Alternative Country
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Alternative Country
Alternative country, or alternative country rock (sometimes alt-country, insurgent country, Americana, or y'allternative), is a loosely defined subgenre of country music and/or country rock that includes acts that differ significantly in style from mainstream country music, mainstream country rock, and country pop. Alternative country artists are often influenced by alternative rock. Most frequently, the term has been used to describe certain country music and country rock bands and artists that are also defined as or have incorporated influences from alternative rock, heartland rock, Southern rock, progressive country, outlaw country, neotraditional country, Texas country, Red Dirt, honky-tonk, bluegrass, rockabilly, psychobilly, roots rock, indie rock, hard rock, folk revival, indie folk, folk rock, folk punk, punk rock, cowpunk, blues punk, blues rock, emocore, post-hardcore, and rhythm 'n' blues. Definitions and characteristics In the 1990s the term ''alternative co ...
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Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ...
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Emocore
Emo is a rock music genre characterized by emotional, often confessional lyrics. It emerged as a style of and hardcore punk from the Washington D.C. hardcore punk scene, where it was known as emotional hardcore or emocore and pioneered by bands such as Rites of Spring and Embrace. In the early–mid 1990s, emo was adopted and reinvented by alternative rock, indie rock and/or punk rock bands such as Sunny Day Real Estate, Jawbreaker, Weezer, Cap'n Jazz, and Jimmy Eat World. By the bands such as Braid, the Promise Ring, and the Get Up Kids emerged from the burgeoning Midwest emo scene, and several independent record labels began to specialize in the genre. Meanwhile, screamo, a more aggressive style of emo using screamed vocals, also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. Screamo achieved mainstream success in the 2000s with bands like Hawthorne Heights, Silverstein, Story of the Year, Thursday, the Used, and Underoath. Often seen as a subc ...
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Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues B ...
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Blues Punk
Punk blues (or blues punk) is a rock music genre that mixes elements of punk rock and blues. Punk Blues Genre AMG Allmusic.com, Retrieved on May 21, 2008 Punk blues musicians and bands usually incorporate elements of related styles, such as protopunk and blues rock. Its origins lie strongly within the garage rock sound of the 1960s and 1970s. Punk blues can be said to favor the common rawness, simplicity and emotion shared between the punk and blues genres. Chet Weise, singer/guitarist of the Immortal Lee County Killers stated, "Punk and blues are both honest reactions to life. It's blues, it's our blues. It's just a bit turned up and a bit faster." Origins Before the beginning of the punk movement of the late 1970s, several important forerunners such as the MC5, the Stooges, the Who, the Sonics, Captain Beefheart, and the New York Dolls displayed a fascination with American blues. AllMusic states that punk blues draws on the influence of the "garage rock sound of the mid-'6 ...
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Folk Punk
Folk punk (known in its early days as rogue folk) is a fusion of folk music and punk rock. It was popularized in the early 1980s by the Pogues in England, and by Violent Femmes in the United States. Folk punk achieved some mainstream success in that decade. In more recent years, its subgenres Celtic punk and Gypsy punk have experienced some commercial success. Characteristics Folk punk is related to and/or influenced by various styles such as Celtic punk, gypsy punk, anti-folk, and  alternative country. Folk punk is also linked with DIY punk scenes, and bands often perform in house venues in addition to more traditional spaces. Folk punk musicians may perform their own compositions in the style of punk rock, but using additional folk instruments, such as mandolins, accordions, banjos or violins.Sweers, B., ''Electric Folk: The Changing Face of English Traditional Music'' (Oxford University Press, 2005), pp. 197-8. Folk punk possesses a rich history of progressive an ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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American Folk Music Revival
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music. Overview Early years The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espoused by instructors such as Margot Mayo, which gave musicians such as Pete Seeger popular exposure. The folk revival more generally as a popular and commercial phenomenon begins with the career of The Weavers, formed in November 194 ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Roots Rock
Roots rock is a genre of rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s, including blues rock, country rock, Southern rock, and swamp rock which have been seen as responses to the perceived excesses of the dominant psychedelic and the developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All music guide to rock: the definitive guide to rock, pop, and soul'' (Backbeat Books, 3rd edn., 2002), p. 1327 Because ''roots music'' (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave, and heavy metal music. After a further decline, the 2000s saw a new interest in "roots" music. One proof of that is the specific Grammy Award given since 2 ...
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Psychobilly
Psychobilly is a rock music fusion genre that fuses elements of rockabilly and punk rock. It's been defined as "loud frantic rockabilly music", it has also been said that it "takes the traditional countrified rock style known as rockabilly, ramp ngup its speed to a sweaty pace, and combin ngit with punk rock and imagery lifted from horror films and late-night sci-fi schlock,... reating agritty honky tonk punk rock." Psychobilly is often characterized by lyrical references to science fiction, horror (leading to lyrical similarities to horror punk) and exploitation films, violence, lurid sexuality, and other topics generally considered taboo, though often presented in a comedic or tongue-in-cheek fashion. Psychobilly bands and lyrics usually take an apolitical stance, a reaction to the right- and left-wing political attitudes which divided other British youth cultures. It is often played with an upright double bass, instead of the electric bass which is more common in modern rock ...
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