Always A Pleasure
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Always A Pleasure
''Always a Pleasure'' is a live album by Cecil Taylor recorded during the Workshop Freie Musik at the Akademie der Kunste, Berlin on April 8, 1993, and released in 1996 on the FMP label. The album features a concert performance by Taylor with Longineu Parsons, Harri Sjöström, Charles Gayle, Tristan Honsinger, Sirone and Rashid Bakr. A recording of part five of the concert, titled "Fifth Pleasure", was released by FMP in 1998 on the Taylor compilation album ''Concrete''. Reception In a review for AllMusic, Thom Jurek called the group "an ensemble that plays so intrinsically 'together' that it feels like the band Taylor has been trying to assemble since the death of his altoist, Jimmy Lyons", and wrote: "This is easily the best large-unit Taylor record of the '90s. Fans and curiosity seekers would be well-advised to seek it out and prepare themselves to be blown away by the depth and dimension Taylor's musical soul reveals when it is challenged and upheld by such a phenomenal g ...
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Cecil Taylor
Cecil Percival Taylor (March 25, 1929April 5, 2018) was an American pianist and poet. Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms. His technique has been compared to percussion. Referring to the number of keys on a standard piano, Val Wilmer used the phrase "eighty-eight tuned drums" to describe Taylor's style. He has been referred to as being "like Art Tatum with contemporary-classical leanings". Early life and education Cecil Percival Taylor was born on March 25, 1929, in Long Island City, Queens, and raised in Corona, Queens. Ratliff, Ben (May 3, 2012)"Lessons From the Dean of the School of Improv" ''The New York Times''. Retrieved December 9, 2017: "I recently spoke with the 83-year-old improvising pianist Cecil Taylor for about five hours over two days. One day was at his three-story home ...
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Rashid Bakr (musician)
Rashid Bakr (born Charles Downs on October 3, 1943 in Chicago, Illinois) is an American free jazz drummer. Career During the 1970s, he was active in the New York City loft jazz scene, performing at venues such as Rashied Ali's "Ali's Alley" and Sam Rivers' " Studio Rivbea". He was a member of Ensemble Muntu with Jemeel Moondoc, among others. In 1976, Bakr performed in a production of Adrienne Kennedy's '' A Rat's Mass'' directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan. Musicians Jimmy Lyons, Andy Bey, Karen Borca, David S. Ware, and Raphe Malik also performed in the production. Taylor's production combined the original script with a chorus of orchestrated voices used as instruments. Bakr continued to perform with Taylor into the 1980s, appearing on his albums '' The Eighth'' and '' Winged Serpent (Sliding Quadrants)''. Bakr is a member of Other Dimensions in Music with Roy Campbell, Daniel Carter, and William Parker. Di ...
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1996 Live Albums
File:1996 Events Collage.png, From left, clockwise: A bomb explodes at Centennial Olympic Park in Atlanta, set off by a radical anti-abortionist; The center fuel tank explodes on TWA Flight 800, causing the plane to crash and killing everyone on board; Eight people die in a blizzard on Mount Everest; Dolly the Sheep becomes the first mammal to have been cloned from an adult somatic cell; The Port Arthur Massacre occurs on Tasmania, and leads to major changes in Australia's gun laws; Macarena, sung by Los del Río and remixed by The Bayside Boys, becomes a major dance craze and cultural phenomenon; Ethiopian Airlines Flight 961 crash-ditches off of the Comoros Islands after the plane was hijacked; the 1996 Summer Olympics are held in Atlanta, marking the Centennial (100th Anniversary) of the modern Olympic Games., 300x300px, thumb rect 0 0 200 200 Centennial Olympic Park bombing rect 200 0 400 200 TWA FLight 800 rect 400 0 600 200 1996 Mount Everest disaster rect 0 200 3 ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Ben Ratliff
Ben Ratliff (born 1968 in New York City) is an American journalist, music critic and author. Ratliff is the son of an English mother and an American father, growing up in London and in Rockland County, New York. From 1996 to 2016, he wrote about pop music and jazz for ''The New York Times''. He is the author of four books: ''Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty'' (2016), ''The Jazz Ear: Conversations Over Music'' (2008), ''Jazz: A Critic's Guide to the 100 Most Important Recordings'' (2002), and a critical biography of John Coltrane (''The Story of a Sound,'' 2007), which was a finalist for the National Book Critics Circle Award. His articles have appeared in ''The New York Review of Books'' , ''Granta'', ''Rolling Stone'', '' Spin'', ''The Village Voice'', '' Slate'' and ''Lingua Franca''. In 2005, he received the Helen Dance-Robert Palmer Award for "Excellence in Newspaper, Magazine or Online Writing" from the Jazz Journalists Association. From 20 ...
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