Ossory, and Lady Mary Cavendish, he dedicated his books, and in 1673 he wrote that he owed to the Duke "all I have and all I am". It is probable that he was in Ormonde's service while he was Lord-Lieutenant of Ireland.Lee 1888, p. 13. Identity Langbaine groundlessly credits him with the alternative name of Dauncy, and identifies him with one John Dauncy, who was a voluminous translator living at the same time. But John Dancer and John Dauncy were clearly two persons. Works Dancer's two translated plays - the one from Corneille and the other from Quinault - are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonautograph
The phonautograph is the earliest known device for recording sound. Previously, tracings had been obtained of the sound-producing vibratory motions of tuning forks and other objects by physical contact with them, but not of actual sound waves as they propagated through air or other media. Invented by Frenchman Édouard-Léon Scott de Martinville, it was patented on March 25, 1857. It transcribed sound waves as undulations or other deviations in a line traced on smoke-blackened paper or glass. Intended solely as a laboratory instrument for the study of acoustics, it could be used to visually study and measure the amplitude envelopes and waveforms of speech and other sounds, or to determine the frequency of a given musical pitch by comparison with a simultaneously recorded reference frequency. Apparently, it did not occur to anyone before the 1870s that the recordings, called phonautograms, contained enough information about the sound that they could, in theory, be used to recre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
