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America Records (France)
America Records was a French jazz record label A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the produ .... Discography External linksDiscogs {{Authority control French record labels Jazz record labels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live At Sugar Hill
''Live at Sugar Hill'' is a live album by blues musician John Lee Hooker recorded in California in 1962 and released by the Galaxy label. The album was reissued in 1974 by Fantasy as the first disc of the double LP ''Boogie Chillun'' which added ten additional previously unreleased recordings from the same concerts. Reception AllMusic reviewer Richie Unterberger stated: "Recorded live in November 1962 in San Francisco, this dates from the period in which Hooker often presented himself as a sort of blues/folk singer for the coffeehouse crowd, toning down his volume and aggressiveness somewhat. There's something of a muted "unplugged" feel to these solo performances (though an electric guitar is used). It's not ineffective, though not among his best work; it's the kind of Hooker you might want to put on past midnight, just before going to sleep". Track listing All compositions credited to John Lee Hooker except where noted # "I Can't Hold On" – 4:07 # "I'm Gonna Keep on Walkin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Suite
''Black Suite'' is an album by trumpeter and composer Jacques Coursil. It was recorded in Paris in June 1969, and was released in 1971 by BYG Records as part of their Actuel series. On the album, Coursil is joined by saxophonist Arthur Jones, contrabass clarinetist Anthony Braxton, pianist Burton Greene, bassist Beb Guérin, and drummer Claude Delcloo. Reception In a review for AllMusic, Eugene Chadbourne wrote: "As kind of the lost voice of the trumpet in modern jazz, Coursil is not only a great discovery for the modern jazz fan, but a fine creative vintage that holds up to repeat visits over the years. His control of the difficult horn and totally original melodic thinking really makes his playing stand out among the admittedly thin ranks of avant-garde trumpet players. None of the players who have Coursil's technical mastery play with as much heart and soul." He concluded that the album "is one of the best examples of just how beautiful modern jazz can be." Cam Scott, writing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Coursil
Jacques Coursil (March 31, 1938 – June 26, 2020) was a composer, jazz trumpeter, scholar, and professor of literature, linguistics, and philosophy. Early life Coursil was born in Paris, France, of Martinican parents. At age nine, he began studying the violin, but switched to trumpet as a teenager. His earliest musical influences included classical composers such as Webern and Schoenberg, jazz, especially that of New Orleans musicians such as Albert Nicholas and Sidney Bechet, and liturgical music, as well as Martinican-influenced biguine. At the age of 14, Coursil had the opportunity to hear saxophonist Don Byas, who made a deep impression, "with a white suit, white shoes, a shiny saxophone, playing so sweetly." In 1958, Coursil left for Africa, spending three years in Mauritania and Senegal, where he befriended Léopold Sédar Senghor, politician, poet and theorist of Négritude. In 1961, he returned to France, working as a teacher and studying literature and mathematics. New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Complete America Session
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchin Can
''Pitchin Can'' is an album by jazz saxophonist Archie Shepp recorded in Paris, France, in 1969 and 1970 for the America label. The album features one track by Shepp with Clifford Thornton, Noah Howard, Julio Finn, Leroy Jenkins, Dave Burrell, Earl Freeman, Sunny Murray and Chicago Beau ("Pitchin' Can" which was added to the CD release of ''Black Gipsy'') and one extended track by Shepp with Thornton, Lester Bowie, Alan Shorter, Bobby Few, Bob Reid, Muhammad Ali, Djibrill and Ostaine Blue Warner. accessed 29 June 2009. Track listing # "Uhuru (Dawn of Freedom) Part 1" - 18:18 # "Uhuru (Dawn of Freedom) Part 2" - 10:43 # "Pitchin' Can" () - 7:35 :*Recorded in Par ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Town Hall Concert
''Town Hall Concert'' is a 1964 live album by the jazz bassist and composer Charles Mingus. It was recorded in New York City at The Town Hall on April 4, 1964. "So Long Eric" is a 12-bar blues that got its name after Eric Dolphy informed Mingus he would be leaving the band to stay in Europe before a concert in Oslo. "Praying With Eric" is more commonly known as "Meditations On Integration". The album was originally released on Mingus' own Jazz Workshop label and subsequently rereleased on Fantasy as part of their Original Jazz Classics series.Charles Mingus discography accessed November 30, 2012 Track listing All songs written by Charles Mingus. # "So Long Eric" – 17:48 # "Praying With Eric" – 27:31Personnel * |
Coral Rock
''Coral Rock'' is an album by jazz saxophonist Archie Shepp recorded in Europe in 1970 for the America label at the same sessions which produced ''Pitchin Can''. The album was also issued by the Prestige label in 1973. Reception The Allmusic review by Brandon Burke states "''Coral Rock'' features an absolutely monster free jazz lineup... This is free jazz straight out of the late-'60s/early-'70s Paris scene. Very serious stuff".Burke, B. Allmusic Reviewaccessed 30 June 2009. Track listing # "Coral Rock" (Alan Shorter) – 21:35 # "I Should Care" (Sammy Cahn, Axel Stordahl, Paul Weston) – 14:05 ** Recorded in Paris, France, July 23, 1970 Personnel * Archie Shepp - tenor saxophone, piano, soprano saxophone * Clifford Thornton - trumpet, valve trombone * Lester Bowie - trumpet * Alan Shorter - flugelhorn * Bobby Few - piano * Bob Reid: bass * Muhammad Ali - drums * Djibrill - congas * Ostaine Blue Warner - percussion A percussion instrument is a musical instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp & Philly Joe Jones
''Archie Shepp & Philly Joe Jones'' is an album by jazz saxophonist Archie Shepp and drummer Philly Joe Jones recorded in Europe in 1969 for the America label. The album was also issued by the Fantasy label. Reception The Allmusic review by Scott Yanow states: "This intriguing LP does not live up to its potential... Unfortunately, both of the sidelong pieces have recitations, the performances are overly long, and there is quite a bit of rambling."Yanow, S. Allmusic Review accessed 29 June 2009. Track listing # "The Lowlands" - 18:33 # "Howling in the Silence: (a) Raynes Or Thunders (b) Julio's Song" - 21:40 * Recorded in Paris, France, November–December, 1969 Personnel * Archie Shepp - tenor saxophone, piano * Philly Joe Jones - drums * Anthony Braxton - soprano saxophone, alto saxophone * Chicago Beau - soprano saxophone, harmonica, vocals * Julio Finn - harmonica, vocals * Leroy Jenkins - violin * Earl Freeman - bass Bass or Basses may refer to: Fish * Bass (fish), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Wanna Dance All Night
I, or i, is the ninth letter and the third vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''i'' (pronounced ), plural '' ies''. History In the Phoenician alphabet, the letter may have originated in a hieroglyph for an arm that represented a voiced pharyngeal fricative () in Egyptian, but was reassigned to (as in English "yes") by Semites, because their word for "arm" began with that sound. This letter could also be used to represent , the close front unrounded vowel, mainly in foreign words. The Greeks adopted a form of this Phoenician ''yodh'' as their letter ''iota'' () to represent , the same as in the Old Italic alphabet. In Latin (as in Modern Greek), it was also used to represent and this use persists in the languages that descended from Latin. The modern letter ' j' originated as a variation of 'i', and both were used interchangeably for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as ''Spiritual Unity'' and ''The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Truth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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