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Altar Poem
An altar poem is a pattern poem in which the lines are arranged to look like the form of an altar. The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The tradition of shaped poetry goes back to Greek poets writing in Alexandria before the Common Era but most examples date from later and were written by European Christian poets during the Baroque period. Classical examples Three poems in the shape of altars date from Classical times, starting from the turn of the Common Era, and refer to Pagan altars, even though the last of the poets was a Christian. The name of the creator of the earliest poem is known to be Dosiadas, but there is no other information about him. As in some of the shaped poems written before it, the 18 lines propose a riddle to which the shape gives a clue. Containing recondite allusions to Greek mythology which have to be penetrated first, they begin “I am the work of the husband of the man-mantled queen, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattern Poem
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term ‘concrete poetry’ is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the Greek Anthology now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King James The First
James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and Ireland Ireland ( ; ga, Éire ; Ulster Scots dialect, Ulster-Scots: ) is an island in the Atlantic Ocean, North Atlantic Ocean, in Northwestern Europe, north-western Europe. It is separated from Great Britain to its east by the North Channel (Grea ... as James I from the union of the Scottish and English crowns on 24 March 1603 until his death in 1625. The kingdoms of Kingdom of Scotland, Scotland and Kingdom of England, England were individual sovereign states, with their own parliaments, judiciaries, and laws, though both were ruled by James in personal union. James was the son of Mary, Queen of Scots, and a great-great-grandson of Henry VII of England, Henry VII, King of England and Lord of Ireland, and thus a potential successor to all three thrones. He succeeded to the Scottish throne at the age of thirteen months, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Benlowes
Edward Benlowes (12 July 160318 December 1676) was an English poet. Life The son of Andrew Benlowes of Brent Hall, Essex, he matriculated at St Johns College, Cambridge, on 8 April 1620. On leaving the university he travelled with a tutor on the continent, visiting seven courts of princes. Wood says that he returned tinged with Romanism; but according to Cole he had been bred in the Roman Catholic religion from his earliest years. In later life he converted to Protestantism. On the death of his father he became possessed of the estate of Brent Hall, but being a man of a very liberal disposition he contrived "to squander it mostly away on poets, flatterers (which he loved), in buying of curiosities (which some called baubles), on musicians, buffoons, &c." (Wood). He often gave his bond for the payment of debts contracted by his friends, and on one occasion, being unable to meet the obligation he had incurred, was committed to prison at Oxford. To his niece at her marriage, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Bosworth
William Bosworth (died 1650?) was an English poet, known for a posthumous volume of verse from 1651. Life He belonged to a family (whose name is sometimes spelt Boxworth) of Boxworth Boxworth is a village in South Cambridgeshire, situated about eight miles to the north-west of Cambridge. It falls under the Papworth Everard and Caxton ward and lies within the diocese of Ely. The village covers an area of 1,053 ha. (2,602 a.) ... in Cambridgeshire. He wrote much poetry in his youth, but published nothing. He died about 1650. Works In 1651 an admiring friend (R. C.) issued ''The Chast and Lost Lovers Lively shadowed in the persona of Arcadius and Sepha .... To this is added the Contestation betwixt Bacchus and Diana, and certain Sonnets of the Author to Avrora. Digested into three Poems by Will. Bosworth, Gent.'', London, 1651. It contained Bosworth's poetry, with a dedication to John Finch, Lord Chief Justice of the Common Pleas. Five copies of verses signed respectively L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conceit
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle). These implications are repeatedly emphasized, discovered, rediscovered, and progressed in new ways. History of meaning In the Renaissance, the term (which is related to the word concept) indicated the idea that informed a literary work--its theme. Later, it came to stand for the extended and heightened metaphor common in Renaissance poetry, and later still it came to denote the even more elaborate metaphors of 17th century poetry. The Renaissance conceit, given its importance in Petrarch's ''Il Canzoniere'', is also referred to as Petrarchan conceit. It is a comparison in which human experiences are described in terms of an outsized met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
