All That You Are (X3)
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All That You Are (X3)
"All That You Are (X3)" (often shortened to "All That You Are") is a song by Canadian rock band Econoline Crush from their second studio album, '' The Devil You Know''. The song was released as a single in Canada in 1997 and experienced commercial success, reaching number 12 on the ''RPM Revolutions per minute (abbreviated rpm, RPM, rev/min, r/min, or with the notation min−1) is a unit of rotational speed or rotational frequency for rotating machines. Standards ISO 80000-3:2019 defines a unit of rotation as the dimensionl ...'' Top Singles chart. The song also received airplay in the United States in 1999, appearing on several '' Billboard'' rock charts. Track listing Canadian CD single # "All That You Are (X3)" ( Boomtang mix edit) – 3:48 # "All That You Are (X3)" (Boomtang extended remix) – 4:48 Charts Weekly charts Year-end charts Release history References 1997 singles 1997 songs Restless Records singles Econoline Crush songs {{1990s-rock-s ...
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Econoline Crush
Econoline Crush is a Canadian rock band from Vancouver, British Columbia, formed in 1992. They have released five studio albums and are known for their charting singles such as "You Don't Know What It's Like", "Home", "Surefire (Never Enough)", "All That You Are (X3)", "Make It Right", and "Dirty". They achieved platinum status with the 1997 album '' The Devil You Know'' and also received two Juno nominations, in 1995 and 1998. Band history Early years, ''Purge'', and ''Affliction'' (1992–1996) Econoline Crush was formed in 1992 when singer Trevor Hurst moved to Vancouver from Seattle after he answered an ad seeking a vocalist in the local Seattle newspaper, '' The Rocket'', placed by Chris Meyers. Tom Ferris (previously known for the band Moev) and Meyers had been advertising and searching for a vocalist before Hurst contacted Meyers from Seattle. The trio began writing demos alongside guitarist Robbie Morfitt and bassist Dan Yarmeko. The band released a demo EP in 1993. At the ...
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The Devil You Know (Econoline Crush Album)
''The Devil You Know'' is an album by the industrial alternative rock band Econoline Crush. It was released in Canada in June 1997 by EMI, and in the United States in March 1998 by Restless Records. While they are still only popular in Canada for the most part, this album helped to increase Econoline Crush's exposure in the United States more than their previous album. Tracks 12 through 22 of the album are silent; track 23 consists of a Biblical passage ( I Corinthians 13:4-8) recited in Japanese. Touring and promotion Econoline Crush spent a year on the road supporting the record. They performed with artists such as Green Day, Foo Fighters, The Tea Party, Alice Cooper, and Kiss. When opening for Kiss in Edmonton during their 1997 reunion tour, the band were left devastated when the crowd of 18,000 started chanting "We want Kiss" only a few songs into their set. Appearances in other media Remixes of "Sparkle and Shine", "Nowhere Now", and "Surefire" were featured in the Pla ...
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EMI Music Canada
EMI Group Limited (originally an initialism for Electric and Musical Industries, also referred to as EMI Records Ltd. or simply EMI) was a British transnational conglomerate founded in March 1931 in London. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, and was one of the "Big Four" record companies (now the " Big Three"). Its labels included EMI Records, Parlophone, Virgin Records, and Capitol Records, which are now owned by other companies. EMI was listed on the London Stock Exchange, and was also once a constituent of the FTSE 100 Index, but faced financial problems and US$4 billion in debt, leading to its acquisition by Citigroup in February 2011. Citigroup's ownership was temporary, as EMI announced in November 2011 that it would sell its music arm to Vivendi's Universal Music Group for $1.9 billion and its publishing business to a Sony/ATV consortium for around $2.2 billi ...
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Restless Records
Restless Records is a record label that was started in El Segundo, California in 1986 by Enigma Records and primarily released alternative, metal, and punk records. Restless also licensed and released records from Bar/None Records, Metal Blade Records and Mute Records. Restless also had a fully owned subsidiary, Pink Dust Records. In 1991 Restless and a number of Enigma Records titles were acquired by Bill Hein and Joe Regis and re-launched in Hollywood, California. In 1992, Restless acquired the Twin/Tone Records label and classic titles by such artists as The Replacements, Soul Asylum, The Jayhawks and Ween. This added to Restless' already substantial catalogue of titles by They Might Be Giants, The Cramps, The Dead Milkmen, Devo, The Flaming Lips, Stiff Little Fingers, T.S.O.L. among others. In 1993 Restless co-founded Alternative Distribution Alliance (ADA) with Warner Brothers Music Group (WMG) to handle its distribution and certain titles released by Warner Bros., Elektra ...
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Sylvia Massy
Sylvia Lenore Massy is an American record producer, mixer, engineer, instructor and author. Massy is renowned for her multifaceted production/mixing and engineering skills, with her first major breakthrough occurring with 1993's '' Undertow'', the full-length triple platinum-selling debut for Los Angeles alternative metal band Tool as well as her work with System of a Down, Johnny Cash, Red Hot Chili Peppers, and Brazilian band South Cry. History Massy's first project was in the mid-1980s as producer, engineer, and mixer for a compilation album titled ''Rat Music for Rat People, Vol. 3'' on the CD Presents label. Acts featured included Adolescents, Raw Power, Doggy Style and Mojo Nixon. She followed this with producing the punk band Verbal Abuse for Boner Records, engineering two projects for metal band Exodus and co-producing the Sea Hags independent album with a young guitarist Kirk Hammett, who had just finished the ''Master of Puppets'' album with thrash metal group Metallica ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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The Boomtang Boys
The Boomtang Boys are Canadian dance-remix musicians and music producers. They are known for both their remix work and pop-dance music, in particular their singles " Squeeze Toy" and "Movin' On", which both topped the Canadian Singles Chart. History The Boomtang Boys first came together in 1991 as a music production group. The group created dance-friendly remixes of familiar songs, as well as produced music for a number of musicians and bands, including the Juno-awarded ''Deeper Shade of Love'' by Camille. Their debut album, ''Greatest Hits Volume One'', was released in 1999 and produced the hit " Squeeze Toy" as well as "Pictures", both performed by Kim Esty. ''Greatest Hits'' did well in Canada, achieving gold status in sales. The single "Popcorn" appeared on the ''RPM'' dance chart in 1999. The group also produced " The Hampsterdance Song", a track based on the Hampster Dance meme; the song reached number one on Nielsen SoundScan's Canadian Singles Chart in mid-2000. "Sq ...
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Mainstream Rock (chart)
Mainstream Rock is a music chart in ''Billboard (magazine), Billboard'' magazine that ranks the most-played songs on mainstream rock radio stations in the United States, a category that combines the formats of active rock and heritage rock. The chart was launched in March 1981 as Rock Albums & Top Tracks, after which the name changed first to Top Rock Tracks, then to Album Rock Tracks, and finally to its current Mainstream Rock in 1996. History The Rock Albums & Top Tracks charts were introduced in the March 21, 1981, issue of ''Billboard''.Joel Whitburn. ''Joel Whitburn Presents Rock Tracks 1981–2008.'' Hal Leonard Corporation, 2008p. 6. The 50- and 60-position charts ranked airplay on album rock radio stations in the United States. Because album-oriented rock stations focused on playing tracks from albums rather than specifically released singles, these charts were designed to measure the airplay of any and all tracks from an album. Rock Albums was a survey of the top albums o ...
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Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genr ...
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Library And Archives Canada
Library and Archives Canada (LAC; french: Bibliothèque et Archives Canada) is the federal institution, tasked with acquiring, preserving, and providing accessibility to the documentary heritage of Canada. The national archive and library is the fifth largest library in the world. The LAC reports to the Parliament of Canada through the Minister of Canadian Heritage. The LAC traces its origins to the Dominion Archives, formed in 1872, and the National Library of Canada, formed in 1953. The former was later renamed as the Public Archives of Canada in 1912, and the National Archives of Canada in 1987. In 2004, the National Archives of Canada and the National Library of Canada were merged to form Library and Archives Canada. History Predecessors The Dominion Archives was founded in 1872 as a division within the Department of Agriculture tasked with acquiring and transcribing documents related to Canadian history. In 1912, the division was transformed into an autonomous organiz ...
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Active Rock
Active rock is a radio format used by many commercial radio stations across the United States and Canada. Active rock stations play a balance of new hard rock songs with valued classic rock favorites, normally with an emphasis on the harder edge of mainstream rock and album-oriented rock. Format background There is no concrete definition of the active rock format. Sean Ross, editor of '' Airplay Monitor'', described active rock in the late 1990s as album-oriented rock (AOR) "with a greater emphasis on the harder end of the spectrum".Toby Eddings, "Active rock finds an Asylum at 93.5", ''The Sun News'', February 7, 1999 ''Radio & Records'' defined the format as based on current rock hits in frequent rotation and targeted to males ages 18–34, akin to the approach of contemporary hit radio (CHR) stations. An active rock station may include songs by classic hard rock artists whereas a modern rock or alternative station would not; such acts include AC/DC, Def Leppard, Guns N' Roses, ...
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