Ambrosius Benson
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Ambrosius Benson
Ambrosius Benson (, in Ferrara or Milan1550, in Flanders) was an Italian painter who became a part of the Northern Renaissance. While many surviving paintings have been attributed, there is very little known of him from records, and he tended not to sign his work. He is believed to be responsible for mainly religious art, but also painted portraits on commission. He sometime painted from classical sources, often setting the figures in modern-dress, or a contemporary domestic setting. In his lifetime he was successful; he had a large workshop, his work was sold internationally and he was especially popular in Spain. Benson became popular as a source for pastiche with 19th-century painters, who are sometimes known as the "followers of Benson". In particular his many variations of the Magdalen and Sibilla Persica were further copied and became popular with contemporary buyers. Life Although Ambrosius Benson (or Ambrose Benzone, as he is named by an early scholar in deference to h ...
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Mary Magdalene Reading Ambrosius Benson
Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary, mother of Zechariah and sister of Moses and Aaron; mostly known by the Hebrew name: Miriam * Mary the Jewess one of the reputed founders of alchemy, referred to by Zosimus. * Mary 2.0, Roman Catholic women's movement * Maryam (surah) "Mary", 19th surah (chapter) of the Qur'an Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois * Mar ...
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Sibilla Persica After Ambrosius Benson 19th C
Sibilla may refer to: *Monte Sibilla, a mountain of Marche, Italy * Italian corvette ''Sibilla'' People with the given name *Sibilla Aleramo Sibilla Aleramo (born Marta Felicina Faccio; 14 August 1876 – 13 January 1960) was an Italian feminist writer and poet best known for her autobiographical depictions of life as a woman in late 19th century Italy. Life and career Aleramo wa ... (1876–1960), Italian feminist and writer * Sibilla (1954), Italian singer * Sibilla Di Vincenzo (born 1983), Italian racewalker See also * Sibila, a village in Mali * Sibylla (other) {{disambiguation, given name Italian feminine given names ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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1550 Deaths
Year 155 ( CLV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Rufinus (or, less frequently, year 908 ''Ab urbe condita''). The denomination 155 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Births * Cao Cao, Chinese statesman and warlord (d. 220) * Dio Cassius, Roman historian (d. c. 235) * Tertullian, Roman Christian theologian (d. c. 240) * Sun Jian, Chinese general and warlord (d. 191) Deaths * Pius I, Roman bishop * Polycarp, bishop of Smyrna (b. AD 65 AD 65 ( LXV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Nerva and Vestinus (or, less frequently, year 818 '' Ab urbe condita' ...) References {{DEFAULTSORT:155 ...
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15th-century Births
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the w ...
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Max Jakob Friedländer
Max Jakob Friedländer (5 July 1867 in Berlin – 11 October 1958 in Amsterdam) was a German museum curator and art historian. He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the Kupferstichkabinett Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director of the Kaiser Friedrich Museum (then containing the Berlin State Museums' old master paintings and sculpture) under Bode in 1904 and became director himself from 1924 to 1932, working on his history ''From Van Eyck to Bruegel'' and the 14-volume (printed in 16, with supplements) survey ''Early Netherlandish Painting''. In 1933 he was dismissed as a "non-Aryan" and in 1939 had to move to Amsterdam as a result of being a Jew. He attained the rank and title of geheimrat (privy councillor) under the German Empire. He also donated several works to the coll ...
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Anne Stafford, Countess Of Huntingdon
Anne Hastings, Countess of Huntingdon (''née'' Lady Anne Stafford) (c. 1483–1544) was an English noble. She was the daughter of Henry Stafford, 2nd Duke of Buckingham, and Lady Catherine Woodville. She was first the wife of Sir Walter Herbert and then George Hastings, 1st Earl of Huntingdon, and served in the household of King Henry VIII's daughter, the future Queen Mary I. Life Born around 1483, Lady Anne Stafford was the daughter of Henry Stafford, 2nd Duke of Buckingham, and Catherine Woodville Catherine was a sister of Elizabeth Woodville, Consort of Edward IV, making Anne a first cousin of Elizabeth of York. Anne had two brothers, Edward Stafford, 3rd Duke of Buckingham, and Henry Stafford, 1st Earl of Wiltshire; and a sister, Elizabeth Stafford, Countess of Sussex. In 1483, Richard III executed her father for treason, following his part in the uprisings which became known as Buckingham's rebellion. Anne's mother remarried in 1485 to Jasper Tudor, later Duke of Bed ...
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Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as " Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Afri ...
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Persian Sibyl
Michelangelo's rendering of the Persian Sibyl By Santa Maria degli Scalzi ">calzi,_Venice.html" ;"title="Giuseppe Torretto Scalzi, Venice">Santa Maria degli Scalzi The Persian Sibyl - also known as the Babylonian, Chaldaean, Hebrew or Egyptian Sibyl - was the prophetic priestess presiding over the Apollonian oracle. The word Sibyl (oracle), "Sibyl" comes (via Latin) from the ancient Greek word ''sibulla'', meaning "prophetess". There were many Sibyls in the ancient world, but the Persian Sibyl allegedly foretold the exploits of Alexander of Macedon. Nicanor, who wrote a life of Alexander, mentions her. The Persian Sibyl has had at least three names: Sambethe, Helrea and Sabbe. Sambethe was said to be of the family of Noah. A ''Persian Sibyl'' by Guercino hangs in the Capitoline Museum in Rome. Pausanias, pausing at Delphi to enumerate four sibyls, mentions a "Hebrew sibyl": there grew up among the Hebrews above Palestine, a woman who gave oracles named Sabbe, whose fat ...
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Mary Magdalen
Mary Magdalene (sometimes called Mary of Magdala, or simply the Magdalene or the Madeleine) was a woman who, according to the four canonical gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion and resurrection. She is mentioned by name twelve times in the canonical gospels, more than most of the apostles and more than any other woman in the gospels, other than Jesus' family. Mary's epithet ''Magdalene'' may mean that she came from the town of Magdala, a fishing town on the western shore of the Sea of Galilee in Roman Judea. The Gospel of Luke chapter 8 lists Mary Magdalene as one of the women who traveled with Jesus and helped support his ministry "out of their resources", indicating that she was probably wealthy. The same passage also states that seven demons had been driven out of her, a statement which is repeated in Mark 16. In all the four canonical gospels, Mary Magdalene was a witness to the crucifixion of Jesus and, in the Synopt ...
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The Magdalen Reading
''The Magdalen Reading'' is one of three surviving fragments of a large mid-15th-century oil-on-panel altarpiece by the Early Netherlandish painter Rogier van der Weyden. The panel, originally oak, was completed some time between 1435 and 1438 and has been in the National Gallery, London since 1860. It shows a woman with the pale skin, high cheek bones and oval eyelids typical of the idealised portraits of noble women of the period. She is identifiable as the Magdalen from the jar of ointment placed in the foreground, which is her traditional attribute in Christian art. She is presented as completely absorbed in her reading, a model of the contemplative life, repentant and absolved of past sins. In Catholic tradition the Magdalen was conflated with both Mary of Bethany who anointed the feet of Jesus with oil and the unnamed "sinner" of . Iconography of the Magdalen commonly shows her with a book, in a moment of reflection, in tears, or with eyes averted. The background of t ...
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Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details o ...
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