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American Classical Music
American classical music is music written in the United States in the European classical music tradition. In many cases, beginning in the 18th century, it has been influenced by American folk music styles; and from the 20th century to the present day it has often been influenced by American folk music and sometimes jazz. Beginnings The earliest American classical music consists of part-songs used in religious services during Colonial times. The first music of this type in America were the psalm books, such as the Ainsworth Psalter, brought over from Europe by the settlers of the Massachusetts Bay Colony. The first music publication in English-speaking North America — indeed the first publication of any kind — was the Bay Psalm Book of 1640. Many American composers of this period worked (like Benjamin West and the young Samuel Morse in painting) exclusively with European models, while others, such as William Billings, Supply Belcher, Daniel Read, Oliver Holden, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Center Overview (48047495362)
Lincoln most commonly refers to: * Abraham Lincoln (1809–1865), the sixteenth president of the United States * Lincoln, England, cathedral city and county town of Lincolnshire, England * Lincoln, Nebraska, the capital of Nebraska, U.S. * Lincoln (name), a surname and given name * Lincoln Motor Company, a Ford brand Lincoln may also refer to: Places Canada * Lincoln, Alberta * Lincoln, New Brunswick * Lincoln Parish, New Brunswick * Lincoln, Ontario ** Lincoln (electoral district) (former), Ontario ** Lincoln (provincial electoral district) (former), Ontario United Kingdom * Lincoln, England ** Lincoln (UK Parliament constituency) * Lincoln Green, Leeds United States * Lincoln, Alabama * Lincoln, Arkansas * Lincoln, California, in Placer County * Lincoln, former name of Clinton, California, in Amador County * Lincoln, Delaware * Lincoln, Idaho * Lincoln, Illinois * Lincoln, Indiana * Lincoln, Iowa * Lincoln Center, Kansas * Lincoln Parish, Louisiana * Lincoln, Maine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supply Belcher
Supply Belcher (March 29, 1751 – June 9, 1836) was an American composer, singer, and compiler of tune books. He was one of the so-called Yankee tunesmiths or First New England School, a group of mostly self-taught composers who created sacred vocal music for local choirs. He was active first in Lexington, Massachusetts, then eventually moved to Farmington, Maine. Like most of his colleagues, Belcher could not make music his main occupation, and worked as tax assessor, schoolmaster, town clerk, and so on; nevertheless he was considerably well known for his musical activities, and even dubbed 'the Handell icof Maine' by a local newspaper. Most of his works survive in ''The Harmony of Maine'', a collection Belcher published himself in Boston in 1794. Life Belcher was born in Stoughton, Massachusetts. In the early 1770s he moved to Boston to embark on a merchant's career, but returned to Stoughton just a few years later. He was a private during the Revolutionary War, part of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fuguing Tune
The fuguing tune (often fuging tune) is a variety of Anglo-American vernacular choral music. It first flourished in the mid-18th century and continues to be composed today. Description Fuguing tunes are sacred music, specifically, Protestant hymns. They are written for a four-part chorus singing ''a cappella''. George Pullen Jackson has described the fuguing tune as follows: A well-known fuguing tune that is typical of the form is "Northfield", written in 1800 by Jeremiah Ingalls. The text is by Isaac Watts: Variety in fuguing tunes George Pullen Jackson's description above gives a common form for a fuguing tune, but there are variations. Jackson describes the entrance order of the four parts as "bottom to top" (Bass-Tenor-Alto-Treble), but this is not the only possible order. Indeed, in the fuguing tunes printed in ''The Sacred Harp, 1991 edition'', it is not even the most common one; the most common order is Bass-Tenor-Treble-Alto. There are many other orders possible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aaron Williams (composer)
Aaron Williams (1731–1776) was a Welsh teacher, composer, and compiler of West Gallery music, active in Britain during the 18th century. Life Williams was probably born in Caldicot, Monmouthshire, the son of William Morgan.Nicholas Temperley. "Williams, Aaron." In ''Grove Music Online' (accessed February 3, 2012). He served as clerk of the Presbyterian Scots Church, London Wall.D. W. Steel, ''The Makers of the Sacred Harp'', University of Illinois Press, 2010, p. 168. Publications Williams's publications include:William Billings">William_Billings.html" ;"title="/nowiki>William Billings">/nowiki>William Billings/nowiki> had studied the works of English psalmodists such as William Tansur and Aaron Williams."Steel, pp. 42f. St. Thomas Williams's tune "St. Thomas" was originally the second quarter of his longer "Holborn," published in his ''Universal Psalmodist'' (1763) and attributed to him based on the statement there, "never before printed."R.F. Glover (ed.), ''The Hymnal 1982: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Tans'ur
William Tans'ur (or Tansur, Tanzer, Letansur) (6 November 1706, Dunchurch – 7 October 1783, St. Neots) was an English hymn-writer, composer of West gallery music, and teacher of music. His output includes approximately a hundred hymn tunes and psalm settings and a '' Te Deum''. His manual ''A New Musical Grammar'' (1746) was still popular in the nineteenth century. Life Tans'ur was born in Dunchurch, Warwickshire to Edward Tanzer, a labourer, and Joan Alibone. In 1730 he married Elizabeth Butler and moved to Ewell, near Epsom. They had at least two sons. He taught psalmody in various places in the south-east of England, before moving to St Neots St NeotsPronunciation of the town name: Most commonly, but variations that ''saint'' is said as in most English non-georeferencing speech, the ''t'' is by a small minority of the British pronounced and higher traces of in the final syllable ... in Cambridgeshire, where he worked as a bookseller and music teacher, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Gallery Music
__NOTOC__ West gallery music, also known as Georgian psalmody, refers to the sacred music (metrical psalms, with a few hymns and anthems) sung and played in English parish churches, as well as nonconformist chapels, from 1700 to around 1850. In the late 1980s, west gallery music experienced a revival and is now sung by several west gallery "quires" (choirs). The term "west gallery" derives from the wooden galleries which in the 18th century were constructed at the west end of typical churches, and from which gallery the choir would perform. Churches were built in a standard layouts, with the nave running from east-west away from the altar, so that the west gallery or choir, would face the altar, the same way as, but above, the church-goers. Victorians disapproved of the Georgian galleries, and most were removed during restorations in the 19th century. By the 1700s, many church goers were unsatisfied by the state of congregational singing, which resulted in the formation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yankee Tunesmiths
Yankee tunesmiths (also called the First New England School) were self-taught composers active in New England from 1770 until about 1810. Their music was largely forgotten when the Better Music Movement turned musical tastes towards Europe, as in Thomas Hastings's 1822 ''Dissertation on Musical Taste'' and other works. The principal tunesmiths were William Billings, Supply Belcher, Daniel Read, Oliver Holden, Justin Morgan, Lewis Edson, Andrew Law, Timothy Swan, Jacob Kimball Jr., and Jeremiah Ingalls. They composed primarily psalm tunes and fuging tunes, which differ enough from European fugues to warrant the spelling "fuge". "Yankee tunesmiths" or "First New England School" Shape note singers who have kept this music alive to the present day sometimes use the term "Yankee tunesmiths", as did academic musicologists such as H. Wiley Hitchcock (1966). Other scholars working from a classical music perspective worked backwards, beginning with research into the Boston Class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Wyeth
John Wyeth (1770–1858) was a printer in Harrisburg, Pennsylvania who is best-known for printing ''Wyeth's Repository of Sacred Music, Part Second'' (Harrisburg, PA: 1813), which marks an important transition in American music. Like the original ''Repository'' of 1810, ''Part Second'' used the four-shape system of Little and Smith in ''The Easy Instructor'' (Philadelphia, PA: 1801) to appeal to a wider audience; but its pioneering inclusion American folk tunes influenced all subsequent folk hymn, camp meeting, and shape note collections. Musicologist Warren Steel sees ''Wyeth's Repository of Sacred Music, Part Second'' as marking "the end of the age of New England composer-compilers (1770-1810) and the beginning of the age of southern collector-compilers (1816-1860)."David Warren Steel, "John Wyeth and the Development of Southern Folk Hymnody", ''Music from the Middle Ages Through the 20th Century: Essays in Honor of Gwynn McPeek,'' Carmelo P. Comberiati and Matthew C. Steel, eds. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremiah Ingalls
Jeremiah Ingalls (March 1, 1764 – April 6, 1838) was an early North-list of American composers, American composer, considered a part of the Yankee tunesmiths, First New England School. Biography Jeremiah Ingalls was born in Andover, Massachusetts, in 1764. When he was thirteen, his father, Abijah Ingalls, died of hardships suffered during the American Revolutionary War. In 1791, Ingalls married Mary Bigelow of Westminster, Massachusetts, and while living in Vermont worked variously as a farmer, Cooper (profession), cooper, taverner and choirmaster. Ingalls served as the choirmaster at the Congregational church, Congregational Church in Newbury (town), Vermont, Newbury, Vermont from 1791 to 1805, and the choir gained a reputation attracting many people from the surrounding area. In 1805 Ingalls published ''The Christian Harmony''. Ingalls served as a deacon in the church, but in 1810, he was excommunicated from that congregation. In 1819 he moved to Rochester, Vermont and then H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Kimball Jr
Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jacob first appears in the Book of Genesis, where he is described as the son of Isaac and Rebecca, and the grandson of Abraham, Sarah, and Bethuel. According to the biblical account, he was the second-born of Isaac's children, the elder being Jacob's fraternal twin brother, Esau. Jacob is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Later in the narrative, following a severe drought in his homeland of Canaan, Jacob and his descendants, with the help of his son Joseph (who had become a confidant of the pharaoh), moved to Egypt where Jacob died at the age of 147. He is supposed to have been buried in the Cave of Machpelah. Jacob had twelve sons through four women, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timothy Swan
Timothy Swan (1758–1842) was a Yankee tunesmith and hatmaker born in Worcester, Massachusetts, USA. The son of goldsmith William Swan, Swan lived in small towns along the Connecticut River in Connecticut and Massachusetts for most of his life. Swan's compositional output consisted mostly of psalm and hymn settings, referred to as '' psalmody''. These tunes and settings were produced for choirs and singing schools located in Congregationalist communities of New England. Swan is unique as an early American composer in that he composed secular vocal duets and songs in addition to sacred tunebook music. The tunebook, ''New England Harmony''Cooke, Nym, ed. ''Timothy Swan: Psalmody And Secular Songs''. Music of the United States of America, Vol. 6. The American Musicological Society. Madison, Wisconsin: A-R Editions, Inc. (1997), p. xiii. is a collection of his sacred music compositions, while ''The Songster's Assistant'' is a collection of his secular music. Swan was also a po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Law (composer)
Andrew Law (1749–1821) was an American composer, preacher and singing teacher. He was born in Milford, Connecticut. Law wrote mostly simple hymn tunes and arranged tunes of other composers. In 1781, he was granted the first authorial copyright in the United States, though there is some debate about which work the grant applied to. His works include ''Select Harmony'' (1778), a ''Collection of Best Tunes and Anthems'' (1779), and ''The Art of Singing'' ''in Three Parts'' (1792–96). He was among the first American composers to put the melody in the soprano instead of the tenor part, and was also one of the first Americans to write about music. Andrew Law was a pioneer of the FASOLA (Shape note Shape notes are a musical notation designed to facilitate congregational and social singing. The notation, introduced in late 18th century England, became a popular teaching device in American singing schools. Shapes were added to the noteh ...) system of musical notation which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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