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Amarna Letter EA 23
Amarna letter EA 23, titled: ''"A Goddess Travels to Egypt"'', is a short letter to Pharaoh from Tushratta. Due to the ill health of Pharaoh, a statue of Goddess Šauška is being sent to Egypt, to aid in the health of Pharaoh. The letter EA 23: ''"A Goddess Travels to Egypt"'' EA 23, letter seven of thirteen from Tushratta. (Not a linear, line-by-line translation.) ''Obverse'' :(Lines 1-12)--Say to Nimmureya, the king of Egypt, my brother, my son-in-law, whom I love and who loves me: Thus Tushratta, the king of Mittani, who loves you, your father-in-law. For me all goes well. For you may all go well. For your household, for Tadu-Heba, my daughter, your wife, whom you love, may all go well. For your wives, for your sons, for your magnates, for your chariots, for your horses, for your troops, for your country and for whatever else belongs to you, may all go very, very well. :(13-17)--Thus Šauška of Nineveh, mistress of all lands: ''I wish to go'' 1 ''to Egypt, a country that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EA 23 - Tushratta To Amenhotep III
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Ta (cuneiform)
The cuneiform ta sign is a common, multi-use sign of the ''Epic of Gilgamesh'', the 1350 BC Amarna letters, and other cuneiform texts. It also has a sumerogrammic usage for TA, for example in the ''Epic of Gilgamesh'', for Akkadian language ''"ultu"'', English language for ''from'', or ''since'', but in only (1) location in the 12 tablet ''Epic of Gilgamesh''. Sumerogram ''TA'' is used elsewhere in the Epic, (7) more times. In the formation of words in text, ''ta'' can be a syllabic for "ta", or as a syllabic for ''t'', or ''a''. (It could also be used as a substitute for the other "t", ''"ṭ"''.) Amarna letters As an example of its usage in the Amarna letters, the photo shows a fragment from the front (obverse) of Amarna letter EA 26. The photo shows the lower-left corner of the clay tablet letter, but what is of interest is the isolated cuneiform characters next to the "double-scribed paragraph lines". The characters before the paragraph lines show the last line of Para I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ti (cuneiform)
Cuneiform TI or TÌL (Borger 2003 nr. ; U+122FE 𒋾) has the main meaning of "life" when used ideographically. The written sign developed from the drawing of an arrow, since the words meaning "arrow" and "life" were pronounced similarly in the Sumerian language. With the determinative UZU 𒍜 "flesh, meat", UZUTI, it means "rib". This homophony is exploited in the myth of Ninti (𒊩𒌆𒋾 NIN.TI "lady of life" or "lady of the rib"), created by Ninhursag to cure the ailing Enki. Since Eve is called "mother of life" in Genesis, together with her being taken from Adam's ''tsela`'' "side, rib", the story of Adam and Eve has sometimes been considered to derive from that of Ninti. In Akkadian orthography, the sign has the syllabic values ''di'' or ''ṭi'', in Hittite ''ti'', ''di'' or ''te''. Amarna letters and Epic of Gilgamesh usage The twelve tablet (I-XII) Epic of Gilgamesh uses the ti sign as follows (Parpola): ti (387 times), and TI (the Sumerogram), (2 times). In the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ši (cuneiform)
The cuneiform sign ši, lim, and Sumerogram IGI is a common-use sign of the Amarna letters, the ''Epic of Gilgamesh,'' and other cuneiform texts. As the syllabic form it is commonly used for ''ši'', ''lim/lem'', and for Sumerograms (capital letter majuscules), it is most commonly used for ''IGI'' (Akkadian language ''pānu'', for English language "face", "presence"), and (with prep.) "before". Also, for ''ši'' and ''lim/lem'' it can be used syllabically for ''š'', ''i'', ''l'', ''i/e'', and ''m'', in the spelling of words. ''Epic of Gilgamesh'' usage The ''ši'' sign usage in the ''Epic of Gilgamesh'' is as follows: ''lem''-(2) times, ''lim''-(25), ''ši''-(299), ''IGI''-(15), ''ŠI''-(1) time. References * Moran, William L. 1987, 1992. ''The Amarna Letters.'' Johns Hopkins University Press, 1987, 1992. 393 pages.(softcover, ) * Parpola, 1971. ''The Standard Babylonian Epic of Gilgamesh'', Parpola, Simo, Neo-Assyrian Text Corpus Project The Neo-Assyrian Text Corpus Proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LÚ (man Sumerogram)
The cuneiform sign LÚ () is the sign used for "man"; its complement is the symbol for woman: '' šal'' (). Cuneiform ''LÚ'', (or ''lú'' as rendered in some texts) is found as a Sumerogram in the ''Epic of Gilgamesh''. It also has a common usage in the 1350 BC Amarna letters as the Sumerogram for "man". In the ''Epic of Gilgamesh'', ''LÚ'' is only used as the Sumerogram, ''LÚ''-(58 times). Both ''lú'', for "man", and ''šal'' for "woman" are also considered as determinatives. In the Amarna letters' Rainey's glossary (Rainey 1970) which is the glossary for Akkadian language words, Sumerograms, etc., for Amarna letters EA 359–379, uses for both ''LÚ'' and ''lú'' are recorded. For the Amarna letters in Rainey's glossary, "LÚ" as the Sumerogram becomes Akkadian ''amēlu'', for "man". Two styles of "LÚ" sign The digitized version of the ''LÚ'' sign (Parpola 1971) is a member of the "3-horizontals" section (listed sign nos. 326-349 in the ''Epic of Gilgamesh'', Parpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ù (cuneiform)
The cuneiform ù sign ('u, no. 3'), is found in both the 14th century BC Amarna letters and the ''Epic of Gilgamesh''. Its use is as a conjunction, (translated as for example: ''and, but, else, until,'' etc.), but rarely it is substituted for ''alphabetic u'', but that vowel ''u'' is typically represented by 'u, no. 2', (u prime), ú; occasionally 'u, no. 1', ( u (cuneiform)), , (mostly used for a conjunction, and ''numeral 10''), is also substituted for the "alphabetic u". The use of ''ù'' is often as a "stand-alone" conjunction, for example between two listed items, but it is used especially as a segue in text, (example Amarna letters), when changing topics, or when inserting segue-pausing positions. In the Amarna letters, it is also commonly immediately followed by a preposition: '' a- na'', or '' i- na'', used as ''"...And, to...."'', or ''"...And, in...."''; also ''"...But, for...."'', etc. This usage with a preposition is also a better example of the segue usage. Of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma (cuneiform)
The cuneiform ma sign, is found in both the 14th century BC Amarna letters and the ''Epic of Gilgamesh''. In the Epic it is also used as the Sumerogram MA, (for Akkadian language "mina", ''manû'', a weight measure, as MA.NA, or MA.NA.ÀM). The ''ma'' sign is often used at the end of words, besides its alphabetic usage inside words as syllabic ''ma'', elsewhere for ''m'', or ''a''. The usage of cuneiform ''ma'' in the ''Epic of Gilgamesh'', is only exceeded by the usage of a (cuneiform) (1369 times, and 58, A (Sumerogram), versus 1047 times for ''ma'', 6 for MA (Sumerogram)). The high usage for ''a'' is partially a result of the prepositional use for ''a-na''-(Akkadian "ana", ''to, for'', etc.); "''i''", also has an increased prepositional use of i (cuneiform), for Akkadian ''ina'', ( i- na), for ''in, into, etc.'' References * Moran, William L. 1987, 1992. ''The Amarna Letters.'' Johns Hopkins University Press, 1987, 1992. 393 pages.(softcover, ) * Parpola, 1971. ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Um (cuneiform)
The cuneiform alphabetic um sign, also dup, tup, ṭup, and DUB, the Sumerogram (logogram), for Akkadian language "ṭuppu",Parpola, 1971. ''The Standard Babylonian Epic of Gilgamesh'', Glossary, pp. 119-145, ṭuppu, p. 144. (= the clay tablet), is found in both the 14th century BC Amarna letters and the Epic of Gilgamesh. In the Amarna letters as ''um'', it is found as ''um-ma'' in the introduction of the letters as ''"Message (thus)"''...(and then the PN (personal name) of the individual sending, or authoring the letter). In specific texts with dialogue, for example Amarna letter EA 19, ''Love and Gold'', an extensive discussion is made by the king of Babylon about his father, ancestry, friendship between kings, envoys, women (for the harem, or wife), etc., and consequently the dialogue is preceded by ''um-ma'' ("quote"), then the dialogue by the messenger, (or the king). References * Moran, William L. 1987, 1992. ''The Amarna Letters.'' Johns Hopkins University Press, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arqa
Arqa ( ar, عرقا; akk, 𒅕𒋡𒋫, translit=Irqata) is a Lebanese village near Miniara in Akkar Governorate, Lebanon, 22 km northeast of Tripoli, near the coast. The town was a notable city-state during the Iron Age. The city of ''Irqata'' sent 10,000 soldiers to the coalition against the Assyrian king in the Battle of Qarqar. The former bishopric became a double Catholic titular see (Latin and Maronite). The Roman Emperor Alexander Severus was born there. It is significant for the Tell Arqa, an archaeological site that goes back to Neolithic times, and during the Crusades there was a strategically significant castle. Names It is mentioned in Antiquity in the Amarna letters of Egypt-(as ''Irqata''), as well as in Assyrian documents. The Roman town was named Caesarea (of Lebanon/Phoenicia) or Arca Caesarea. History Early Bronze In the Early Bronze IV, the Akkar Plain had three major sites in Tell Arqa, Tell Kazel and Tell Jamous. The cultural focus had bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ri (cuneiform)
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