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Amalie Joachim
Amalie Marie Joachim (née Schneeweiss; 10 May 1839 – 3 February 1899) was an Austrian-German contralto, working in opera and concert and as voice teacher. She was the wife of the violinist Joseph Joachim, and a friend of Clara Schumann and Johannes Brahms, with whom she made international tours. Career Born Amalie Marie Schneeweiss in Marburg an der Drau, Austrian Empire, she was the daughter of Franz Max Schneeweiss and his wife Eleonore, née Lindes. The family moved to Graz in the early 1850s. She appeared on stage from age 14, under the stage name Amalie Weiss. She later worked in Vienna at the Kärntnertortheater. In April 1862, she was engaged by the Opernhaus Hannover, where she had appeared as a guest several times., Musik in Hannover', Hannover/Leipzig, 1903, pp. 201ff) There, she met the concert master Joseph Joachim, whom she married on 10 June 1863 in the Schlosskirche. The couple had six children. With her marriage, she retired from the stage, but she sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Neumann
Friedrich Gustav Adolf Neumann (5 June 1825 – 20 November 1884), was a German painter and engraver. Many of his portraits were published in ''Die Gartenlaube'' and the ''Illustrirte Zeitung''. His brother was the wood engraver, . His father worked as a colorist. Although his family was very poor, he gained the approval of Veit Hanns Schnorr von Carolsfeld, who accepted him as his student at the Academy of Fine Arts. Later, he worked in the studios of the copper engraver, Henry Winkles, then took lessons from Carl Werner and , who became his friend and provided support after the death of his father. @ German Wikisource He was best known for his portraits, especially those of musicians, including |
Berlin University Of The Arts
The Universität der Künste Berlin (UdK; also known in English as the Berlin University of the Arts), situated in Berlin, Germany, is the largest art school in Europe. It is a public art and design school, and one of the four research universities in the city. The university is known for being one of the biggest and most diversified universities of the arts worldwide. It has four colleges specialising in fine arts, architecture, media and design, music and the performing arts with around 3,500 students. Thus the UdK is one of only three universities in Germany to unite the faculties of art and music in one institution. The teaching offered at the four colleges encompasses the full spectrum of the arts and related academic studies in more than 40 courses. Having the right to confer doctorates and post-doctoral qualifications, Berlin University of the Arts is also one of Germany's few art colleges with full university status. Outstanding professors and students at all its colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Thielen
Hugo Thielen (born 1946) is a German freelance author and editor, who is focused on the history of Hanover, the capital of Lower Saxony, in a lexicon of the city, another one especially of its art and culture, and a third of biographies. He co-authored a book about Jewish personalities in Hanover's history. Life Thielen studied German language and literature, philosophy and education at the University of Bonn from 1966, completing with the Staatsexamen in 1971. He has lived in Hanover from 1973, working as editor and author for various publishing houses. He worked for , a publisher mainly of school readers, until 1981, for the Th. Schäfer Verlag until 1995, also for the Postskriptum Verlag, for Hirschgraben, a publisher of school readers in Frankfurt am Main, for in Lüneburg and Springe, and for . From 1983 to 1995 he was a freelance music critic for the ''Hannoversche Allgemeine Zeitung'' (HAZ). He is head of a Verlagsbüro, an office for freelance writers. Publications T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beatrix Borchard
Beatrix Borchard (born 1950) is a German musicologist and author. The focus of her publications is the life and work of female and male musicians, such as Clara and Robert Schumann, Amalie and Joseph Joachim, Pauline Viardot-Garcia, and Adriana Hölszky. Also among her topics are the role of music in the process of Jewish assimilation, the history of musical interpretation, and strategies of . Career Borchard was born and grew up in Lingen, Germany. She studied musicology, German studies, and history in Bonn and Berlin. She wrote her dissertation about Clara Wieck and Robert Schumann. In 2000, she wrote her habilitation about Amalie and Joseph Joachim. She has been the editor of the Viardot-Garcia studies,''Viardot-Garcia-Studien'' Bd. 1–6, Georg Olms Verlag Hildesheim · Zürich · New York 2012ff and of the online ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG)'' is one of the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher began planning a second, revised edition with 29 volumes, which were published from 1994 through 2008 in cooperation with the publisher J.B. Metzler (''MGG2''; with a topical part in 9 volumes and a persons part in 17 volumes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Blume
Friedrich Blume (5 January 1893, in Schlüchtern, Hesse-Nassau – 22 November 1975, in Schlüchtern) was professor of musicology at the University of Kiel from 1938 to 1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorius edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of ''Die Musik in Geschichte und Gegenwart''. Life Blume, son of a tax inspector, studied from 1911 to 1914 at the universities of Munich, Leipzig and Berlin. Initially studying medicine, he then applied himself to musicology, art history and philosophy. After military service and captivity during World War I, he conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ehrengrab
An ''Ehrengrab'' (English: 'grave of honor') is a distinction granted by certain German, Swiss and Austrian cities to some of their citizens for extraordinary services or achievements in their lifetimes. If there are no descendants or institutions to care for the gravesites, the communities or cities will take responsibility for the graves and for financing their care. Many ''Ehrengräber'' (honor graves) also serve to document cultural history; for example, when a cemetery containing artistically notable graves is closed and the graves are moved at public expense. The basic details of the awarding, financing and care of honorary graves are similarly handled in all German-speaking countries. Berlin and Vienna maintain the largest number of such sites. Cities Berlin In Berlin about 200 cemeteries contain approximately 740 tombs of honor with about 800 ''Ehrengräber'' (some tombs honor several members of the same family). Berlin public memorial graves are under the legi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiser Wilhelm Memorial Cemetery
The Protestant Kaiser Wilhelm Memorial Cemetery (german: Der evangelische Kaiser-Wilhelm-Gedächtnis-Friedhof) is a burial ground in the Westend district of Berlin with a size of 3.7 hectares. The cemetery is under monument and cultural heritage protection. The cemetery is located on Fürstenbrunner way, adjacent to the cemetery Luisenfriedhof III and is connected by two paths. History The Protestant Kaiser Wilhelm Memorial Church was established in 1896 due to the growing Lutheran population in West Berlin. Luisen parish gave the congregation of the Kaiser Wilhelm Memorial Church a site for the founding of its own cemetery. The inauguration of the cemetery with the first burial took place on 25 July 1896. In 1903 a cemetery chapel was built. Until then they used the facilities at the adjacent cemetery, Luisenfriedhof III. The chapel was designed in Romanesque style and the dedication of the chapel took place on 27 September 1903. Unique among the chapels in Berlin cemeteri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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