All That Funk
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All That Funk
''All That Funk'' is a live album by American jazz pianist Don Pullen and saxophonist George Adams recorded in 1979 for the Italian Palcoscenico label.Don Pullen discography
accessed May 16, 2011


Track listing

:''All compositions by Don Pullen except as indicated'' # "Dee Arr" - 7:15 # "" ( Burt Bacharach, ) - 6:35 # "Intentions" (George Adams) - 7:15 # "Big Alice" - 22:25 **Recorded at Ciak in Milano, Italy on November 2, 1979 ...
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George Adams (musician)
George Rufus Adams (April 29, 1940 – November 14, 1992) was an American jazz musician who played tenor saxophone, flute and bass clarinet. He is best known for his work with Charles Mingus, Gil Evans, Roy Haynes and in the quartet he co-led with pianist Don Pullen, featuring bassist Cameron Brown and drummer Dannie Richmond. He was also known for his idiosyncratic singing. Biography George Adams was born in Covington, Georgia, on April 29, 1940. He first started playing piano at the age of eleven and switched to tenor saxophone in high school. Later on, he went study at the Clark College and got lessons on flute by Wayman Carver. As a teenager, George Adams frequently gained performance experience by playing with local R&B bands. In 1961, he accompanied singer Sam Cooke on a tour. At this point, Adams was based out of Cleveland where he spent a great deal of time studying and working with organ trios alongside pianist and organist, Bill Doggett. The two men played a form ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ...
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George Adams (musician) Live Albums
George Adams may refer to: Arts * George Gammon Adams (1821–1898), English portrait sculptor and medallist * George G. Adams (architect) (1850–1932), American architect from Lawrence, Massachusetts * George Adams (musician) (1940–1992), American jazz musician Politics * George Adams (1731–1789), British Whig politician and Staffordshire landowner * George Adams (Mississippi judge) (1784–1844), American lawyer and political figure in Kentucky and Mississippi * George Willison Adams (1799–1879), abolitionist and member of the Ohio General Assembly * George Washington Adams (1801–1829), eldest son of John Quincy Adams * George Adams (magistrate) (1804–1873), Magistrate of the Pitcairn Islands, 1848 * George Madison Adams (1837–1920), U.S. Representative from Kentucky * George E. Adams (1840–1917), U.S. Representative from Illinois * George B. Adams (1845–1911), U.S. lawyer and federal judge * George H. Adams (1851–1911), American Republican politician an ...
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Don Pullen Live Albums
Don, don or DON and variants may refer to: Places *County Donegal, Ireland, Chapman code DON *Don (river), a river in European Russia *Don River (other), several other rivers with the name *Don, Benin, a town in Benin *Don, Dang, a village and hill station in Dang district, Gujarat, India * Don, Nord, a ''commune'' of the Nord ''département'' in northern France * Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania * Don, Trentino, a commune in Trentino, Italy *Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge, St ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ...
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Dannie Richmond
Charles Daniel Richmond (December 15, 1931 – March 16, 1988) was an American jazz drummer who is best known for his work with Charles Mingus. He also worked with Joe Cocker, Elton John and Mark-Almond. Biography Richmond was born Charles Daniel Richmond on December 15, 1931, in New York City and grew up in Greensboro, North Carolina. He started playing tenor saxophone at the age of thirteen, and went on to play Rhythm and blues, R&B with the Paul Williams (saxophonist), Paul Williams band in 1955. His career took off when he took up the drums, in his early twenties, through the formation of what was to be a 21-year association with Charles Mingus. Mingus biographer Brian Priestley writes that "Dannie became Mingus's equivalent to Harry Carney in the Duke Ellington Orchestra, Ellington band, an indispensable ingredient of 'the Mingus sound' and a close friend as well". That association continued after Mingus' death when Richmond became the first Music director, musical di ...
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Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the , and is featured in concertos, solo, and

Cameron Brown (musician)
Cameron Langdon Brown (born December 21, 1945) is an American jazz double bassist known for his association with the Don Pullen/ George Adams Quartet. Biography Cameron started studying music at age 10, first on piano, later on clarinet. But, drawn to the bass, he found himself playing a tin bass in a student dance band. As an exchange student in Europe, he worked with George Russell's Sextet and Big Band for one year and played with Don Cherry, Aldo Romano, Booker Ervin, and Donald Byrd. In 1966 he returned to graduate at Columbia College, Columbia University (1969, B.A. in Sociology). In 1974, Brown met Sheila Jordan, gigged with free jazz pioneers Roswell Rudd and Beaver Harris, joined Archie Shepp's quintet in 1975, and recorded with Harris' and The 360 Degree Music Experience around that time. The famous ''Don Pullen/ George Adams Quartet'', with him and drummer Dannie Richmond, developed into an intense and rewarding partnership which lasted during the 1980s. In add ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ...
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Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film '' Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit "The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and ...
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Don Pullen
Don Gabriel Pullen (December 25, 1941 – April 22, 1995) was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style. Biography Early life Pullen was and raised in Roanoke, Virginia, United States. Growing up in a musical family, he learned the piano at an early age. A graduate of Lucy Addison High School, Pullen played in the school's band. He played with the choir in his local church and was heavily influenced by his cousin, Clyde "Fats" Wright, who was a professional jazz pianist. He took some lessons in classical piano and knew little of jazz. At this time, he was mainly aware of church music and the blues.Interview with Vernon Frazer, ''Coda'', October, 1976 (Canada); Free Blues, ''Jazz Hot'' 331, October 1976 (France); Piano Inside And Out, ''Down Beat'', June 1985 (U ...
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