Allegory Of Waterloo
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Allegory Of Waterloo
''Allegory of Waterloo'', also known as ''Triumph of the Duke of Wellington'' or the ''Triumph of Great Britain after the Battle of Waterloo'', was a monumental painting by British artist James Ward, completed in 1821, and now lost. Ward won a competition organised by the British Institution in 1816 to create an artwork to celebrate the final victory over Napoleon at the Battle of Waterloo the previous year. He was commissioned to create a full-size painting, and paid 1,000 guineas. Rather than painting portraits of the Duke of Wellington and his generals, or a scene from the battle, Ward proposed an allegorical treatment. Ward's painting showed the Duke of Wellington in the red uniform of a British Field Marshal with decorations and sashes, standing in a triumphal chariot accompanied by the figure of Britannia. The chariot was drawn by four white horses, led by allegorical figures. Above was a sweltering orange sun and an angel, while more allegorical symbols and characters li ...
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James Ward (artist)
James Ward (23 October 1769 – 17 November 1859) was an English painter, particularly of animals, and an engraver. Biography Born in London to James Ward and Rachael Goldsmith, and younger brother of William Ward the engraver, James Ward was influenced by many people, but his career is conventionally divided into two periods: until 1803, his single greatest influence was his brother in law George Morland; from that time, it was Rubens. From 1810 or so onward, Ward specialised in painting horses within landscapes; slightly later, he turned to very large-scale landscapes, of which ''Gordale Scar'' (Tate, London), completed in 1814 or 1815 and depicting Gordale Scar (Yorkshire) as an example of the sublime, is considered his masterpiece and a masterpiece of English Romantic painting. Ward devoted much of the period 1815–21 to the painting of a gigantic work titled '' Allegory of Waterloo'' (now lost); this neither was much praised nor brought in the revenue Ward ha ...
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Isabella Clara Eugenia
Isabella Clara Eugenia ( es, link=no, Isabel Clara Eugenia; 12 August 1566 – 1 December 1633), sometimes referred to as Clara Isabella Eugenia, was sovereign of the Spanish Netherlands in the Low Countries and the north of modern France with her husband, Archduke Albert VII of Austria. Their reign is considered the Golden Age of the Spanish Netherlands. Isabella was one of the most powerful women in 16th- and 17th-century Europe. Early life Childhood Isabella Clara Eugenia of Austria was born in the Palacio del bosque de Valsaín, Segovia on 12 August 1566. She was the first surviving daughter of King Philip II of Spain and his third wife, Elisabeth of Valois. Her father was reportedly overjoyed at her birth and declared himself to be happier on the occasion than he would have been at the birth of a son. He already had a male heir, Carlos, Prince of Asturias, but father and son had never developed a close rapport and frequently lived in conflict with one another. ...
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Waterloo Campaign In Paintings
Waterloo most commonly refers to: * Battle of Waterloo, a battle on 18 June 1815 in which Napoleon met his final defeat * Waterloo, Belgium, where the battle took place. Waterloo may also refer to: Other places Antarctica *King George Island (South Shetland Islands), known in Russian as Ватерло́о ('Vaterloo') Australia *Waterloo, New South Wales * Waterloo, Queensland *Waterloo, South Australia *Waterloo Bay, now Elliston, South Australia *Waterloo, Victoria *Waterloo, Western Australia Canada * Waterloo, Nova Scotia *Regional Municipality of Waterloo, a region in Ontario **Waterloo, Ontario, a city **Waterloo (electoral district) **Waterloo (provincial electoral district) **Waterloo County, Ontario (1853–1973) *Waterloo, Quebec Hong Kong *Waterloo Road, Hong Kong, a road in Kowloon, Hong Kong New Zealand *Waterloo, New Zealand Sierra Leone *Waterloo, Sierra Leone Suriname *Waterloo, Suriname United Kingdom * Waterloo, Dorset, England *Waterloo, Huddersfield, En ...
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1822 Paintings
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ...
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Royal Academy Summer Exhibition
The Summer Exhibition is an open art exhibition held annually by the Royal Academy in Burlington House, Piccadilly in central London, England, during the months of June, July, and August. The exhibition includes paintings, prints, drawings, sculpture, architecture, architectural designs and models, and is the largest and most popular open exhibition in the United Kingdom. It is also "the longest continuously staged exhibition of contemporary art in the world". When the Royal Academy was founded in 1768 one of its key objectives was to establish an annual exhibition, open to all artists of merit, which could be visited by the public. The first Summer Exhibition took place in 1769; it has been held every year since without exception. History In 1768, a group of artists visited King George III and sought his permission to establish a society for Arts and Design. They proposed the idea of an annual exhibition and a school design. King George III approved of the idea and the first ...
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Fitzwilliam Museum Cambridge
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded i ...
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Royal Hospital Chelsea
The Royal Hospital Chelsea is a retirement home and nursing home for some 300 veterans of the British Army. Founded as an almshouse, the ancient sense of the word "hospital", it is a site located on Royal Hospital Road in Chelsea. It is an independent charity and relies partly upon donations to cover day-to-day running costs to provide care and accommodation for veterans. Residents are known as Chelsea Pensioners. The gardens of the Royal Hospital are Grade II listed on the Register of Historic Parks and Gardens. History King Charles II founded the Royal Hospital as a retreat for veterans in 1682.Guidebook, p. 3 The initiative is said to have come from Nell Gwyn according to Peter Cunningham's "The Story of Nell Gwyn" 851 The tradition was perpetuated when her portrait was used as a sign for a public house in Grosvenor Row (a thoroughfare which disappeared in the 19th century). The provision of a hostel rather than the payment of pensions was inspired by Les Invalides in P ...
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Egyptian Hall
The Egyptian Hall in Piccadilly, London, was an exhibition hall built in the ancient Egyptian style in 1812, to the designs of Peter Frederick Robinson. The Hall was a considerable success, with exhibitions of artwork and of Napoleonic era relics. The hall was later used for popular entertainments and lectures, and developed an association with magic and spiritualism, becoming known as "England's Home of Mystery". In 1905, the building was demolished to make way for flats and offices. History The Egyptian Hall was commissioned by William Bullock as a museum to house his collection, which included curiosities brought back from the South Seas by Captain Cook. It was completed in 1812 at a cost of £16,000. It was the first building in England to be influenced by the Egyptian style, partly inspired by the success of the Egyptian Room in Thomas Hope's house in Duchess Street, which was open to the public and had been well illustrated in Hope's ''Household Furniture and Inte ...
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Prado Museum
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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Convent Of Las Descalzas Reales
The Convent of Las Descalzas Reales ( es, Monasterio de las Descalzas Reales) is a royal monastery situated in Madrid, Spain, administered by the Patrimonio Nacional. History The ''Monasterio de las Descalzas Reales'', literally the "Monastery of the Royal Discalced", resides in the former palace of Emperor Charles V and Empress Isabel of Portugal. Their daughter, Joanna of Austria, founded this convent of nuns of the Poor Clare order in 1559. Throughout the remainder of the 16th century and into the 17th century, the convent attracted young widowed or spinster noblewomen. Each woman brought with her a dowry. The riches quickly piled up, and the convent became one of the richest convents in all of Europe. Tomás Luis de Victoria, Spain's finest Renaissance composer, worked at the convent from 1587 to the end of his life in 1611. The demographics of the convent slowly changed over time, and by the 20th century, all of the sisters were in poverty. The convent maintained t ...
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Spanish Netherlands
Spanish Netherlands (Spanish: Países Bajos Españoles; Dutch: Spaanse Nederlanden; French: Pays-Bas espagnols; German: Spanische Niederlande.) (historically in Spanish: ''Flandes'', the name "Flanders" was used as a ''pars pro toto'') was the Habsburg Netherlands ruled by the Spanish branch of the Habsburgs from 1556 to 1714. They were a collection of States of the Holy Roman Empire in the Low Countries held in personal union by the Spanish Crown (also called Habsburg Spain). This region comprised most of the modern states of Belgium and Luxembourg, as well as parts of northern France, the southern Netherlands, and western Germany with the capital being Brussels. The Army of Flanders was given the task of defending the territory. The Imperial fiefs of the former Burgundian Netherlands had been inherited by the Austrian House of Habsburg from the extinct House of Valois-Burgundy upon the death of Mary of Burgundy in 1482. The Seventeen Provinces formed the core of the Habsburg N ...
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Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat w ...
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