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Alone Together (Benny Carter Album)
''Alone Together'' is an album by American jazz saxophonist Benny Carter and his orchestra with the Oscar Peterson Quartet. The album was recorded in 1952 and released by Norgran Records. It includes tracks that were released on the 10 inch LP ''The Formidable Benny Carter'' and recordings from the same sessions. accessed March 29, 2016 Reception gave the album two stars.Allmusic listingaccessed March 29, 2016 Track listing ...
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Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Got It Bad (and That Ain't Good)
"I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue ''Jump for Joy'' by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). Recorded versions by notable artists *Al Aarons * John "Johnny" Adriano Acea * Cannonball Adderley *Jamey Aebersold * Harry Allen * Carl Anderson *Ernestine Anderson *Ivie Anderson * Susie Arioli * Louis Armstrong *Benny Bailey *Guy Barker *Bruce Barth *Count Basie *BBC Big Band *Tobias Beecher *Madeline Bell * Joe Benjamin *Tony Bennett *Big Miller *Paul Bley *Carolyn Breuer * Marvin Gaye * Charles Brown * Sandy Brown *Beryl Bryden *Kenny Burrell * Charlie Byrd * Donald Byrd *Ann Hampton Callaway * Harry Carney *Benny Carter * Cher - ''B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Suessdorf
Karl A. Suessdorf (April 28, 1911 – February 25, 1982) was an American songwriter. Biography The son of Henry F. Suessdorf, he was born in Valdez, Alaska, United States, where his father operated from 1907 to 1917 the Copper Block Buffet, a hotel and saloon that offered electric lights, hot baths and steam, and served men only. At the time of the 1920 U.S. Census (January 1920), Karl was living in Los Angeles with his grandmother. In 1938, he married Anna E. van Kleeff (stage name Kita van Cleve), who was then performing the part of Herodias in the Lester Horton non-verbal all-dance production of the play "Salome" written by Oscar Wilde. At the time of the 1940 U.S. Census (April 1940), the couple was renting a small house in Hollywood; his occupation was listed as a "salesman" working in a gasoline station. He and Kita were divorced about 1946. Suessdorf was best known for his collaboration with lyricist John Blackburn in composing the jazz standard, " Moonlight in Verm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Coslow
Sam Coslow (December 27, 1902 – April 2, 1982) was an American songwriter, singer, film producer, publisher and market analyst. Coslow was born in New York City. He began writing songs as a teenager. He contributed songs to Broadway revues, formed the music publishing company Spier and Coslow with Larry Spier and made a number of recordings as a performer. With the explosion of film musicals in the late 1920s, Hollywood attracted a number of ambitious young songwriters, and Coslow joined them in 1929. Coslow and his partner Larry Spier sold their publishing business to Paramount Pictures and Coslow became a Paramount songwriter. One of his first assignments for the studio was the score for the 1930 film ''The Virtuous Sin''. He formed a successful partnership with composer Arthur Johnston and together they provided the scores for a number of films including Bing Crosby vehicles. Coslow became a film producer in the 1940s and won the Academy Award for Best Short Film for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Johnston (composer)
Arthur James Johnston (January 10, 1898 – May 1, 1954) was an American composer, conductor, pianist and arranger. Life and career Born in New York City, he began playing piano in movie houses, and went to work for Fred Fisher's music publishing company at the age of 16. He met, and was soon hired by, Irving Berlin, becoming Berlin's personal arranger, and director of early '' Music Box Revues''. His first hit song was "Mandy Make Up Your Mind", co-written with George W. Meyer, Roy Turk and Grant Clarke for Florence Mills to sing in the show ''Dixie to Broadway''. Biography by Jason Ankeny, ''Allmusic.com'' Retrieved 12 January 2021 In 1929, he moved to Hollywood, where he o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cocktails For Two
"Cocktails for Two" is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie ''Murder at the Vanities'' (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007. The song alludes to Repeal, the ending of Prohibition in the United States. The introduction begins with: Oh what delight to Be given the right to Be carefree and gay once again. No longer slinking, Respectably drinking Like civilized ladies and men. The song was written in 1934, and the 21st Amendment, which ended Prohibition, was ratified in December of the previous year. Renditions Early recordings in 1934 of "Cocktails for Two" were also made by Johnny Green and Will Osborne, but possibly its best known version is the comedic sound effects-laden version by Spike Jones and His City Slickers. The Slickers first recorded it in 1944 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bewitched, Bothered And Bewildered
"Bewitched (Bothered and Bewildered)" is a show tune and popular song from the 1940 Rodgers and Hart musical '' Pal Joey''. It is part of the Great American Songbook. The song was introduced by Vivienne Segal on December 25, 1940, in the Broadway production during Act I, Scene 6, and again in Act II, Scene 4, as a reprise. Image ID 1801557. Archived froPlaybill scan for Pal Joey Image ID 1801552. Segal also sang the song on both the 1950 hit record and in the 1952 Broadway revival. It was performed by Carol Bruce in the 1954 London production. Chart versions * Doris Day with The Mellomen and orchestra conducted by John Rarig ** Columbia 38698 (matrix: HCO 3765-1N) **Recorded: May 13, 1949 **Peak Billboard chart position: No. 9 *Bill Snyder ** Billboard year-end top 30 singles of 1950 No. 24 *Gordon Jenkins and orchestra with vocal chorus by Bonnie Lou Williams **Decca 24983 **Peak Billboard chart position: No. 6 ** Billboard year-end top 30 singles of 1950 No. 26 *Jan Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Dietz
Howard Dietz (September 8, 1896 – July 30, 1983) was an American publicist, lyricist, and librettist, best remembered for his songwriting collaboration with Arthur Schwartz. Biography Dietz was born in New York City. He attended Columbia College and then studied journalism at Columbia University. He also served as publicist/director of advertising for Goldwyn Pictures and later MGM and is often credited with creating Leo the Lion, its lion mascot, and choosing their slogan '' Ars Gratia Artis''. In 1942, he was made MGM's Vice President in Charge of Publicity. He held that position until his retirement in 1957. He began a long association with composer Arthur Schwartz, when they teamed up for the Broadway revue ''The Little Show'' in 1929. They would continue to work on and off over the next 30 or so years. Dietz served in the US Navy in World War I and became editor of their magazine, ''Navy Life''. During World War II, he assisted the U.S. Treasury Department with the public ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Schwartz
Arthur Schwartz (November 25, 1900 – September 3, 1984) was an American composer and film producer, widely noted for his songwriting collaborations with Howard Dietz. Biography Early life Schwartz was born in Brooklyn, New York City, on November 25, 1900. He taught himself to play the harmonica and piano as a child, and began playing for silent films at age 14. He earned a B.A. in English at New York University and an M.A. in Architecture at Columbia. Forced by his father, an attorney, to study law, Schwartz graduated from NYU Law School with a Doctorate in Jurisprudence and was admitted to the bar in 1924. Career While studying law, he supported himself by teaching English in the New York school system. He also worked on songwriting concurrently with his studies and published his first song ("Baltimore, Md., You're the Only Doctor for Me", with lyrics by Eli Dawson) by 1923. Acquaintances such as Lorenz Hart and George Gershwin encouraged him to stick with composing. He att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alone Together (1932 Song)
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical '' Flying Colors'' in 1932 by Jean Sargent. The song soon became a hit, with Leo Reisman and His Orchestra's 1932 recording (vocal by Frank Luther) being the first to reach the charts. It has become a jazz standard. The first jazz musician to record the song was Artie Shaw in 1939. Other versions * Pepper Adams - ''Conjuration: Fat Tuesday's Session'' (1957) * Chet Baker - Chet (1959) * Tony Bennett - recorded on February 28, 1960 for his album '' Alone Together'' (1960). * Pat Boone - for his album ''The Touch of Your Lips'' (1964). * Ray Charles and Betty Carter – ''Ray Charles and Betty Carter'' (1961) * Vic Damone - for his album ''This Game of Love'' (1959). * Miles Davis – ''Blue Moods'' (1955) * Paul Desmond with Jim Hall – ''Take Ten'' (1963) * Judy Garland - ''That's Entertainment!'' (1960) * Dizzy Gillespie – (1950) * Charlie Haden – ''N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
