Altarpiece Of The Halberd
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Altarpiece Of The Halberd
The Altarpiece of the Halberd is an oil-on-canvas painting created ca.1539 by the Italian High Renaissance painter Lorenzo Lotto. It is housed in the Pinacoteca civica Francesco Podesti of Ancona, central Italy. History The work was seen by the art biographer Giorgio Vasari in the church of Sant'Agostino in Ancona, where Lotto had fled in reply to the hostility received in Venice. It was later moved to the church of Santa Maria della Piazza and, after other locations, the current one. The painting dates to a few years after the coup by which Ancona had been restored to the Papal States. The resistance had been brutally suppressed, many of the rebels having been beheaded by order of the papal legate. The upside-down halberd has been thus interpreted as a symbol of peace. Description The monumental composition is taken directly from the tradition of Holy Conversations in the Venetian School, inaugurated by Antonello da Messina's San Cassiano Altarpiece. It shows the Madonna ...
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Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ...
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Venetian School (art)
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo Veronese (1528–1588) and Jacopo Bassano (1510–1592) and his sons. Considered to give primacy to colour over line, the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. The Venetian style exerted great influence upon the subsequent development of Western painting.Gardner, p. 679. By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo. This had ended ...
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Paintings In Ancona
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings Of Saint Stephen
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Of The Madonna And Child By Lorenzo Lotto
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1539 Paintings
__NOTOC__ Year 1539 ( MDXXXIX) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events January–June * January – Toungoo–Hanthawaddy War – Battle of Naungyo, Burma: The Toungoos decisively defeat the Hanthawaddys. * January 12 – Treaty of Toledo: Charles V, Holy Roman Emperor (and Charles I of Spain) and Francis I of France agree to make no further alliances with England. The treaty comes after Henry VIII of England's split with Rome and Pope Paul III. * January 14 – Spain annexes Cuba. * February 9 – The first horse race is held at Chester Racecourse, the oldest in use in England. * March – Canterbury Cathedral surrenders, and reverts to its previous status of 'a college of secular canons'. * May 30 – Hernando de Soto lands at Tampa Bay, Florida with 600 soldiers, with the goal of finding gold. He also introduces pigs into North America. * May – The ...
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Simon The Zealot
Simon the Zealot (, ) or Simon the Canaanite or Simon the Canaanean (, ; grc-gre, Σίμων ὁ Κανανίτης; cop, ⲥⲓⲙⲱⲛ ⲡⲓ-ⲕⲁⲛⲁⲛⲉⲟⲥ; syc, ܫܡܥܘܢ ܩܢܢܝܐ) was one of the most obscure among the apostles of Jesus. A few pseudepigraphical writings were connected to him, but Saint Jerome does not include him in ''De viris illustribus'' written between 392 and 393 AD. Identity The name Simon occurs in all of the Synoptic Gospels and the Book of Acts each time there is a list of apostles, without further details: The Zealot To distinguish him from Simon Peter he is called ''Kananaios'' or ''Kananites'', depending on the manuscript ( ), and in the list of apostles in Luke 6:15, repeated in Acts 1:13, ''Zelotes,'' the "Zealot". Both ''Kananaios'' and ''Kananites'' derive from the Hebrew word קנאי ''qanai'', meaning ''zealous'', although Jerome and others mistook the word to signify the apostle was from the town of קנה Cana, in w ...
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Flemish Painting
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens. In theory the term does not refer to modern Flanders but to the County of Flanders and neighbouring areas of the Low Countries such as the Tournaisis and Duchy of Brabant. However this distinction, well understoo ...
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San Cassiano Altarpiece
The ''San Cassiano Altarpiece'' is a painting by the Italian Renaissance master Antonello da Messina, dating to 1475–1476. Commissioned for the church of San Cassiano in Venice, it was disassembled in the early 17th-century and the reunited central portion is now housed in the Kunsthistorisches Museum in Vienna. It was one of the most influential paintings in the Veneto area of the time.Description page at the museum's website


History

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Antonello Da Messina
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina ( 1430February 1479), was an Italian painter from Messina, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting, although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy, although this is now disputed. Unusually for a southern Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice. Biography Early life and training Antonello was born at Messina around 1429–1431, to Garita (Margherita) and Giovanni de Antonio Mazonus, a sculptor who trained him early on. He and his family resided in the Sicofanti district of the city. Antonello is thought to have apprenticed in Rome before going to Naples, where Netherlandish painting was ...
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Holy Conversation
In art, a (; plural: ''sacre conversazioni''), meaning holy (or sacred) conversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods. Donor portraits may also be included, generally kneeling, often their patron saint is presenting them to the Virgin, and angels are frequently in attendance. The term is often used as a title for paintings to avoid listing all the individual figures, although the trend in museums and academic art history is now to give the full list. The name, which only appears as a title retrospectively in the 18th century, has been explained with reference to "their rapt stillness of mood, in which the Saints, scarcely looking at one another, seem to communicate at a spiritual rather than a material level". At least that is the case in ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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