Allegro Non Troppo
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Allegro Non Troppo
''Allegro non troppo'' is a 1976 Italian animated film directed by Bruno Bozzetto. Featuring six pieces of classical music, the film is a parody of Walt Disney's 1940 feature film, '' Fantasia'', two of its segments being derived from the earlier film. The classical pieces are set to color animation, ranging from comedy to deep tragedy. At the beginning, in between the animation, and at the end, there are black and white live-action sequences, displaying the fictional animator, orchestra, conductor and filmmaker, with many humorous scenes about the fictional production of the film. Some of these sections mix animation and live action. The film was released in two versions. The first includes live action sequences in between the classical pieces; the second version of the film omits these, replacing them with animated Plasticine letters spelling out the title of the next piece of music. While ''Allegro Non Troppo'' spoofs its source, The Walt Disney Company has been positively rec ...
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Maurizio Micheli
Maurizio Micheli (born 3 February 1947) is an Italian actor, voice actor, comedian, author, playwright and television personality. Life and career Born in Livorno in 1947, at 11 Micheli moved to Bari with his family, then at 20 he moved to Milan where he attended and graduated at the School of Dramatic Art at the Piccolo Teatro. Between late seventies and eighties Micheli obtained a large popularity as a comedian, through a series of successful variety shows, including '' Fantastico'', ''W le donne'', '' Al Paradise'' and ''A tutto gag''. Micheli was also very active on stage, while his film activity was less significant. In 1999 he received the honour Officer of the Italian Republic. In 2002 he published the novel ''Garibaldi amore mio'', by Baldini Castoldi Dalai, from which a comedy for 2003–2004 theatrical season was acted with the production of the Franco Parenti Theater in Milan. At ''Verdi Theater'' of Trieste) in 2007 he is La Gaffe in ''Il Paese dei Campanelli''; ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Epilogue
An epilogue or epilog (from Greek ἐπίλογος ''epílogos'', "conclusion" from ἐπί ''epi'', "in addition" and λόγος ''logos'', "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. It is presented from the perspective of within the story. When the author steps in and speaks directly to the reader, that is more properly considered an afterword. The opposite is a prologue—a piece of writing at the ''beginning'' of a work of literature or drama, usually used to open the story and capture interest. Some genres, for example television programs and video games, call the epilogue an "outro" patterned on the use of "intro" for "introduction". Epilogues are usually set in the future, after the main story is completed. Within some genres it can be used to hint at the next installment in a series of work. It is also used to satisfy the reader's curiosity and to cover any loose ends of the story. History of the term T ...
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Fedora
A fedora () is a hat with a soft brim and indented crown.Kilgour, Ruth Edwards (1958). ''A Pageant of Hats Ancient and Modern''. R. M. McBride Company. It is typically creased lengthwise down the crown and "pinched" near the front on both sides. Fedoras can also be creased with teardrop crowns, diamond crowns, center dents, and others, and the positioning of pinches can vary. The typical crown height is . The term ''fedora'' was in use as early as 1891. Its popularity soared, and eventually it eclipsed the similar-looking homburg. The fedora hat's brim is usually around wide, but can be wider, can be left raw-edged (left as cut), finished with a sewn overwelt or underwelt, or bound with a trim-ribbon. ''Stitched edge'' means that there is one or more rows of stitching radiating inward toward the crown. The Cavanagh edge is a welted edge with invisible stitching to hold it in place and is a very expensive treatment that can no longer be performed by modern hat factories.
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Tree Of The Knowledge Of Good And Evil
In Judaism and Christianity, the tree of the knowledge of good and evil ( he, עֵץ הַדַּעַת טוֹב וָרָע, ʿêṣ had-daʿaṯ ṭōḇ wā-rāʿ, label=Tiberian Hebrew, ) is one of two specific trees in the story of the Garden of Eden in Book of Genesis, Genesis 2–3, along with the Tree of life (biblical), tree of life. Alternatively, some scholars have argued that the tree of the knowledge of good and evil is just another name for the tree of life. In Genesis Narrative Genesis 2 narrates that God places the man in a garden with trees of whose fruits he may eat, but forbids him to eat from "the tree of the knowledge of good and evil." God formed woman after this command was given. In Genesis 3, a Serpents in the Bible, serpent persuades the woman to eat from its forbidden fruit and she also lets the man taste it. Consequently, God expels them from the garden. Meaning of ''good and evil'' The phrase in Hebrew, () literally translates as "good and evil". This ...
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Book Of Genesis
The Book of Genesis (from Greek ; Hebrew: בְּרֵאשִׁית ''Bəreʾšīt'', "In hebeginning") is the first book of the Hebrew Bible and the Christian Old Testament. Its Hebrew name is the same as its first word, ( "In the beginning"). Genesis is an account of the creation of the world, the early history of humanity, and of Israel's ancestors and the origins of the Jewish people. Tradition credits Moses as the author of Genesis, as well as the books of Exodus, Leviticus, Numbers and most of Deuteronomy; however, modern scholars, especially from the 19th century onward, place the books' authorship in the 6th and 5th centuries BC, hundreds of years after Moses is supposed to have lived.Davies (1998), p. 37 Based on scientific interpretation of archaeological, genetic, and linguistic evidence, most scholars consider Genesis to be primarily mythological rather than historical. It is divisible into two parts, the primeval history (chapters 1–11) and the ancestr ...
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Adam And Eve
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity, although not held in Judaism or Islam. In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ri ...
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The Firebird
''The Firebird'' (french: L'Oiseau de feu, link=no; russian: Жар-птица, Zhar-ptitsa, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. It was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece. Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes; ''L'Oiseau de feu'' was the first such major project. The success of the ballet was the ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ...
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Concerto In C Major, RV 559
The Concerto in C major, RV 559, is a concerto grosso by the Italian composer Antonio Vivaldi, completed in 1740. The concerto's instrumentation is for two oboes, two clarinets, string section and harpsichord. It is one of two of Vivaldi's concerti grossi for this instrumentation, the other being RV 560. The movements are: 1. Larghetto – llegro 2. Largo, 3. Allegro.Concerto for 2 Oboes and 2 Clarinets in C major, RV 559
details at A performance lasts for about 10 to 12 minutes.


Modern interpretations

Although this concerto was already a popular concert piece, it was brought to a much larger audience through its i ...
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Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ...
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Valse Triste (Sibelius)
''Valse triste'' (''Sad Waltz''), Op. 44, No. 1, is a short orchestral work by the Finnish composer Jean Sibelius. It was originally part of the incidental music he composed for his brother-in-law Arvid Järnefelt's 1903 play ''Kuolema'' (''Death''), but is far better known as a separate concert piece. Sibelius wrote six pieces for the 2 December 1903 production of ''Kuolema''. The first was titled ''Tempo di valse lente - Poco risoluto''. In 1904 he revised the piece, which was performed in Helsinki on 25 April of that year as ''Valse triste''. It was an instant hit with the public, took on a life of its own, and remains one of Sibelius's signature pieces. Background The background to the music as it functions within the original play is expanded upon by the programme notes for the production: It is night. The son, who has been watching beside the bedside of his sick mother, has fallen asleep from sheer weariness, Gradually a ruddy light is diffused through the room: there i ...
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