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American Society Of Composers, Authors And Publishers
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadcasters, and digital streaming services (music stores). ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song. In 2021, ASCAP collected over US$1.335 billion in revenue and distributed $1.254 billion in royalties to its members. ASCAP membership included over 850,000 songwriters, composers and music publishers, with over 16 million registered works. History ASCAP was founded by Victor Herbert, together with composers George Botsford, Silvio Hein, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Native Plants Society (Australia)
The Australian Native Plants Society (Australia) (ANPSA) is a federation of seven state-based member organisations for people interested in Australia's native flora, both in aspects of conservation and in cultivation. A national conference is held biennially for members of the state-based societies. The combined membership is around 9000 people. History The Society for Growing Australian Plants (SGAP) was established in 1957 by a group of people who "pledged to promote the establishment and breeding of Australian native plants for garden, park and farm". By 1958 active regional Societies had been established in six States and the ACT with the Federal Association (ASGAP) being formed in 1962 Initially the focus was on growing and learning about Australian Flora more for home and amenities plantings – members included botanists and horticulturists as well as enthusiastic laypeople. As time has gone on, there has been an increasing focus on conservation, and advocacy for conserv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royalties
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchise agreements have comparable provisions. N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Weldon Johnson
James Weldon Johnson (June 17, 1871June 26, 1938) was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917. In 1920, he was the first African American to be chosen as executive secretary of the organization, effectively the operating officer. He served in that position from 1920 to 1930. Johnson established his reputation as a writer, and was known during the Harlem Renaissance for his poems, novel, and anthologies collecting both poems and spirituals of black culture. He wrote the lyrics for "Lift Every Voice and Sing", which later became known as the Negro National Anthem, the music being written by his younger brother, composer J. Rosamond Johnson. Johnson was appointed under President Theodore Roosevelt as U.S. consul in Venezuela and Nicaragua for most of the period from 1906 to 1913. In 1934, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Baldwin Sloane
Alfred Baldwin Sloane (28 August 1872, Baltimore – 21 February 1925, Red Bank, New Jersey) was an American composer, considered the most prolific songwriter for Broadway musical comedies at the beginning of the 20th century. His scores were first heard in amateur productions in Baltimore, where he grew up. When Sloane first moved to New York in 1890, he began interpolating melodies into others' scores and soon was invited to create his own. His biggest hit was "Heaven Will Protect the Working Girl," which Marie Dressler introduced in ''Tillie's Nightmare'' (1910), but none of his songs found enduring popularity. He composed only rarely after 1912, but he did provide much of the music for the 1919 and 1920 Greenwich Village Follies. He wrote one of his musicals, ''Lady Teazle,'' for Lillian Russell when she was at the height of her national popularity. His last score, for the 1925 Broadway production ''China Rose'', was in production at his death. ''China Rose'' had been produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Philip Sousa
John Philip Sousa ( ; November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as "The March King" or the "American March King", to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are "The Stars and Stripes Forever" (National March of the United States of America), "Semper Fidelis" (official march of the United States Marine Corps), " The Liberty Bell", "The Thunderer", and "The Washington Post". Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigrant parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Friml
Charles Rudolf Friml"Mrs. Rudolf Friml to Receive Divorce" ''The New York Times'', July 25, 1915, p. 15 (December 7, 1879 – November 12, 1972) was a Czech-born of s, musicals, songs and piano pieces, as well as a . After musical training and a brief performing career in his native |
George M
''George M!'' is a Broadway musical based on the life of George M. Cohan, the biggest Broadway star of his day who was known as "The Man Who Owned Broadway." The book for the musical was written by Michael Stewart, John Pascal, and Francine Pascal. Music and lyrics were by George M. Cohan himself, with revisions for the musical by Cohan's daughter, Mary Cohan. The story covers the period from the late 1880s until 1937 and focuses on Cohan's life and show business career from his early days in vaudeville with his parents and sister to his later success as a Broadway singer, dancer, composer, lyricist, theatre director and producer. The show includes such Cohan hit songs as "Give My Regards To Broadway", "You're a Grand Old Flag", and "Yankee Doodle Dandy." Productions The musical opened on Broadway at the Palace Theatre on April 10, 1968 and closed on April 26, 1969 after 433 performances and 8 previews. The show was produced by David Black and directed and choreographed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Pan Alley
Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan; a plaque (see below) on the sidewalk on 28th Street between Broadway and Sixth commemorates it. In 2019, the New York City Landmarks Preservation Commission took up the question of preserving five buildings on the north side of the street as a Tin Pan Alley Historic District. The agency designated five buildings (47–55 West 28th Street) individual landmarks on December 10, 2019, after a concerted effort by the "Save Tin Pan Alley" initiative of the 29th Street Neighborhood Association. Following successful protection of these landmarks, project director George Calderaro and other proponents formed the Tin Pan Alley American Popular Music Project to continue and com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Music Publishing
Music publishing is the business of creating, producing and distributing printed musical scores, parts, and books in various types of music notation, while ensuring that the composer, songwriter and other creators receive credit and royalties or other payment (where applicable). This article outlines the early history of the industry. Printing Music publishing did not begin on a large scale until the mid-15th century, when mechanical techniques for printing music were first developed. The earliest example, a set of liturgical chants, dates from about 1465, shortly after the Gutenberg Bible. Prior to this time, music had to be copied out by hand. This was a very labor-intensive and time-consuming process, so it was first undertaken only by monks and priests seeking to preserve sacred music for the church. The few collections of secular music that are extant were commissioned and owned by wealthy noblemen. Examples include the Squarcialupi Codex of Italian Trecento music and the Cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hotel Claridge
The Hotel Claridge was a 16-story building on Times Square in Manhattan, New York City, at the southeast corner of Broadway and 44th Street. Originally known as the Hotel Rector, it was built of brick in the Beaux-arts style in 1910–1911. The 14-story building had 240 guest rooms and 216,000 square feet of space."Claridge Hotel in Times Square is Acquired by Douglas Leigh". The New York Times, May 21, 1964. p. 57. It operated for 61 years until the building was demolished in 1972 and replaced with 1500 Broadway. History The Hotel Rector was established by George Rector as a complement to his popular restaurant, which had been founded by his father and was frequented by New York's rich and famous, including Diamond Jim Brady and Cornelius Vanderbilt III. The timing of his new venture was unfortunate, because as the hotel was being developed, a popular Broadway play was released, called ''The Girl from Rector's''. The play was considered indecent by many critics and gave the Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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