America Eats Its Young
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America Eats Its Young
''America Eats Its Young'' is the fourth album (a double album) by Funkadelic, released in May 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S. (United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, ''America Eats Its Young'' was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would appear on the cover of their next album ''Cosmic Slop''. Composition According to Dave Rosen of ''Ink Blot'', ''America Eats Its Young'' was radical in that it "devours" African-American music whole "and regurgitates it back as a virtual catalog of styles and sounds. Containing no h ...
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Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as ''Maggot Brain'' (1971) and ''One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in ...
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Kris Needs
Kris Needs (born 3 July 1954) is a British journalist and author, known for writings on music from the 1970s onwards. He became editor of proto-punk and early punk rock ''ZigZag'' magazine in August 1977 at 23 and has since written biographies of musicians and rock stars, including Primal Scream, Joe Strummer and Keith Richards. Early life In 1972, Needs became the secretary of the Mott The Hoople fan club, the Sea Divers, which he ran from his home in Aylesbury, Buckinghamshire. His contact details at the time appear on the sleeve of the band's sixth studio album, ''Mott''. In the late 1970s, he fronted a band The Vice Creems, appearing in John Otway's Aylesbury Market Square free concert and also recorded a single with The Clash's Mick Jones and Topper Headon in the same studio that The Rolling Stones used to record their late 1960s peaks.Billy Idol contributed percussion and backing vocals for the band Career Needs started in journalism on the ''Thame Gazette'', a weekly ...
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Soul Sounds (magazine)
Soul Sounds may refer to: * Soul Sounds (choir), a choir based in Colombo, Sri Lanka * ''Soul Sounds'' (album), a 1967 album by Chris Clark * "Soul Sound "Soul Sound" is a song by British girl group Sugababes from their debut studio album '' One Touch'' (2000). It was written by Charlotte Gordon Cumming during a trip to Kenya, Africa, where she was inspired to compose it based on her experience ...
", a 2001 song by Sugababes {{disambiguation ...
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Select (magazine)
''Select'' was a United Kingdom music magazine of the 1990s. It was known for covering indie rock, but featured a wide array of music. Launched in July 1990, its first cover star was Prince. After EMAP Metro bought ''Select'', they revamped its image, and it became known for its coverage of Britpop, a term coined in the magazine by Stuart Maconie. Its 1993 "Yanks Go Home" edition, featuring The Auteurs, Denim, Saint Etienne, Pulp and Suede's Brett Anderson on the cover in front of a Union Flag, was an important impetus in defining the movement's opposition to American genres such as grunge. Later, John Harris stepped down as editor, and was replaced by former ''Mixmag'' editor Alexis Petridis. Under Petridis, the magazine's image moved back towards its coverage on an eclectic array of music, aiming to reach what Petridis described as "a wide range of music fans". The magazine folded in late 2000, amid competition on the internet. Tagline * Pop Babylon! (circa 1994) * Mus ...
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The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. The guide can be seen at Rate Your Music, while a list of albums given a five star rating by the guide can be seen at Rocklist.net. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Le ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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The Great Rock Discography
Martin Charles Strong (born 1960 in Musselburgh) is a Scottish music historian known for compiling discography, discographies of popular music including ''The Great Rock Discography''. Strong has been described in broadsheet newspaper profiles as a "compiler of acclaimed mammoth discographies" and "a man who knows more about rock music than is healthy for one individual". Career Strong has researched music extensively since the early 1980s, dedicating 70 hours per week to his craft as of 2004. He is perhaps best known for ''The Great Rock Discography'', with the 7th edition being published in 2004; the foreword was penned by disc jockey John Peel. The book has garnered acclaim, with United States music critic Robert Christgau recommending it as one of the three best rock music encyclopaedias, and the one with the "maddest completism". Author Ian Rankin named it as one of the "5 Books Every Man Should Read", calling it "a great book" that "would keep [him] happy on any desert isla ...
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Rickey Vincent
Rickey Vincent is an American author, historian, and radio host based in the San Francisco Bay Area. He is the author of ''Funk: The Music, the People and the Rhythm of The One'' (St. Martin’s Press, 1996), which encompasses the history of funk music, and won the ASCAP Foundation Deems Taylor Award for Music Writing in 1997. Vincent grew up in Berkeley, California, and saw funk and soul bands play in the Oakland Coliseum in the 1970s. He obtained a Master of Arts in Ethnic Studies at San Francisco State University in 1987 and a Ph.D. in Ethnic Studies at UC Berkeley in 2008. He is a lecturer at Berkeley, City College of San Francisco, San Francisco State University and California College of the Arts in Oakland. Vincent has hosted the KPFA radio program "The History of Funk" since 1997. In 2001, HUSHconcerts founded the San Francisco Funk Festival based upon Vincent's academic work to place the musical genre in a societal and artistic context. Vincent has appeared on televisio ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ...
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Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily h ...
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