American Roots Music
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American Roots Music
The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later develope ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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Ethnomusicologist
Ethnomusicology is the study of music from the cultural and social aspects of the people who make it. It encompasses distinct theoretical and methodical approaches that emphasize cultural, social, material, cognitive, biological, and other dimensions or contexts of musical behavior, in addition to the sound component. Within musical ethnography it is the first-hand personal study of musicking as known as the act of taking part in a musical performance. Folklore studies, Folklorists, who began preserving and studying folklore music in Europe and the US in the 19th century, are considered the precursors of the field prior to the World War II, Second World War. The term ''ethnomusicology'' is said to have been coined by Jaap Kunst from the Greek language, Greek words ἔθνος (''ethnos'', "nation") and μουσική (''mousike'', "music"), It is often defined as the anthropology or ethnography of music, or as musical anthropology.Seeger, Anthony. 1983. ''Why Suyá Sing''. Lon ...
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Connecticut Colony
The ''Connecticut Colony'' or ''Colony of Connecticut'', originally known as the Connecticut River Colony or simply the River Colony, was an English colony in New England which later became Connecticut. It was organized on March 3, 1636 as a settlement for a Puritan congregation, and the English permanently gained control of the region in 1637 after struggles with the Dutch. The colony was later the scene of a bloody war between the colonists and Pequot Indians known as the Pequot War. Connecticut Colony played a significant role in the establishment of self-government in the New World with its refusal to surrender local authority to the Dominion of New England, an event known as the Charter Oak incident which occurred at Jeremy Adams' inn and tavern. Two other English settlements in the State of Connecticut were merged into the Colony of Connecticut: Saybrook Colony in 1644 and New Haven Colony in 1662. Leaders Thomas Hooker delivered a sermon to his congregation on May 31, ...
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Springfield Mountain
"On Springfield Mountain" or "Springfield Mountain" (Laws G16) is an American ballad which recounts the tragic death of a young man who is bitten by a rattlesnake while mowing a field. Historically, the song refers to the death of Timothy Merrick, who was recorded to have died on August 7, 1761 in Wilbraham, Massachusetts by snakebite. It is commonly included in collections of American folksong, and is one of the earliest known American ballads. The ballad has been cited as representative of elegiac verse tradition which later gained status as folklore throughout the United States. Due to its popularity, there exist many variations of the ballad and its narrative. Although the song is now accompanied by its own distinct melody, early performances of the ballad were sung to other airs, including "Old Hundredth" and "Merrily Danced the Quaker's Wife". Historical basis Timothy Merrick was born on May 24, 1739 to Lieutenant Thomas Merrick and his wife, Mary. As the story goes, at the ...
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